The Secrets of Healing Oil: Analyzing 17 Conjure Healing Oil Formulas and Psalms and Prayers for Use in Healing

By Frater S.C.F.V.

A. Introduction: Roots of Healing Traditions in Hoodoo, Conjure and Rootwork

The roots of folk expertise in the art of healing through herbs and curios reach back to the earliest emergence of the Hoodoo, Conjure, and Rootwork traditions. As Dr. William Bailey (2012) notes, these traditions were the products of the ingenuity and resilience of American slaves throughout the southeastern United States, especially Florida, Louisiana, Mississippi, North and South Carolina, Tennessee, Alabama, and Arkansas.

On the plantations, African slaves could rarely count on their masters to ensure their health and well-being and had to take their healing into their own hands. As a result, Smith (2019) notes that “men and women known as root doctors or root workers, who had working knowledge of roots and herbs and their various medicinal applications, were the slave community’s chief means of medical care. Slaves were in a unique position to learn about local flora, as they worked closely with it at all times.  The more specialized knowledge of the root doctor, however, usually required not only keen observation of the natural world but also training by an experienced mentor. This mentor was generally an elderly slave, although sometimes he or she might be a Native American who had married into the family or who was part of an Indigenous community that sheltered fugitive slaves.”

Bailey (2019) goes on to cite a former North Carolina slave named John Jackson, who told an interviewer: “You know, they lays a heap o’ stress on edication these days. But edication is one thing, an’ fireside trainin’ is another. We had fireside trainin'” (Born in Slavery: Slave Narratives).

Indeed, historian Sharla M. Fett (2002) notes that, for the first American root doctors, “physical suffering and spiritual outlook were linked in a delicate web of connections, and it was the root doctor’s job not only to provide the proper herbal remedy but to ascertain the source of imbalance.” Thus, from the earliest time, the root doctor’s craft involved proceeding from divinatory or observational “readings” to doing active Rootwork to remedy the illness or issue at hand. Moreover, as Yvonne Chireau (1997) states, on the plantation, root doctoring was not just “a quaint and marginal folk practice”—it was an essential aspect of the community bond (p. 239).”

Smith (2019) adds that “the ministrations of root doctors were often hidden from masters’ eyes—but not always. Sometimes, in fact, whites used their services for their slaves, or even for themselves. In 1729 an elderly slave named Papan was freed by the Virginia government in exchange for a recipe of “Roots and Barks,” which alleviated the effects of various venereal diseases. In 1749 the South Carolina Assembly freed a slave named Caesar in return for his poison and snakebite remedy; another root doctor, Sampson, was manumitted by the same body six years later in return for his rattlesnake bite remedy of “heart snakeroot, polypody, avens root, and rum.”

After the emancipation of American slaves, root doctors continued to operate in a context shaped by continued discrimination, oppression, and disempowerment of the freed slaves. As Smith (2019) indicates about this difficult period, “after emancipation, African Americans continued to utilize the services of root doctors and conjurers. Many lacked access to formally trained medical practitioners or could not afford the expensive costs of their services. Moreover, widespread racial hostility ensured that white doctors often provided inferior treatment to African American patients. Terrifying stories of physical abuse, experimentation, and mutilation circulated widely among African Americans, leading to a general mistrust of the white medical profession. In contrast, the services of root doctors and conjurers were relatively low cost, accessible, and trustworthy.” Moreover, their shared cultural heritage, common experiential background in facing struggles and oppression from white America, and the ability to trust fellow black root doctors to act in their best interests led many emancipated slaves to continue to rely on the expertise of root doctors.

Indeed, to this day, many rootworkers continue to do healing work for people who are struggling with physical and psychological ailments of all kinds. In this article, we will do a deep dive into the confluence of magical herbalism, Psalms, and prayers with curative aims and analyze 17 different formulas for Healing Oil from Hoodoo, Conjure, and Rootwork. Thereafter, I will share my own formula, which I have successfully used in my own healing work in the hopes of making this knowledge more accessible and helping to spread healing work more broadly to those who cannot afford to purchase such Oils.

Rosemary Oil.

B. Curative Herbal Synergies: An Analysis of 17 Hoodoo Healing Oil Formulas

In order to obtain a visceral sense of what makes an effective Healing Oil, we must start by exploring the wide assortment of herbs and curios that rootworkers have opted to include in their formulas for healing of various kinds. The Healing Oils we will consider here vary in their focus; some focus on physical ailments, others, on emotional and mental health issues, and still others focused on the impacts of crossed conditions on health. By analyzing the occult virtues of different herbs and roots as traditionally used, we will attempt to unpack the structure and functions of the Oils made by drawing them together.

First, among the most well-known and commonly used Healing Oils on the market is cat yronwode’s Healing Oil in the Lucky Mojo shop. Unfortunately, however, Miss cat’s website does not indicate which herbs the formula includes. However, as one possible clue, the Lucky Mojo catalogue does mention that the herb Woodruff or Master of the Woods is used “for mastery, strength, and control over adversaries, also used to prepare a healing oil.” The rationale here is likely that the Woodruff provides “mastery” over the causes of the illness in order to essentially “command health.” Master Root can similarly be used for the same purpose.

Woodruff.

In addition, more candidates for herbs useful in a Hoodoo Healing Oil can be gleaned from yronwode’s (2002) Hoodoo Herb and Root Magic: A Materia Magica of African American Conjure. For instance, she states that Althaea, which literally means “Healer” is used “for medical and spiritual healing, to soothe, comfort, and bring in spiritual assistance” (p. 28). Interestingly, Miss cat named her daughter Althaea and it would be hard to imagine that she didn’t include this Herb in her Healing Oil given its use in a versatile range of healing work types from physical to emotional and even spiritual healing.

Althaea.

Angelica is another likely candidate herb for inclusion in a Healing Oil, given that yronwode (2002) describes it as “a powerful guardian and healer, said to enhance female power, protect children, ward off evil, and improve health and family matters.” Similarly, Golden Seal is used in Mojos because it is a “powerful guardian and healer” (p. 104). Myrrh could also be a helpful ally in aHealing Oil due to its rich scent and tendency to “be peaceful, healing, relaxing, and protective” (p. 138). Queen’s Root can be used to promote harmony and peace and is sometimes used in Peace Water; if illness is interpreted as “disrupting the peace of the body,” as in the classical Doctrine of Humors from Ancient and Renaissance medicine, then it could in theory be used in a Healing Oil also (p. 160).

Standing out from many other herbs, Self-Heal is the healing herb par excellence; it is used in a wide variety of healing works, often alongside Angelica and Sandalwood (p. 180). I recently had the occasion to ritually gather a fairly sizable harvest of Self-Heal, to dry it, and grind it myself and it will play a key role in my own Healing Oil formula, as we shall see.

Self-Heal.

From the perspective of healing illnesses caused by curses, crossed conditions, or jinxes, yronwode (2002) notes that Bitter Weed can be used specifically in a Healing Oil blend that is designed to address “a jinx that takes the form of an unnatural illness” and the plant is also astringent, diuretic, and tonic (p. 48). Similarly, Boneset “opposes unnatural illness” and is often used in combination with Angelica and Devil’s Shoe Lace, although mainly in a Mojo Bag context, to ward off “jinxing illnesses” (p. 57). Burdock and Calamus are also sometimes used in the context of clearing curses that express as illness (p. 63). As a tea, Boneset can additionally be used for coughs and colds as an herbal medicine.

Boneset Herb.

In addition, Miss Cat (2002) writes that Buckeye “is said to prevent rheumatism, arthritis, and headache and to aid male vigor” and that Chestnut and Horse Chestnut are used in a like manner (p. 60).

To cite a few related examples, Willow bark is sometimes made into a tea that is drunk and rubbed into the head to treat headaches. Fig root and leaves are also regarded as “curative” in the context of “magical poisoning,” and used in spiritual baths for this purpose, with the bath water thrown towards the sunrise (p. 95).  Some rootworkers equivalently use Garlic to ward off illness caused by Malefica or evil magic thrown against the target (e.g. using Four Thieves Vinegar, in which it is an ingredient).

Antique French bottle of Four Thieves Vinegar.

Similarly, because of its ability to protect and clear up health matters, Rue can also be used in magical healing; it is sometimes burned on charcoal with Verbena, Mistletoe, and Benzoin to take off jinxes affecting health (p. 170). In contrast, for an outside perspective, though, one of my Espiritista friends cautions against using Rue to wash the body as he says it is “harsh to the Spirit Body, like paint thinner.” I leave the decision on this subject up to the individual practitioner, but simply share this to provide a balanced cross-traditional perspective.

Dried Rue.

Another herb that can be used for both healing and repelling evil would be Asafoetida or Devil’s Dung, which is praised for its healing properties worldwide; for instance, people in India both use it as a supplement and cook with it, lauding its properties to stimulate the brain and lower blood pressure. In the Medieval period in Europe, some folks wore Asafoetida gum on a string around their neck to “ward off disease” and in Hoodoo it is also used to repel evil. Moreover, it’s worth noting that Asafoetida contains Sulphur compounds and Sulphur is used both to ward and to do baneful work in Hoodoo.

Personally, smelling Asafoetida makes me nauseous–there’s a reason it’s called “Devil’s Dung”!–so it is not the healing herb for me and I wouldn’t bring it within 10 feet of a Healing Oil.  However, folks who love it might want to consider including it in their personal work.

Asafoetida powder.

In addition, from a preventive health standpoint, Coriander could be a candidate for Healing Oil in the context of its use to “prevent illness;” it can be carried in a Mojo hand with Flax seeds, Angelica, Devil’s Shoe String, and Golden Seal root for this purpose. Dill is similarly used, “to ward off disease,” especially alongside Flax seeds and Angelica (p. 85). Furthermore, as a boost to health, Grains of Paradise are sometimes brewed into a tea, which is drunk in the morning, although they can also be used in uncrossing work for illness brought on by baneful magic (p. 107).

Another preventive healing herb is Life Everlasting, which is used to promote longevity (p. 125). Plantain is said to protect against fever, or be used to cure a fever (p. 156). Sampson Snake Root is used to grant fortitude and strength, which could extend to health as well (p. 175). Squaw Vine was traditionally used in Indigenous medicine to address “medical conditions relating to the health of women’s reproductive systems, particularly during pregnancy and at childbirth” and entered Hoodoo as a magical aid to protect the health of unborn children (p. 192). A final preventive herb of note is Ten Bark, which is used to ward off diseases and unnatural illness (p. 198).

As a second example, Art of the Root (2021) offers a Healing Oil that focuses on healing emotional pain, grieving, and other forms of psychological suffering; their formula for “Healing Oil includes lavender, thyme, allspice, eucalyptus, and other healing-related herbs and oils.” To help enrich my understanding of their approach, I cross-referenced their other healing products in search of more insights into their rationale. For instance, they offer a Healing Candle fixed with “lavender, thyme, violet, chamomile, and an array of others” alongside, interestingly, powdered Charoite and Quartz as these “clarity” minerals are sometimes used in healing work with the rationale that they ‘clarify the body by cleansing out sickness.’ Their Healing Bath Wash includes “allspice, lavender, eucalyptus, and thyme essential oils.” The same herbal ingredients are included in their Healing Soap and Healing Bath Salts.

As we analyze the Art of the Root (2002) formula, we find, first, that it includes Lavender, which can be used in many ways in Rootwork. Lavender, in Hoodoo, is often combined with Rose and Red Clover in to promote love, but Lavender in a bath can be used to bring luck or even power. The idea here might be to include it to promote emotional healing as it can help with healing the wounds left from relationships that did not turn out as we had hoped. Similarly, Violet is used in Hoodoo to heal heart-break, much like Lavender, and is also included in this Oil.

Lavender.

Thyme is often used to promote good health, so its role in this Oil is clear. In addition, it can also be used to heal insomnia. Since this formula aims to help ease emotional pain, which can disrupt sleep, perhaps this somnolent aspect of the herb is another reason it was included.

In Rootwork, Allspice is usually used to “spice up” money, luck, fortune, and business; however, yronwode (2002) points out that Allspice can also help relieve mental tension and ease the mind. It was likely included in this formula based on this latter tradition.

Continuing on with our analysis, Chamomile is mainly used to treat insomnia, calm stomachs, and promote relaxation and stress-relief, and is likely used in this way here. However, it’s worth noting that Chamomile in Hoodoo can also be used for uncrossing, so it is helpful as a gentler herb to help eliminate crossed-conditions intended to cause ill-health.

Chamomile.

Lastly, Eucalyptus is helpful for driving off evil, uncrossing Malefica, and calming the mind with its pacifying scent. Therefore, the Art of the Root‘s Healing Oil formula appears to mainly address emotional healing and soothe the heart and mind, with Thyme also functioning as a more “generalist” herb here. This would be a good formula to explore if the primary issues to be treated are emotional and psychological. As another possibility to include in a similar formula, it is worth noting that Marjoram also helps with assuaging grief and sorrow and could work in this capacity here as well.

Eucalyptus.

Third, and in contrast to the primary emotional focus of the last Oil, Elle Duvall (2022) states that she designed her Healing Oil to support both physical and mental healing. She includes “mint and peony” within an almond carrier oil in her formula. Mint is often used in uncrossing work in Rootwork, as well as to purify and to grant mental strength in times of adversity. As yronwode (2002) notes, “Peony is a long-lived garden plant with a beautiful flower; its root is said to have a great deal of power to protect against misfortune, bolster health, break jinxes and draw good fortune” (p. 144). The Mint-Peony combination, then, is mainly centered on uncrossing and bolstering health.

Fourth, Dr. E (2022) at Conjure Doctor uses a variety of herbs in his Healing Oil formula, some of which include “eucalyptus, mint and other health-promoting herbs.” As we’ve seen, both Eucalyptus and Mint are apotropaic and uncrossing and their combination helps calm and strengthen the mind. However, since Dr. E. omits mention of his other herbs here, we do not know if he included other herbs or curios with the virtue of helping to heal physical or somatic issues.

Commonly combined: Mint, Lavender, and Eucalyptus.

Fifth, Harry (2018) uses a simple three-herb Healing Oil, which includes “rosemary, juniper, and sandalwood.” By way of rationale, he states that “The combination of rosemary and juniper create a healing effect. (. . . ) Rosemary more specifically in Conjure is cleansing, wards off illness, and promotes peace and good dreams. In Hoodoo, Juniper is believed to foster sexual virility, especially in men; it would likely be best used in a healing formula for men to treat sexual dysfunction, weakened male nature, or low libido.” Harry (2018) adds that “Sandalwood is used for purification and the removal of negative energies;” since sickness is “negative” to the body, the principle is extended to using Sandalwood to cleanse the body of sources of illness. Yronwode (2002) notes that Sandalwood adds power to incense mixtures, and is used for health, safety, and peace. Thus, by combining this trifecta of herbs, we obtain a basic healing formula for uncrossing, warding illness, possibly promoting sexual vitality, and conducing to peace of mind.

Juniper berries.

Sixth through eighth, the anonymous Rootworker (2022) from Hoodoo Conjure generously shares not one, but three Healing Oil formulas, which are as given follows:

Hoodoo Conjure Healing Oil #1
4 drops Rosemary
2 drops Juniper
1 drop Sandalwood

As we note, this formula is exactly the same as Harry (2018)’s healing above, so we will not analyze it in detail except to say that what this version contributes are proportions. This addition is helpful, because it reveals that, at least in the estimation of the Anonymous Rootworker (2022), the primary driver here is meant to be Rosemary with Juniper and Sandalwood playing a supportive role. This makes sense with the logics we’ve considered thus far, and as a basic Healing Oil, this would likely be helpful; however, as we shall see, I favour a more intensive and holistic approach covering many areas of healing to make the Oil useful in a wide variety of situations of healing of body, mind, and spirit. In this respect, this formula would benefit from further expansion. The use of Juniper is also a little too specific in the Hoodoo context for a general Healing Oil in my humble opinion, which is why I would save it for oils specializing in targeting male sexual health and leave it out of my general Healing Oil.

However, in all fairness to this formula and to Harry’s version (2018), Juniper, in Ancient magic was apparently linked to a much broader range of healing uses. Even today, some herbalists claim that it can used in massages for rheumatism pain, treats coughs, relieves the liver and bile, lowers blood sugar, and helps cure acne, although. However, I have no experience with these uses and cannot speak to them.

Sandalwood.

Hoodoo Conjure Healing Oil #2
3 drops Eucalyptus
1 drop Niaouli
1 drop Palmarosa
1 drop Spearmint

In this second formula, Mint and Eucalyptus recur, both to heal crossed conditions and to bring peace and strength of mind. In addition, we find two new ingredients: Niaouli and Palmarosa. Niaouli does not appear to be commonly used in Hoodoo; indeed, yronwode’s (2002) Hoodoo herbal compendium omits it entirely. However, according to Andrew (2018), in homeopathic herbalism, it is sometimes used to calm the mind, treat acne, relieve pain, soothe UTIs when its essential oil is included in a bath, and many other applications, suggesting its possible versatility as a healing herb. Palmarosa is another “mind-soothing” herb like Allspice, Chamomile, and Lavender. Some folks, like Dr. E. also use it for “uplifting” people who are feeling lethargic and low-energy. Thus, the cumulative effect of this herb’s Spirits appears to be to uncross, soothe and strengthen the mind, and bring general mental and bodily healing.

Palmarosa.


Hoodoo Conjure Healing Oil #3
In 1/2 oz of base oil (jojoba, almond, grape seed ,etc.)
5 drops Lavender oil 5 drops Camphor oil
5 drops Eucalyptus oil
5 drops Orange oil
3 drops Rosemary oil
2 drops Pine oil
4 drops Sandalwood oil

This third Healing Oil from the same Anonymous Rootworker also draws on Lavender and Eucalyptus like the other formulas we’ve seen. Here, they function to sooth the mind and the body, heal emotional wounds, and improve our luck in health matters. Interestingly, Orange Oil occurs here for the first time; Orange in Hoodoo is often used for luck and marriage, but also has the effect of “enlivening” the spirit, which can be another aid to those who struggle with exhaustion, lethargy, reduced motivation, and low-energy states. Rosemary and Sandalwood also recur, with Rosemary helping to bring peace to the mind, improve sleep, and bring good dreams while Sandalwood functions to add power to the other herbs and bring peace and general health to body, mind, and spirit. My Espiritista friend adds that in Espiritismo, Rosemary is seen as both cleansing and nourishing, and it can play both roles in this formula. Camphor is also used for cleansing and serves that role here.

Pine needles.

Lastly about this formula, a new ingredient that it includes is Pine, which, in Rootwork, is sometimes used for money work–indeed Heinrich Cornelius Agrippa links it to Jupiter, which rules money–but it can also be used for cleansing and improving mood to be more “jovial.” Taken together, this formula’s herbs collaborate to cleanse and calm the mind and spirit, bring general holistic healing to the body, enliven energy, lighten our mood, and improve sleep. As such, it appears to be a fairly well-rounded and versatile formula.

Ninth through eleventh, my Hoodoo, Conjure, and Rootwork teacher Aaron Davis kindly gave me permission to include three additional Healing Oil recipes in this analysis. These recipes come from different sources he has studied over the years and include the following:

Red Carnation.

Healing Oil #1 from Aaron Davis (drawing on Cunningham)
Sandalo chips,
Red carnation petals,
Romero leaves,
*sit in sun 7 days. Frater S.C.F.V’s Note: Tony Morgan adds “in a green jar” here.

This first Healing Oil draws, Aaron says, on Scott Cunningham’s work rather than on Hoodoo proper. Here, we find Sandalo (Sandalwood) recurring to add synergistic power and promote peace of mind and general health. To this, this formula adds Romero (Rosemary) to ward off illness and promote peace and good dreams. This herb can be a solid complement to Sandalwood as we saw in the first and third Conjure Rootwork Healing Oils.

However, what this spell brings in which is new to what we’ve analyzed so far is Red Carnation. Red Carnation grants healing and vitality and is a more energetic option than say, the White Carnation which is often used in Nourishing baths in both Espiritismo and Rootwork. Taken together, this Healing Oil draws on the illness-warding power of Rosemary alongside the peace of mind that this herb yields when combined with Sandalwood sparked up with the vitality rom the Red Carnation. It’s a simple, but solid approach. The final instruction to let the oil sit in the Sun, both to infuse it with healing “light” from the Sun–indeed the Lucidarium grimoire links the Sun to the Archangel of Healing Raphael and the Greeks linked it to Apollo– and also to help the scents and essences develop and mature as they combine into the Oil.

Fresh rosemary.

Healing Oil #2 from Aaron Davis Use a ratio of:
4 parts romero,
2 parts juniper,
1 part sandalo (sandalwood)

This Healing Oil recipe is the same as Harry’s (2018), as it uses Rosemary, Juniper, and Sandalwood, and uses the same proportions as Hoodoo Conjure‘s Healing Oil #2, which suggests either it was borrowed from Conjure Rootwork or both Aaron and Hoodoo Conjure drew this formula from a common source. The same comments as above, therefore, apply here.

Healing Oil #3 from Aaron Davis Use a ratio of:
3 parts eucalyptus,
1 part niaouli,
1 part palmarosa,
1 part spearmint

This third Oil from Aaron is identical to the Conjure Rootwork Oil #3 above, so the same comments apply. It’s worth noting that in his current work, Aaron does not use any of these three oils, but one drawn from his Palo Mayombe practice, which will not be shared here out of respect for his wishes and obligations within Palo. All the same, his input is much-appreciated here for providing some confirmations from another rootworker.

Twelfth, in her Little Book of Rootwork, Paris Ajana (2022) includes the following formula to “promote a healthy lifestyle and help recovery from injury or illness:”

Sacred Healing Oil

  • 1 cup jojoba carrier oil
  • ½ cup vitamin E oil
  • 10 drops rosemary essential oil
  • 20 drops sage essential oil
  • 15 drops thyme essential oil

Ajana’s “Sacred Healing Oil” is likely augmented into “Sacredness” by the addition of, not just Rosemary and Thyme as we have seen, but also Sage. Sage is known to popular New Age culture as a “smudging” herb and cleansing and purifying; however, in Rootwork it is often used to give strength and do reversal work (yronwood, 2002). Here, the idea might be to cleanse out sickness and grant strength in combination with both the general health and sleep aid from Thyme and the illness-warding and peace-granting powers of Rosemary. We also note that Vitamin E is used here; this is a wise addition to any homemade essential oil because it helps prevent its herbal constituents from going rancid for a longer period of time, thereby improving its preservation and shelf-life. I learned from cat yronwode that all Lucky Mojo condition oils include it and I include it in all of my homemade oils as well.

Thirteenth, in her Conjure Cookbook (2010), Miss Talia Fenix provides the following formula for a Healing Oil:

Healing Oil (“Especially used for mental healing and relief, but also for recovery from illnesses”):

  • Frankincense
  • Benzoin
  • Rosemary
  • Rose
  • Lavender
  • Mint
  • Lemongrass
  • Cinnamon
  • Rue

At 9 herbal constituents, this is one of the most elaborate formulas we’ve seen so far–although, in defense of the other formulas, simpler doesn’t necessarily mean worse when it comes to Rootwork.

Here, we see a return of Rosemary adding health, protection, and peace, Rose and Lavender adding floral sweetness, health and peace of mind and the soothing of emotional wounds, Rue bringing in heavy-duty cleansing of any malefica that may be tethering illness to crossed conditions, and Mint to purify and uncross as well as to add strength to cope with the illness.

In contrast to other recipes which use Myrrh or Sandalwood as the resin component, however, here we find Frankincense and Benzoin thus employed. Frankincense is a good all-purpose incense for consecration, intensification (“power-boosting”), and peaceful sleep. Here, it appears to be added to boost the power of the overall blend, add its aroma, and heal sleep issues. As for Benzoin, it is another herb used for good luck and peace of mind, so it serves a role here in healing mental health symptoms and promoting a healthy mental state.

Two other new additions in Miss Fenix’s (2010) formula are Cinnamon–for its ability to “heat up” and “energize” health–and Lemongrass. Lemongrass is most often used as a component in the famous Van Van Oil, which is ingenious here, because Miss Fenix is deploying it to clear “obstacles” to health, almost like a road-opener, while also conferring success in healing and good luck in healing more rapidly.

Fourteenth, rootworker Commaticus Lee (2019) shares the following “Resurrection and Healing Oil” recipe at Hoodoo Central:

  • Rose of Jericho
  • Aloe Vera
  • Orange Peel
  • Cinnamon
  • Mugwort
  • Ginger
  • Frankincense

This formula brings in some familiar herbs we’ve seen already, such as Frankincense for consecration, intensification (“power-boosting”), and peaceful sleep; Cinnamon, to “heat up” and energize health, not to mention its antioxidant and anti-inflammatory properties; and Orange for “enlivening” the spirit as an aid to those who struggle with exhaustion, lethargy, reduced motivation, and low-energy states. These three “vitality-boosting” herbs also tie into the “Resurrection” theme of this oil, as they help to, as it were, ‘raise energy as it from the dead.’ Another herb that serves a similar function here is Ginger; Ginger is often seen as providing “fiery protection” in Rootwork; for instance, many include it in their formulas for Fiery Wall of Protection Oil. Here, the aim seems to be to “fire up” healing and burn away illness, thereby helping to yield protection from sickness symptoms.

Further augmenting the “Resurrectional” aim of this formula, Commaticus Lee (2019) also includes Rose of Jericho. Rose of Jericho is the primary herb to symbolize resurrection because of its ability to return to thriving greenery from a dessicated state via the simple addition of water. Cat yronwode (2002) notes that the Rose can be kept in a place of business and watered every Friday with Psalms to “resurrect” business and wealth. I’ve also seen rootworkers anoint candles or statues (e.g. of Archangels) with its water to “wake them up” for magical work.

Next, we find a perhaps surprising addition: Mugwort. Mugwort is more typically used to help safe travel or to increase psychic abilities in Hoodoo (ywonrode, 2002). However, another use of the herb is in cleansing scrying tools (e.g. I bathed my black mirror in Mugwort as part of preparing it for magical use). So, “cleansing” the body of illness might be a magical implication of Mugwort in a Healing Oil, as it appears to be used here.

Finally, Commaticus Lee’s (2019) formula also includes Aloe Vera, which is lauded among herbalists for a variety of healing properties, such as its glycoproteins which reduce pain and inflammation, its antibacterial properties, and its adaptogenic ability to boost the body’s natural adaptation to illness. Its scent is also regarded as soothing by many, at least those who are not so unfortunate as to be allergic to it!

Taken together, the different elements of Commaticus’s (2019) Healing Oil appear to aim to help (1) “resurrect” energy and vitality, stirring up healing, and “burning off” illness magically, (2) cleanse the body of illness, while improving sleep, and (3) foster and promote adaptation and ‘bouncing back’ from illness. It’s an intelligent approach that hinges on the synergies of plants of similar types (e.g. “fiery “booster” herbs like Ginger, Cinnamon, etc.) eliding with different but complementary herbs of resurrection and generalized healing (e.g. Rose of Jericho and Aloe Vera).

Fifteenth, rootworker Brandon Lee (2018) shares the following Healing Oil formula, also at Hoodoo Central:

  • Balm of Gilead
  • Angelica
  • Essence of Rose of Jericho

Here, Angelica and Rose of Jericho recur, for their benevolent, angelic associations and ability to resurrect health and vitality from illness and exhaustion. However, we also find Balm of Gilead used for healing for the first time. This is a very interesting addition because Balm of Gilead is often used for its “soothing” qualities, such as to soothe the pain of arguments, a broken heart, or problems in love or friendship (yronwode, 2002). Here, then, it appears to function as a source of soothing and comfort from the pain and unpleasantness of illness or emotional mental “ill-health.”

Taken together, these three herbs produce a Healing Oil that, unlike the fiery Oil of Commaticus Lee (2019), aim to provide a soothing, blessing, and gently revivifying effect. I see this formula being useful in healing emotional pain, working through bereavement, or providing comfort in times of sadness or spiritual doubt.

Sixteenth, worker Nathan Burkeen (2018) shares this interesting combination of herbs in conjunction with a Healing Oil:

  • Rosemary,
  • Thyme,
  • Mint,
  • Mullein,
  • Chamomile
  • Bay.

Rosemary recurs here to ward off illness, crossed conditions, and aid sleep. Thyme recurs for general health and sleep promotion as well. Mint also helps with uncrossing, protection, and strengthening the person. Chamomile is a third uncrossing herb, which also helps soothe, promote sleep, and calm. Bay grants victory in the healing and/or uncrossing work. A final interesting addition here is Mullein, which is used here to protect the person by controlling the illness.

Taken as a unit, Nathan’s (2018) formula appears to function not only to promote health and soothe, but also address any potential crossed conditions that mighty be reinforcing the pain or physical or mental illness. This is a clever combined approach that seems like it would be effective in such work.

St. Joseph’s Oratory in Montreal, Canada.

Seventeenth, and finally, for our purposes, I must pay homage to the local Christian folk practices here in my home city of Montréal and mention the Healing Oil of St. Joseph and Saint Brother André. To the right of the vast structure of St. Joseph’s Oratory here in Montréal, there is a tiny chapel where Saint Brother André not only lived and preached, but is reputed to have also healed many.

Indeed, crutches adorn the walls of the chapel from people allegedly healed here. His method? According to the official website of St. Joseph’s Oratory (2022), Saint Brother André “was inspired by a devotion that he heard was already being practiced in France. He took a bit of oil from a lamp that was burning in front of a statue of Saint Joseph. He offered it to sick people telling them to rub it on their aching body and to pray to Saint Joseph for relief. This tradition continues today at Saint Joseph’s Oratory of Montréal. A basin containing ordinary vegetable oil is fixed in front of a statue of Saint Joseph, and a wick, floating on the surface, burns night and day as a kind of perpetual votive lamp. The oil is then put in bottles and made available to pilgrims.”

Vegetable Oil with floating wicks burning before the statue of Saint Joseph at St. Joseph’s Oratory, Montreal, Canada.

What could be more simple than a recipe of only 1 ingredient, and that, the lowest-cost ingredient of all, vegetable oil? If all of the other recipes in this article appear too intimidating or inaccessible, I suggest trying out this simple formula or ordering some from the Oratory itself. As an added bonus, Oil ordered from the Oratory is blessed by a Catholic Priest before shipping.

C. 11 Keys to Magical Healing: My Personal Healing Oil Formula

Having analyzed the above formulas, reflected on their herbs individually and in combination, and consulted with my Spirits, here is the formula I decided to use in my own practice. With18 being my personal lucky number, sharing this formula as the 18th Healing Oil in this article feels both apt and auspicious.

This Healing Oil formula is both complex and multidimensional; accordingly, it uses no less than 11-herbs in combination with Olive Oil as a foundation or carrying oil as well as Vitamin E to preserve the oil and add antioxidant health benefits:

  • Olive Oil (as a base carrying oil and the Biblical classic herb for anointing oils).
  • Self-Heal (assists in magical work to heal all physical and psychological conditions).
  • Althaea or Marshmallow (helps with physical, mental, and spiritual healing, and draws spiritual assistance, synergizing with Angelica).
  • Eucalyptus (for its powers to heal, protect, and soothe mind, body, and spirit).
  • Sandalwood (to add power to the effect of the other herbs and promote health of body and peace of mind).
  • Thyme (for general health and to help with sleep).
  • Mint (for purification, strength to cope with illness, and uncrossing in case of crossed conditions being linked to the illness).
  • Angelica (to promote benevolent and Angelic assistance in the healing work; to be used alongside prayers requesting Angelic support, e.g. from Michael, Raphael, etc).
  • Lemongrass (to clear obstacles to healing and grant smooth and successful healing).
  • Orange Peel (to add enlivening energy to balance out the lethargy and low motivation that can come with depression and different forms of illness, heal emotional pain, and increase health vitality).
  • Rosemary (to ward off illness and promote peace of mind and good dreams).
  • Lavender (to soothe emotional wounds and generate comfort and soothing quality, alongside the Eucalyptus and Sandalwood to balance out the vitality of the Lemongrass and Orange Peel).
  • Vitamin E (as a preservative for the oil and for its health benefits as an antioxidant).

Tip: If you want to tweak this formula slightly to also promote longevity, consider adding Life Everlasting with Myrrh, a common Incense used in healing work, to bring the total to 13 herbs and keep the traditional odd number of ingredients.


Important Note: Legally, I must add that the above formula and the information in this article are provided for entertainment purposes only. Personally, I see healing magic as a complement and accompaniment to scientific and medical treatment, not as a replacement thereof. Therefore, I always recommend people to first consult a doctor and then use healing magic on the side to support the work doctors, medication, etc. This is the approach of holistic healing, which draws on all relevant sources to obtain an optimal end, specifically (1) medical science, (2) herbalism, and (3) spiritual means.

Some esotericists also swear by mineral alchemical treatments (e.g. imbibing metals that were put through different alchemical procedures) as an aid to healing. However, I recommend extreme caution in this regard because some mineral formulas can cause more health problems than they heal. I’ve known people who took such formulas and ended up poisoned and admitted to hospital. This should likely be avoided in most cases.

Personally, I find the three means given above sufficient for my purposes and my work. My experience has also shown that unfortunately, in healing work, we can make no guarantees; different people respond differently to different workings and the Spirits may achieve different results with different ailments.

To this point, I’ve seen some healings that are complete and appear nothing short of miraculous. However, other healing work has proven to be a “slow burn” that took time and sometimes my work failed entirely because the issues were too severe (e.g. in the case of stage 4 palliative cancer). In addition, sometimes, more than one working is needed on an issue and there are limits to what can be done in some cases (e.g. some palliative illnesses). So, it is important to balance remaining open to the miraculous while also being compassionate and fair to ourselves if things do not work out as planned, as is sometimes the case.


D. Invoking the Healing of God: Psalms and Prayers for Healing Work

While working with a Healing Formula like one of those given above, whether in the form of a Healing Oil, Healing Sachet Powder, Healing Fixed Candle (e.g. blue or white in Conjure, orange or multi-colour for Mercury in grimoire work), Healing Floor Wash, or working on a person by proxy via a Poppet or Doll Baby, many Psalms and prayers can be used to add spiritual power to the working.

First, for Psalms, we can include the following depending on the type of ailment we are looking to heal:

  • Psalm 3 can be used for relief from a severe headache or from back pain. Robert Laremy’s (2001) The Psalm Workbook says to write the first 8 verses and and Holy Name on parchment then wear as necklace; pray over target with psalm and this prayer “Lord of the world may it please Thee to be my physician and helper. Heal me and relieve me from severe headache/backache because I can find help only with Thee, and only with Thee is counsel and action to be found. Amen!”
  • Psalm 4 can be used to help heal insomnia and sleep disorders. Laremy (2001) says to “recite psalm before bed, then meditate on the following, “The Lord’s presence is my sanctuary, his company is my strength, knowing this I will peacefully sleep and be safe.” I suggest making a chamomile tea, reciting Psalm 4 over it and asking the Chamomile Spirit to help soothe your mind and bring sleep, and then going to bed. A small bag of Thyme under the pillow can also help with sleep issues.
  • Psalm 6 and Psalm 12 can be used for work on healing diseases of the eye.
  • Psalm 9 can be used for work to heal male children. Robert Laremy’s (2001) The Psalm Workbook says to write psalm on parchment with new pen, hang around patient’s neck. After, repeat Psalm with reverence, then say this prayer “All merciful Father, may it please thee to take away from this child the pains from which he suffers, release him during his life from all plagues, injury and danger. Amen.”
  • Psalm 15 can be used to provide relief from depression; Laremy (2001) recommends the target to “pray psalm, pronounce the Holy Name “Lali” over a new pot filled with well water; bathe body of sufferer and repeat prayer during the bath, “May it be Your will, Oh God, to restore the senses of this individual who has been grievously plagued by the devil. Enlighten his mind for the sake of Your Hole Name. Amen.”
  • Psalm 16 can be used both for work to help decrease symptoms of depression for work to reduce pain.
  • Psalm 18 and Psalm 89 can both be used if you plan to anoint the sick with Healing Oil as part of the spell as anointing the sick is a theme of this Psalm. A base of prayed-over Olive Oil or Vegetable Oil–as in St. Brother André’s approach–is a solid base for a Healing Oil. Similarly, Laremy (2001) says to “fill small flask with olive oil and water, pray 18th psalm over it reverently; anoint all limbs and pray over patient.” In the Bible, Olive Oil is commonly used to anoint both the sick and Kings like David (1 Samuel 16).
Image from a Medieval Psalter.
  • Psalm 19 can be used in healing or preventive health work relating to childbirth for both the mother and baby.
  • Similarly, Psalms 127 and 128 are used to ensure a smooth, fortunate, and uncomplicated pregnancy.
  • Psalm 27 can be used in many types of healing work; it is versatile and general.
  • Psalm 30 can be used for work to facilitate recovery from very severe illnesses or help with coping with chronic diseases when recovery is not possible.
  • Psalm 31 can be used for treating chronic stress, stress at work, and anxiety; Laremy (2001) says to “burn a light blue Candle, fill a tub with warm water and previous mix/boiled combo of Flor del Mar, Sea Water, Ache de Santo, and Kolonia 1800; sit in tub and contemplate Psalm 31 to relieve tension.” Psalm 39 also helps relieve mental tension.
  • Psalm 36, according to Robert Laremy (2001), can be used to improve memory; he says to “anoint forehead and temples with Memory Oil and pray psalm with yellow Candle.” By extension, this Psalm can be used to help slow the progression of dementia, Alzheimer’s Disease, Korsakoff’s Syndrome, Chronic Traumatic Encephalopathy, and other issues involving memory losses. Were I to use this with such patients, I would anoint their forehead first with a cross of Memory Oil then with a cross of Healing Oil then with a cross of Blessing Oil while reciting the Psalm for a triple-effect.
  • Psalm 43 can be used to help someone psychologically and spiritually to cope with a difficult situation; in other words, it heals by granting courage and resilience to cope. Psalm 118 is a good follow-up to Psalm 43 to help with finding solutions while coping.
  • Psalm 46 can be used to heal relationship issues and bring couples closer together. It can also be used to call a ‘fortress’ of healing around the ill, seeking refuge in God.
  • Psalm 49 and Psalm 50 also used for work on serious illnesses, but also, more specifically, on work to speed recovery from fevers and contagious diseases. In addition, Robert Laremy’s (2001) The Psalm Workbook says that Psalm 49 can also be used for inherited illnesses that run in the family and instructs the sick person to “with new felt pen, write 49th psalm and first 6 verses of psalm 50 on parchment; hang around neck with silk string.”
  • Psalm 58 and Psalm 147 can be used in work to help people heal from bites from wild animals (e.g. snake bites). Laremy (2001) also recommends that people who are at risk of dog bites “copy first three verses on parchment and carry to prevent bites.”
  • Psalm 67 is useful for work on al kinds of illnesses; also, for fever.
Initials from the beginning of psalms in the St. Albans Psalter.
  • Psalm 69 and Psalm 101 can be used to help people who are striving to find healing from addictions of all kinds.
  • Psalm 71 can be used to heal mental anguish, guilt, bereavement, and depression under the principle that these are a “mental prison” from which the patient needs assistance to break out.
  • Psalm 77 is useful for many purposes ranging from chronic illnesses to recovering from malnutrition and dehydration.
  • Psalm 84 is useful for all kinds of bodily healing and specifically when there are symptoms that cause unusual odors (e.g. boils, sores, etc.).
  • Psalm 87 can be used as a preliminary “cleansing” prayer before healing work, especially work done to heal relationships between people in a community. It is usefully followed up with Psalm 96 and 97 to heal family relationships and bring harmony back to a community in which there has been a split.
  • Psalm 89 can be, according to Robert Laremy’s (2001) The Psalm Workbook, read day and night while focusing attention and healing energy on the affected body part that needs healing until it is healed.
  • Psalm 90 is useful for blessing all work of the hands; as such, it is useful in work to ensure good results from surgery and supporting recovery after surgery. Robert Laremy’s (2001) The Psalm Workbook says it can also be used to help someone who is trying to emerge from depression.
  • Psalm 98 is useful for healing rifts between two families who previously got along but have turned against one another.
  • Psalms 105, 106, and 107 are useful for healing work to address recurrent illnesses that flare up or return, especially if linked to recurrent fevers. They are best used all together as a trio, as they compound each other’s power and work synergistically.
  • Psalm 117 can be used in work to treat depression; Robert Laremy’s (2001) The Psalm Workbook says to read Psalm 117 every morning and evening by light of white Candle and adds that this Psalm “may have been read by Jesus at Last Supper the mystically strengthen the disciples for what was to come” so it can be used for granting psychological fortitude as well.
Psalm 110 from a Medieval Psalter.
  • Psalm 125 can also be used to grant fortitude and mental strength to those needing healing from a feeling of being weaker than they are; pray Psalm 125 over a Sampson Snake Root anointed with Healing Oil and have them carry it.
  • Psalm 119 is the longest Psalm in the Psalter; it has 22 sections that cover all human problems and can be used if doing healing work in a complicated situation with many causes and factors involved (e.g. not just illness in the body, but poor housing, lack of finances to address the problems, poor access to doctors, etc.).
  • Psalm 127, as noted above, can be used in preventive health work to ensure the health of a newborn baby. Anoint a Mojo bag with Healing Oil with some Personal Concerns of the baby and give it to the mother to carry on her person or sew into the crib cushioning. Robert Laremy’s (2001) The Psalm Workbook says to – write psalm on paper, cover with white chalk; fold small and place in red mojo with camphor square and gold. Make one for each child, attach with safety pin inside clothes worn by child (e.g. jacket).
  • Psalm 126 is used for work to help support a grieving mother after the death of a child or a miscarriage and to help pray for the next child to live.
  • Psalm 129 is used in prayers for a long, healthy life; it is best used for the herb Life Everlasting.
  • Psalm 142 is useful in many types of healing work from recovery from an injury, to restoring health after a sickness, to alleviating pain, and even to work on psychological pain and depression. Similarly, Robert Laremy’s (2001) The Psalm Workbook says to pray this Psalm when overwhelmed with confusion or melancholy. After psalm say “David prayed this psalm as he pondered in a cave, so I hope and pray the Lord will save my mind.” Psalm 60 is related; it helps prevent injuries.
  • Psalm 143 can be used alongside Psalm 142 for injuries affecting the arms, legs, hands, or feet, and to alleviate pain.
  • Psalm 144 is especially useful for mending a broken arm, but also, by extension, healing and recovering from fractures in all bones in the body.
  • Psalm 146 is useful for healing after incurring a wound of any kind and also battlefield wounds for soldiers or wounds from fighting for fighters. Robert Laremy’s (2001) The Psalm Workbook says this can also be used for people who struggle with hunger and want to heal this aspect.
  • Psalm 147 can be used to grant peace of mind, and healing from bereavement, depression, and anxiety. This is another prayer that invokes a “fortress of healing” around the people to be healed.
  • Psalm 150 can be used to give thanks and glorify Adonai Rapha, the Lord of Healing, after all successful healing work.
Page from the Chludov Psalter (9th century).

Second, for prayers to include in healing work, the possibilities are nearly endless. Indeed, within a folk Christian framework, whether that be African American Conjure, Rootwork, Hoodoo, or one of the many European Christian folk magics, a wide range of prayers can be employed.

A useful Divine Name, for those who draw on Hebrew from the Torah or Old Testament and Kabbalistic sources in their work is “ADONAI RAPHA” (אֲדֹנָי רָפָא), which means “Lord of Healing.” This Name of Power can be integrated into prayers and invocations for healing, inscribed on healing talismans or carved into Candles invoking the healing of God in their burnings.

In terms of specific traditional prayers, the most logical choice among Archangels with whom to work healing is Archangel Raphael, whose name literally means “the Healing of God” — compare with the Divine name given above.

In addition, Sam Block (2020) of The Digital Ambler formulated a prayer based on the Chaplet of Raphael to include in healing work. It goes as follows:

“In the name of God, the Holy, the Light, the All-Knowing, the All-Aware!
Holy, holy, holy, Lord, God of Hosts, Heaven and Earth are full of your glory,
and your glory is known to us through your glorious angel Raphael.
Holy, mighty, and wondrous is your angel Raphael!
O Raphael the Healer, angel restoring us to health!
O Raphael the Guide, angel giving us Light on the way!
O Raphael the Companion, angel accompanying us to joy!
Divine physician, heavenly scientist, celestial traveler,
it is upon you we call, to you we lift our hands seeking succor!
When all hope is lost, Raphael, you give us hope.
When all health is lost, Raphael, you give us health.
When all love is lost, Raphael, you give us love.
When all life is lost, Raphael, you give us life.
When all seems lost, Raphael, you turn back the tide
of darkness, of sorrow, of misery and misfortune
and restore us to a whole, hale, happy and holy life.

In every trial, holy Raphael, stand for us!
Be our advocate in Heaven at the end of days!
Be our support in every problem we face!
Be our sight in every dark night we see!
Be our healer in every illness we suffer!
Be our leader in every journey we undertake!
Be our strength in every battle we join!
May God send upon you peace, holy Raphael,
and upon your wings, may you send peace upon us all.

Amen.”

Icon of Raphael given in Sam Block’s article “Three Prayers for Times of Healing and Disease.”

Sam Block (2020) also includes two creative prayers drawing on Islamic sources to use in healing work. The interested can read these in his informative article on the subject of prayers for times of healing and disease. One involves using a tasbih (set of Islamic prayer beads); a similar practice could be adapted for use with a Christian Chaplet or Rosary.

To broaden our toolkit of prayers to add into healing work even further, my dear friend Agostino Taumaturgo (2018) in his excellent My New Everyday Prayer Book provides the following Catholic prayers for use in healing work.

I would combine the appropriate prayers with relevant Psalms and use Healing Oil in combination with Candle work and Incense Offerings (e.g. Myrrh, Sandalwood, Benzoin, or a Healing Incense blend) as needed depending on the issue:

  1. Prayer for Healing
    Dear Lord of Mercy and Father of Comfort: to you I turn for help in
    times of weakness and need. I ask you to be with your servant during
    this illness, because I know you send out your Word and heal. I thus
    ask you to send your healing Word to your servant, and in the name
    of Jesus to drive out all infirmity and sickness from this body.
    I ask you to turn this weakness into strength, suffering into
    compassion, sorrow into joy, and pain into comfort for others. May
    your servant trust in your goodness and hope in your faithfulness,
    even in the middle of this suffering. Let him (her) be filled with
    patience and joy in your presence as he (she) waits for your healing
    touch. Restore your servant to full health, dear Lord. Remove all fear
    and doubt from his (her) heart by the power of your Holy Spirit, and
    may you, O Lord, be glorified through his (her) life.
    As you heal and renew your servant, Lord, may he (she) bless and
    praise you. I pray for this in the name of Jesus Christ. Amen.
    
  2. For Healing
    Lord, you invite all who are burdened to come to you. Allow your
    healing hand to heal me. Touch my soul with your compassion for
    others. Touch my heart with your courage and infinite love for all.
    Touch my mind with your wisdom, that my mouth may always
    proclaim your praise. Teach me to reach out to you in my need, and
    help me to lead others to you by my example. Most loving Heart of
    Jesus, bring me health in body and spirit that I may serve you with all
    my strength. Touch gently this life which you have created, now and
    forever. Amen.
    
  3. Prayer for Healing
    Lord, look upon me with eyes of mercy, may your healing hand rest
    upon me, may your life-giving powers flow into every cell of my body
    and into the depths of my soul, cleansing, purifying, restoring me to
    wholeness and strength for service in your Kingdom. Amen.
    
  4. Renew My Mind, Body and Soul
    Lord, I come before you today in need of your healing hand. In you
    all things are possible. Hold my heart within yours, and renew my
    mind, body, and soul
    I am lost, but I am singing. You gave us life, and you also give us
    the gift of infinite joy. Give me the strength to move forward on the
    path you’ve laid out for me. Guide me towards better health, and give
    me the wisdom to identify those you’ve placed around me to help me
    get better.
    In your name I pray, Amen.
    
  5. Prayer when Health Is Failing
    Sweet Heart of Jesus, my health is failing, and I am hurting.
    Thank you for my body, which is a great and marvelous gift and a
    temple where the Holy Spirit chooses to dwell.
    I offer up my current suffering for (Name), accepting whatever
    you permit to happen to me.
    I believe in your healing power and claim your promises of peace,
    help in all my afflictions, and the grace of final perseverance. Help
    me to resist all fear, and hide me, Lord, in the haven of your precious
    heart. Give me the strength to accept this current state of my health
    with joy, holy resignation, and lively hope for the future. Amen.
    
  6. A Prayer against Disease
    Lord, your scripture says that you heal all diseases and whoever
    believes in you will not perish but have eternal life. Strengthen your
    servant, Lord, in this time of illness. Sustain him (her) as he (she) lays
    sick in his (her) bed. When you were on earth, you did all things good
    and healed all kinds of sickness.
    You healed those who had diseases. You died and rose for our
    sins that we may have eternal life. I believe in my heart that you are
    here with us today and that with your most holy power will remove
    all sicknesses and evils that roam the earth. Let it be done in your
    glory, Lord.
    We praise and glorify your name, O Lord, for you live and reign
    forever and ever. Amen.
Agostino’s wonderful book, which is useful for folk Catholic magical work of many kinds, My New Everyday Prayer Book.

In addition, Agostino (2018) also provides the following prayers for the sick and dying. I have successfully used Prayer 454 and Prayer 455 in particular in my own work:

  1. Prayer for the Sick
    Almighty and eternal God, you are the everlasting health of those
    who believe in you. Hear us for your sick servant, (Name), for whom
    we implore the aid of your tender mercy, that being restored to
    bodily health, he/she may give thanks to you in your Church.
    Through Christ our Lord. Amen.
    
  2. Another Prayer for the Sick
    Dear Jesus, Divine Physician and Healer of the sick, we turn to You
    in this time of illness. O dearest Comforter of the Troubled, alleviate
    our worry and sorrow with Your gentle love, and grant us the grace
    and strength to accept this burden.
    Dear God, we place our worries in Your hands. We ask that You
    restore Your servant to health again.
    Above all, grant us the grace to acknowledge Your holy will and
    know that whatsoever You do, You do for the love of us. Amen.
    
  3. Prayer for Those On Medication
    Gracious God, You have given us many healing remedies that are a
    benefit to us when we are sick. Through the miraculous intercession
    of St. Anthony, we ask Your blessing upon the medication prescribed
    for (mention name) so that he/she may experience healing, and be
    restored to full health in mind and body. Amen.
    
  4. For Someone Who Is Addicted
    Lord, my heart is filled with concern for (Name), who is addicted.
    You know and see the disorder and chaos that the addiction is
    causing, and your heart grieves over the distortion of personality and
    danger to the soul that results when someone is in the throes of
    addiction.
    I pray that you will please give me the wisdom and spiritual
    fortitude to detach with love and trust in your tender mercies
    and that you will give (Name) the humility and strength to seek
    recovery. I ask this through the saving grace of your Sacred Heart.
    Amen.
    
  5. Prayer Before Surgery
    Loving Father, I entrust myself to your care this day; guide with
    wisdom and skill the minds and hands of the medical people who
    minister in your Name, and grant that every cause of illness be
    removed, I may be restored to soundness of health and learn to live
    in more perfect harmony with you and with those around me.
    Through Jesus Christ. Amen.
    Into your hands, I commend my body and my soul. Amen.

Prayer After Surgery
Blessed Savior, I thank you that this operation is safely past, and now
I rest in your abiding presence, relaxing every tension, releasing every
care and anxiety, receiving more and more of your healing life into
every part of my being. In moments of pain I turn to you for
strength, in times of loneliness I feel your loving nearness. Grant that
your life and love and joy may flow through me for the healing of
others in your name. Amen.

As if these were not enough, Agostino (2018) also includes prayers for health professionals such as doctors, nurses, and medical Social Workers such as myself:

  1. Prayer for Doctors and Nurses
    O merciful Father, who have wonderfully fashioned man in your own
    image, and have made his body to be a temple of the Holy Spirit,
    sanctify, we pray you, our doctors and nurses and all those whom you
    have called to study and practice the arts of healing the sick and the
    prevention of disease and pain. Strengthen them in body and soul,
    and bless their work, that they may give comfort to those for whose
    salvation your Son became Man, lived on this earth, healed the sick,
    and suffered and died on the Cross. Amen.
    
  2. A Nurse’s Prayer #1
    Dear Lord, please give me strength, To face the day ahead.
    Dear Lord, please give me courage, As I approach each hurting bed.
    Dear Lord, please give me wisdom With every word I speak.
    Dear Lord, please give me patience, As I comfort the sick and weak.
    Dear Lord, Please give me assurance, As the day slips into night.
    That I have done the best I can, That I have done what’s right.
    560
    
  3. A Nurse’s Prayer #2
    Be my voice to the deaf. Be my faith where there is doubt. Be my
    hope where there is despair. Be my light where there is darkness. Be
    my joy where there is sadness. Be me in the world.
    Be my eyes to the blind. Be my consolation to those who need to be
    consoled. Be my understanding to those who need to be understood.
    Be my healing to those who need to healed. Be my love to those who
    need love. Be my forgiveness to those who need to be forgiven. Be
    my death to those who need me. Be me in the world.
    
  4. A Nurse’s Prayer #3
    When I falter, give me courage. When I tire, renew my strength.
    When I weaken because I’m human, inspire me on to greater length.
    If doctors and patients become demanding, and days are too short
    for all my duty: help me remember I chose to serve, to do so with
    grace, and spiritual beauty. In humility, Lord, I labor long hours, and
    though I sometimes may fret; my mission is mercy. Abide with me,
    that I may never forget.
  5. Prayer for a Sick Person Near Death
    Almighty and Everlasting God, preserver of souls, who dost correct
    those whom Thou dost love, and for their betterment dost tenderly
    chastise those whom Thou dost receive, we call upon Thee, O Lord,
    to grant Thy healing, that the soul of Thy servant, (Name), at the hour
    of its departure from the body, may by the hands of Thy holy Angels
    be presented without spot unto Thee. Amen.
    
  6. Offering for the Dying
    O My God, I offer Thee all the holy Masses which will be said this
    day throughout the whole world for poor sinners who are now in
    their death agony and who will die this day. May the Precious Blood
    of our Savior Jesus Christ obtain for them mercy. Amen.
    
  7. To Be Said by the Dying Person, or by Another for Him or Her
    V. We adore Thee, O Christ, and we bless Thee.
    R. For by Thy holy Cross Thou hast redeemed the world.
    O GOD, Who for the redemption of the world didst vouchsafe to
    be born, to be circumcised, to be rejected by the Jews, to be betrayed
    with a kiss by the traitor Judas, to be bound with cords, to be led as
    an innocent Lamb to the slaughter, and in the sight of Annas,
    Caiphas, Pilate, and Herod, to be treated with indignity, to be accused
    by false witnesses, to be afflicted with scourges and reproaches, to be
    spit upon, to be crowned with thorns, to be beaten with blows, to be
    struck with a reed, to have Thy face veiled, to be stripped of Thy
    garments, to be nailed to the Cross and raised high thereon, to be
    ranked among thieves, to be offered gall and vinegar to drink, and to
    be pierced with a lance: Do Thou, O Lord, by these Thy most holy
    pains, which I, though unworthy, now call to mind, and by Thy holy
    Cross and death, deliver me (or this Thy servant, Name) from the
    pains of Hell, and vouchsafe to lead me (or name the person) whither
    Thou didst lead the good thief who was crucified with Thee. Who,
    with the Father and the Holy Ghost, livest and reignest forever and
    ever. Amen.
  1. Prayer for the Dying
    Most merciful Jesus, lover of souls, I pray you by the agony of your
    most sacred heart, and by the sorrows of your Immaculate mother, to
    wash in your most Precious Blood the sinners of the world who are
    now in their agony, and who will die today.
    Heart of Jesus, once in agony, have mercy on the dying.
    Jesus, Mary and Joseph, I give you my heart and my soul. Assist me
    in my last agony, and grant that I may breath forth my soul in peace
    with you. Amen.

Moreover, in another wonderful section of his book, which Agostino (2018) generously gives away for free on his website, but which I purchased in hardcover to support his hard work, concerns prayers with the assistance or intercession of the Angels.

If we are using Angelica in a Healing Oil or other Healing formula, as I would suggest, then we can also integrate Angelic invocations and prayers. One possible way of doing this is through the Litany of All the Angels, which Agostino gives as follows:

  1. Litany of All the Angels
    Lord, have mercy.
    Christ, have mercy.
    Lord, have mercy.
    Christ, hear us.
    Christ, graciously hear us.
    God, Father of Heaven, have mercy on us.
    God the Son, Redeemer of the world, have mercy on us.
    God the Holy Ghost, have mercy
    Holy Trinity, one God, have mercy
    Holy Mary, pray for us.
    Holy Mother of God, pray for us.
    Holy Queen of the Angels, pray for us.
    Holy Michael, pray for us.
    Holy Gabriel, pray for us.
    Holy Raphael, pray for us.
    Holy Uriel, pray for us.
    Holy Metatron, pray for us.
    Holy Raziel, pray for us.
    Holy Cassiel, pray for us.
    Holy Sachiel, pray for us.
    Holy Camaël, pray for us.
    Holy Anaël, pray for us.
    Holy Sandalphon, pray for us.
    All ye holy Archangels and Angels of the Planets, pray for us.
    459
    – Prayers and Devotions to the Angels and Archangels –
    Holy Sharhiel, pray for us.
    Holy Araziel, pray for us.
    Holy Sarayel, pray for us.
    Holy Pakiel, pray for us.
    Holy Sharatiel, pray for us.
    Holy Shelathiel, pray for us.
    Holy Chedeqiel, pray for us.
    Holy Saitzel, pray for us.
    Holy Saritiel, pray for us.
    Holy Sameqiel, pray for us.
    Holy Tsakmiqiel, pray for us.
    Holy Vakabiel, pray for us.
    All ye holy Angels of the Zodiacal signs, pray for us.
    Holy Hassan, pray for us.
    Holy Aral, pray for us.
    Holy Thaliahad, pray for us.
    Holy Phorlakh, pray for us.
    All ye Holy Angels of the Elements, pray for us.
    Holy Seraphim, pray for us.
    Holy Cherubim, pray for us.
    Holy Thrones, pray for us.
    Holy Dominations, pray for us.
    Holy Powers, pray for us.
    Holy Virtues, pray for us.
    Holy Principalities, pray for us.
    Holy Archangels, pray for us.
    Holy Angels, pray for us.
    All ye Holy Orders of Angels, pray for us.
    All ye Holy Angels and Archangels, intercede for us.
    All ye Holy angels and Archangels, bless the Lord forever.
    Lamb of God, Who takest away the sins of the world,
    spare us, O Lord.
    Lamb of God, Who takest away the sins of the world,
    hear us, O Lord.
    Lamb of God, Who takest away the sins of the world,
    have mercy on us.
    Our Father (inaudibly until)
    V. And lead us not into temptation.
    R. But deliver us from evil.
    V. Pray for us, all ye Holy Angels and Archangels.
    R. And intercede for us in the sight of the Lord Almighty.
    Let us pray. Almighty God, Who givest graces according to Thy good
    pleasure, vouchsafe, we beseech Thee, through the intercession of
    Thy blessed Archangel N., to grant us peace in our days, victory over
    all enemies and impediments in our paths, protection from the snares
    of the adversary, and to grant our prayers. To send also Thine holy
    Angel from the heavens, that he may assist towards the manifestation
    of those same petitions, that the world, seeing Thy glory, may glorify
    and magnify Thee always and everywhere, more and more. Through
    our Lord Jesus Christ Thy Son, Who liveth and reigneth with Thee in
    the unity of the Holy Spirit, God, world without end. R. Amen.”

He also provides the following prayer, useful in all Angelic work; we need only add the healing petition at the end:

Prayer to the Holy Angels
Bless the Lord, all you his Angels, you who are mighty in strength
and do his will. Intercede for me at the throne of God, and by your
unceasing watchfulness protect me in every danger of soul and body.
Obtain for me the grace of final perseverance, so that after this life I
may be admitted to your glorious company and may sing with you
the praises of God for all eternity.
O all you holy Angels and Archangels, Thrones and
Dominations, Principalities, Powers and Virtues of heaven, Cherubim
and Seraphim, and especially you, my dear Guardian Angel, intercede for me and obtain for me the special favor I now ask (here mention your healing intention). Amen.”

A final section of prayers from Agostino’s (2018) work which are relevant to the healing purposes of this article are some of the prayers to and with Archangel Raphael that he includes, namely:

  1. Collect on the Feast of St. Raphael
    “O God, you sent the blessed archangel Raphael to accompany your
    servant Tobias on his journey. Grant that we, your servants, may also
    be guarded by him always and strengthened by his assistance.
    Through Jesus Christ your Son, our Lord, who lives and reigns with
    you in the unity of the Holy Spirit, God, forever and ever. Amen.”

2. Archangel St. Raphael Prayer for Healing
“Glorious Archangel St. Raphael, great prince of the heavenly court,
you are illustrious for your gifts of wisdom and grace. You are a guide
of those who journey by land or sea or air, consoler of the afflicted,
and refuge of sinners. I beg you, assist me in all my needs and in all
the sufferings of this life, as once you helped the young Tobias on his
travels. Because you are the “medicine of God” I humbly pray you to
heal the many infirmities of my soul and the ills that afflict my body.
I especially ask of you the favor (here mention your healing intention), and
the great grace of purity to prepare me to be the temple of the Holy
Spirit. Amen.”

3. Saint Raphael Prayer
“Blessed Saint Raphael, Archangel, we beseech thee to help us in all
our needs and trials of this life, as thou, through the power of God,
didst restore sight and give guidance to the elder Tobit. We humbly
seek thine aid and intercession, that our souls may be healed, our
bodies protected from all ills, and that through divine grace we may
be made fit to dwell in the eternal Glory of God in heaven. Amen.”

4. Novena to St. Raphael the Archangel

Frater S.C.F.V’s Note: I would use an Orange, White or Light Blue Novena Candle for this purpose. Puncture 7 thin holes in the top and anoint with Healing Oil as well as some of the herbs from the Oil if you have any on-hand. Use a consecrated Chalk Marker to write the name of the person to be healed on the glass of the candle. Write your petition on a petition paper and place it under the candle. Light the candle each night while praying the following prayer for 9 nights in addition to relevant Psalms from the list above, depending on the issue to be healed:


“Recite one Our Father, one Hail Mary and one Glory Be.
Glorious Archangel St. Raphael, great prince of the heavenly court,
you are illustrious for your gifts of wisdom and grace. You are a guide
of those who journey by land or sea or air, consoler of the afflicted,
and refuge of sinners. – Recite one Glory Be.
We ask you to assist (person to be healed) in all his/her needs and in all the
sufferings of this life, as once you helped the young Tobias on his
travels. Because you are the medicine of God,” we humbly pray you
to heal the many infirmities of his/her soul and the ills that afflict
his/her body. – Recite one Glory Be.
We especially ask of you the favor, the intersession of conversion of
heart and the great grace of purity, to prepare (name), to be the temple
of the Holy Spirit. Amen. – Recite one Glory Be.
St. Raphael, of the glorious seven who stand before the throne of
Him who lives and reigns, Angel of health, the Lord has filled your
hand with balm from heaven to soothe or cure our pains. Heal or
cure the victim of disease. And guide our steps when doubtful of our
ways. May God hear and answer our prayer according to His holy will
and for His greater glory. We ask this through Jesus Christ our Lord.
Amen.

E. Anointing Pentacles for the Warding of Illness: An Example of Using Healing Oil with a Solomonic Pentacle

How can the Healing Oil we’ve explored in this article be used by magicians versed in Solomonic grimoire magic in combination with Solomonic seals with healing virtues? The answer, as in most things in magic, is that we have options.

First, a grimoire-Purist approach would be to follow the grimoire procedure for making the Pentacle to the letter, and then integrate the Conjure Healing Oil by anointing the Pentacle with it after this is completed. For this purpose, we could, for instance consecrate either the Second Pentacle of Mars from the Key of Solomon or the Jupiter Health Pentacle from the Veritable Key of Solomon.

According to Joseph H. Peterson’s edition of the Key of Solomon (2018), the Second Pentacle of Mars “serveth with great success against all kinds of diseases, if it be applied unto the afflicted part:”

Figure 26, from Harl. 3981, fol. 77v. Credit to Joseph H. Peterson.

About this Pentacle, Peterson (2018) includes the following interest ing editorial notes:

“The letter Hé, in the angles of the hexagram. Within the same the names IHVH, IHShVH Yeheshuah (the mystic Hebrew name for Joshua or Jesus, formed of the ordinary IHVH with the letter Sh placed therein as emblematical of the spirit), and Elohim. Around it is the sentence, John i. 4:— ‘In him was life, and the life was the light of man.’ This may be adduced as an argument of the greater antiquity of the first few mystical verses of the Gospel of St. John. -SLM. This pentacle is in Harley 3981, but is not found in M276, Ad. 10862, Sl. 3091, L1202, K288, Aub24, or W. The verse reads “In ipso vita erat et vita erat lux hominum.” -JHP.”

Another example of a Pentacle suitable for healing would be the Jupiter Health Pentacle from the Veritable Key of Solomon (MS Wellcome 4670) — see Practical Occult‘s version of it for an example, shown below in zoomed-in cropping (Chicosky, 2021):

Jupiter Health Pentacle from the Veritable Key of Solomon (MS Wellcome 4670). Credit to Practical Occult.

About this latter pentacle, Alison Chicosky (2021) notes that the effect of Jupiterian influence in this Pentacle seems to “manifest in pain reduction, light regeneration, metabolic changes, ”feeling good” when worn, and securing “a healing sleep.”

Second, if we do not wish to take a grimoire-Purist approach, we could also employ a folk magical approach and use a stripped-down methodology as was historically done since the 20th century by African American rootworkers. As yronwode (2019) notes in her brief history of Hoodoo, Conjure, and Rootwork:

The African aspects of hoodoo — foot track magic, crossroads magic, laying down tricks, ritual sweeping and floor washing, and ritual bathing — have been well documented by folklorists interested in exploring what are called “African survivals” in American Black culture. What is less well recognized is the evidence that hoodoo practice during the 20th century (and arguably in the late 19th century as well), was greatly admixed with European folk-magic, Mediaeval conjuration, Jewish Kabbalism, Allan Kardecian Spiritism, and even a smattering of Hindu mysticism.”

In historical context, it is worth noting that when grimoire elements were included in Hoodoo, 20th century American rootworkers often dispensed with the extensive ritual tools and ceremonial procedures and simply worked with the Seals themselves (yronwode, 2019).

One way to integrate them could be to draw them onto a plate–such as Balthazar’s dedicated plate for this purpose, which he calls the Tablet of Lights, and which I also use in my work–and do candle work with candles anointed with Healing Oil over them. I’ve done workings like this with great success.

However, I also carry health Pentacles, which were made following the strict grimoire procedures by myself or others like Alison, which can be anointed with the combination of Fiery Wall of Protection and Healing Oil. In addition, I have an amulet bearing the Names and Seals of the 7 Heptameron/Lucidarium Archangels and 7 Olympic Spirits, which I also anoint with Fiery Wall of Protection and Healing Oil and wear over my heart.

Finally, such Pentacles can be included in a Healing Mojo Hand (e.g. a light blue flannel bag containing things like dirt from a hospital, some of the herbs noted above, personal concerns of the person to be healed (e.g. hair or nails), a petition paper with their full name written 7 times with HEALTH AND WELL-BEING written 7 times over it, a John the Conqueror Root anointed with Healing Oil and Fiery Wall of Protection Oil, Angelica, and a St. Raphael the Archangel Charm on the outside).

F. Healing by Tea, Bath, and Soup: Three Final Homestyle Folk Magic Techniques for Use in Healing Work

Another series of techniques that are worth including in the discussion of Healing Oil and healing magical methods and belong to the domain of Christian folk magic. When I was sick recently with a bad cold, I made the following Spiritual Bath to Aid Healing and Sleep, my personal formula, which features a combination of Herbs to foster both conditions along with Angelica to be included along with prayers requesting Angelic help:

Spiritual Bath to Aid Healing and Sleep

  • Chamomile
  • Self-heal
  • Althaea
  • Angelica
  • Thyme
  • Mint
  • Rosemary
  • Lavender
  • Honey

How To Perform a Pour-Over Style Spiritual Bath (a folk Catholic method taught to me by an Espiritista):

  1. Place the herbs or curios to be used in the spiritual bath into a coffee filter at the bottom of a white bucket, never used for any other purpose. As you add each herb, speak to its spirit and ask it what role you want it to serve in the bath such as cleansing, uncrossing, or healing (e.g. “Angelica, please assist with drawing in Angelic assistance that this bath might prove successful and empowered by their aid…”). The roles of the other herbs can be easily figured out if you review the section analyzing the herbal formulas in this article.
  2. Pray to God to assist in the work you are trying to do with the bath. Pray appropriate Psalms over the bath to empower it and add sacredness to it (e.g. Psalms 49 and 50 for this bath).
  3. Set up a second basin or plastic bin to catch some of the bath water. Stand in this. When you feel your bath herbs have steeped enough, remove the coffee filter full of herbs. If needed, add a little more hot water to the basin.
  4. Now, while praying Our Father, Hail Mary, and Glory Be continuously, proceed to take some of the water from the basin in your two hands and rub it into the bath of your neck. Rub HARD.
  5. Take some of the water and rub it into your forehead.
  6. Then take more water and rub it into your right armpit.
  7. Then left armpit.
  8. Then take water in your hand again and start to rub from your neck down on the front of your body. Flick out at your waist.
  9. Then do the same on right side from the armpit down, flicking our at waist.
  10. Then do the same on left side from the armpit down, flicking our at waist.
  11. Then intensely rub water along your whole left arm from shoulder to the tip of your hand, flicking out past your fingers.
  12. Then your left arm.
  13. Then your right leg, starting from the hip and moving down to flick out at your toes.
  14. Then your left leg.
  15. Now pour half the remaining water over the front of your body from your neck down.
  16. Next, pour the other half down your back from the neck down.
  17. Now sit and let yourself air dry.
  18. To finish the work, take a cup of the bathwater from the basin you were standing in and set it aside. Pour the remaining water in the basin down each sink, toilet, and bathtub in your house; I learned this method from cat yronwode.
  19. Finally, take that last cup of water, go out your back door, toss it over your left shoulder and go back inside without looking back. I do it on my balcony. This technique was taught to me by my Rootwork teacher Aaron Davis.

I also like to make a chamomile tea to go with this Spiritual Bath. As noted above, I prayed Psalms 49 and 50 over the tea and bath, while they both steeped together. I drank the tea, performed the bath, and went to bed immediately after air-drying. This combination was very helpful along with a candle working done to foster healing the next day, which proved very successful.

As another Rootwork tip for healing work, when people are sick, many of us make them chicken noodle soup. We can get creative and add a magical twist to this folk practice; if we include Rosemary, Thyme, and Basil in the soup, we can then pray Psalm 49 and Psalm 50 over them and request that the one who consumes the soup be made healed and whole. I did this as well in combination of the tea and spiritual bath above, for a multi-pronged approach, alongside wearing a Pentacle anointed with the Healing Oil.

D. Healing on the Shoulders of Giants: Final Thoughts on Extending the Light of the Spiritual Healing Tradition

The call of healing has long resounded through the history of spiritual work from its earliest incipience. Indeed, the world’s heritage of healing ranges far and wide, from the medicines of Indigenous Elders, whose descendants went on to influence the methods of Hoodoo alongside African healing traditions to Ancient Greek prayers to Asklēpiós, and Egyptian invocations of Sekhmet to make war on illness. On the African continent, the ancestral homeland of American slaves, prayers and songs of healing had long rung out to !Xu in the South, Sonzwaphi among the Zulu, and Aja among the Yoruba. Invocations of health rose up by campfires and by trees calling for the grace of Obalúayé, the power of Erinlẹ, or the herbal wisdom of Ọsanyìn. The Aztecs called to Ixtlilton and Patecatl; the Celts invoked Airmed, Lugh, and Ianuaria; the Chinese supplicated Bao Sheng Da Di, Shennong Da Di, and He Xiangu; and the Etruscans praised the healing of Fufluns and Menrva. The litanies of spirits of healing go on and on from Vaidyanatha, Dhanvantari, and Mariamman in India to Eeyeekalduk and Pinga among the Inuit, Sukunahikona in Japan, and Eir in the Norse lands.

When the Root Doctors among the American slaves were denied the “privilege” of medical attention, they reclaimed healing power for themselves with the Herbs and roots at their disposal. The rootworkers that descended from them knew the Bible well and used it to fuel their work; they called on the God of Psalm 107, who “sent out His word and healed” and Psalm 147, “who heals the brokenhearted and binds up their wounds.” Like the European Rosicrucians, they too saw in Christ a Master Healer of the Oppressed and the Downtrodden and called upon him to help them work the roots to healing. We today who strive to continue this work stand on the shoulders of these giants, with gratitude, humility, and the same compassion that drove their hands to work and lips to prayer. My hope is that this article will provide some useful ideas to those in search of Herbs, Roots, and Formulas to continue the work of spiritual healing today.

May health, blessing, and goodness follow you in every work of your hands and every prayer of your lips. Amen!

E. References

Ajana, P. (2022). Little Book of Rootwork. New York, NY: Ulysses Press.

Andrew (2018). “14 Provent Benefits of Niaouli Essential Oil.” Healthy Focus. Retrieved 2022-08-31 from https://healthyfocus.org/niaouli-essential-oil/

Anonymous. (2022). “Hoodoo Condition Oil Recipes.” Hoodoo Conjure. Retrieved 2022-08-28 from http://hoodoo-conjure.com/port-doc/Oil-Recipes.pdf

Bailey, W. (2012). “Hoodoo – A General Summary of the Tradition.” Hoodoo Conjure. Retrieved 2022-08-28 from http://www.blog.hoodoo-conjure.com/hoodoo-a-general-summary-of-the-tradition/

Block, S. (2020). “Three Prayers for Times of Healing and Disease.” The Digital Ambler. Retrieved 2022-08-28 from https://digitalambler.com/2020/03/17/three-prayers-for-times-of-illness-and-disease/

Born in Slavery: Slave Narratives from the Federal Writer’s Project, 1936–1938. Manuscript Division, Library of CongressSouth Carolina Narratives, vol. 14, part 3. Available from http://memory.loc.gov/ammem/snhtml/snhome.html.

Chicosky, A. (2021). “Solomonic Health Pentacles: A Comparison.” Practical Occult Newsletter. Retrieved 2022-08-29 from https://practicaloccult.com/solomonic-health-pentacles-a-comparison/

Chireau, Yvonne. (1997). “Conjure and Christianity in the Nineteenth Century: Religious Elements in African American Magic.” Religion and American Culture 7, no. 2 (1997): 225-246.

Duvall, E. (2022). “Healing Oil.” Working With Spirits. Retrieved 2022-08-28 from https://workingwithspirits.com/shop/ols/products/healing-oil-to-promote-healing-physically-and-mentally

Dr. E. (2022). “Healing Oil.” Conjure Doctor. Retrieved 2022-08-28 from https://conjuredoctor.com/index.php?main_page=product_info&products_id=185

Fenix, T. (2010). Conjure Cookbook: Making Magic With Oils, Incense, Powders and Baths. Bolton, On: Amazon.

Fett, S.M. (2002). Working Cures: Healing, Health, and Power on Southern Slave Plantations. Chapel Hill: University of North Carolina Press.

Laremy, R. (2001) The Psalm Workbook: Work With the Psalms to Empower, Enrich and Enhance Your Life. Original Publications: Amazon.

Peterson, J. H. (2018). The Key of Solomon the King. Esoteric Archives. Accessed August 15, 2018 from http://www.esotericarchives.com/solomon/ksol2.htm

Saint Joseph’s Oratory (2022). “St. Joseph’s Oil – A Gesture of Faith.” Saint Joseph’s Oratory. Retrieved 2022-09-13 from https://www.saint-joseph.org/en/spirituality/saint-joseph/saint-joseph-oil/

Smith, T. D. (2019). “Root Doctors.” Encyclopedia.com. Retrieved 2022-08-28 from https://www.encyclopedia.com/humanities/applied-and-social-sciences-magazines/root-doctors

The Art of the Root (2021). Healing Oil. Retrieved 2022-08-28 from https://artoftheroot.com/products/healing-oil-for-hoodoo-voodoo-wicca-pagan-rituals

Yronwode, C. (2002). Hoodoo Herb and Root Magic: A Materia Magica of African American Conjure. Forestville, California: Lucky Mojo Curio Co.

Yronwode, C. (2019). Hoodoo, Conjure, and Rootwork: African American Folk Magic. Retrieved 2022-08-29 from https://www.luckymojo.com/hoodoohistory.html#hoodoois

Healing Beyond the Grave: Working Wonders for a Dead Man and his Family

By Frater S.C.F.V.

Post-Death rootwork set-up for my Buddhist client Michael.

A. Context of Working: Spiritual Forces Aligning at the Sudden Death of “Michael”

On July 12, 2022, I was informed that one of my elderly homecare clients, whom I will call “Michael” to protect his identity, was found dead in his room.

As it turns out, shortly before Michael died as we later discovered when time of death was determined, he had left me a touching voicemail about his friend Nancy, saying that he missed her and wished to see her more.

“Talk to you soon, man” Michael said, before ending his call.

Not long after that, he appeared to have died of natural causes linked to one of his many health conditions.

It was later suspected that he passed away either due to the cessation of breathing after choosing not to use his sleep apnea machine or a cardiac issue had led to his death.

In a sad turn of fate, the person who found Michael lying dead in his bed the next morning was the very person about whom he had left his final voicemail — Nancy.

She was stopping by to bring him some breakfast, a breakfast he sadly never got to eat.

As it turned out, Michael’s homecare Nurse, whom I’ll call “Haley,” happened to stop in to see Michael just as Nancy was still there after discovering his body.

The amazing thing was that Michael was not on Haley’s nursing route for that morning — she said that “something” had prompted her to bring Nancy some of the tubigrip Michael had to have wrapped around his legs to reduce swelling.

As an occultist and reader, I can’t help but see the aligning of spiritual forces coming together here — Michael’s last call to me being about Nancy; Nancy showing up to bring him breakfast mere hours after he passed away; a spiritual ‘nudge’ bringing Haley to his apartment at the same moment Nancy would need her to be comforted after the traumatic discovery of his body; Michael sharing his final message about Nancy with me so that I could share it with her to show Nancy how much she meant to him and what a profound impact she had on his life…

It was like the golden threads of each of our life paths had been woven together in this significant moment to weave a beautiful tapestry of meaning, healing, and spiritual import….

As the great rootwork and conjure teachers would say, this was a “crossroads moment” where life, death, and the hearts of the living and the dead came together for a key purpose.

After Haley found Nancy crying near Michael’s body, she gracefully completed the necessary follow-ups for paramedics to come to intervene with Michael.

The paramedics did not attempt CPR because his body was already cold, suggesting he had died the night before, shortly after he left me his final message.

The Crossroads Moment. Credit to Getty Images.

I spent the morning consoling Nancy, who was understandably distraught by this ordeal, and made a plan with her to offer her some support in the weeks to come as she processes the traumatic experience of finding someone she cared about dead in their home.

I spent the afternoon helping to organize for the funeral home to pick up Michael’s body and coordinating with his ex-wife, whom I’ll call “Emma,” as she was listed as Michael’s official next-of-kin.

Michael did have children, but they had sadly not spoken to him in 20 years. As he once told me, “I made a lot of mistakes with my children, mistakes I regret — I just wished I could have told them I loved them and am proud of them.”

Michael’s siblings lived in another province, and unfortunately, we had no contact information for any of them.

Tragically, when Emma unlocked Michael’s phone, she found that he only had a few numbers saved: hers, mine, Nancy’s, and Haley’s.

He did not even have numbers to reach his children or siblings. This is an important point, which I’ll come back to later, as it shaped the direction of the spiritual work to be done to help him after his passing…

Due to Michael’s descendants and family members being out of reach, it fell on Emma and me to try to plan Michael’s funeral arrangements.

Quite understandably, Emma was not very close to Michael after their divorce, but she was nonetheless very distressed by his sudden passing as they had been close for many years.

Indeed, we all were — I had worked with Michael regularly over the past 3 years and expected him to live many more years to come.

But Death comes on its own schedule, whether we expect it or not.

Emma believed that Michael would have wanted a Catholic funeral, but I explained to her that he was a devout Buddhist. He and I had often discussed Buddhism and he used to light incense for the Buddha every day.

Very touchingly, Michael had compassion for a little squirrel he used to feed as part of his Dharma practice; “Squirrely” as he called him, would come into his bedroom every morning to pick up some of the deluxe almonds and cashews Michael spoiled him with, would leave, and would come back the next morning. Michael always left his patio door ajar so that Squirrely could come in, get his breakfast, and leave.

Medically, Michael’s Nurse and I had concerns about the squirrel coming into his home from the perspective of possibly carrying rabies, fleas, etc., but spiritually, I knew it was alright and a valuable part of his practice by which Saint Francis of Assisi would have been pleased. Squirrely only came to the apartment to eat and always left right after.

In light of Michael’s wishes and spiritual path, I suggested that Michael would have wanted a Buddhist funeral. I informed Emma that he had once asked me to give an incense offering on his behalf, which I had committed to do.

After providing Emma with emotional support, helping her with the kinds of follow-ups we have to do after someone passes away (e.g. informing the government to end their benefits, doing tax follow-ups, searching for a will, dealing with creditors, etc.), we went on to start planning the funeral.

I put Emma in contact with a local Buddhist Temple that I had previously inquired with to help Michael get some Dharma teachings to request their help with the funeral planning. Emma and I then made a plan for the next few days of steps from the practical, mundane side of things.

As for me, I began to plan for the spiritual work I would do to continue to help Michael beyond the grave.

B. Working the Herbs and Light: Offerings and Rootwork to Aid the Transition

Once home, in order to honor my promise to Michael to light incense for him, say goodbye, and help him in the next stages of his progression from this world, I wanted to do some offerings on his behalf.

I divined with some of the Spirits with whom I worked and put together a series of offerings to honour and support him.

Buddhists like Michael don’t precisely believe we have a “spirit,” but they do believe in a continuity of consciousness from one incarnation to another.

Whatever the transition should look like for Michael, I wanted to help ease his path.

Therefore, first, I prepared some bread for him in case he does not yet realize he has died and would benefit from the energy.

Second, I prepared a shot of Sortilège, which is a Canadian sweet maple whisky, which I thought Michael would enjoy as a French Canadian raised surrounded by sugar shacks. From the magical side, I knew the sugar would also help “sweeten” him to the work to be done and the transition ahead of him.

In addition, whisky is often used in conjure and in several ATRs in offerings for the dead. My hope was to nurture and warm Michael’s consciousness–I would say spirit in my paradigm–and also to help sweeten him to his new existence and “lift his spirits” or cheer him up.

Funny enough, “sortilège” is French for sorcery; how appropriate for a magical working.

Third, I showed him some different incenses and asked him to nudge me when I hovered over one he liked. I was going to go with Frankincense or Myrrh, but he nudged me to use Musk. I sensed he might be looking to draw Love to himself in the unfamiliar space of death, since we use Musk as a love-drawing scent in rootwork. In addition, Musk is also a common incense in Buddhism, so it might have felt more comforting to him as well.

Fourth, I wanted to offer him a white candle and invited my Spirits and Michael himself to guide me as to which herbs to use to dress the candle.

I used a base of Holy Olive Oil, which in rootwork is used for anointing and as a general purpose oil.

For herbs, I felt guided to use an interesting combination of Rose and Pine.

Rose is used in Venusian work in traditional grimoire magic. Interestingly, it is also used for drawing Love in Hoodoo and as a symbol of Divine Love in Rosicrucianism. I used it to help Michael feel loved in his transition and as an expression of my care and appreciation for him.

Pine can be used for a number of reasons. In Hoodoo, it is used for attracting fortune and cleansing. In the context of this working, I hoped it would help cleanse Michael’s consciousness to help his transition and strengthen him spiritually with good fortune in the time to come.

Interestingly, in his Three Books of Occult Philosophy (1533), Heinrich Cornelius Agrippa also interestingly links Pine-Trees to Saturn (Book I, Chapter XXVI). This seemed appropriate to the Saturnine work of crossing the boundary of life/death, and our mourning for Michael’s sudden passing.

In addition, some traditional witchcraft traditions link Pine to Mars because of the plant’s pointy needles. I hoped this aspect would give Michael some energy and drive to help him with his transition.

Finally, I included two images of the Buddha as Michael would have wanted. Even though I mainly work within a mystical Christian paradigm, I wanted to respect Michael’s wishes and comfort zone.

I opened with a set of prayers within my paradigm, made offerings to God on Michael’s behalf and invited Michael, my Ancestors, Michael’s Ancestors, and the Angels and other spirits of my spiritual court to partake of them for strengthening in the work.

I explained the purpose of the different ingredients to Michael and why I was offering them and how I hoped they would help him. I called on the spirits of Musk, Pine, Olive, Rose, to help in the work according to each of their specialties.

After this section, I saw a small sphere of white light appear near the offerings and streak off towards the right. I wondered if it might be Michael, showing his presence for the work. Or perhaps another spirit who was curious about what I was up to.

At the end of the working, I explained to Michael that Emma would like to invite his children and siblings to his funeral but that we have no contact information for them. I asked, if he wanted them to attend, to please help Emma and I to contact them and made prayers on my side to help with this as well.

Finally, I invited Michael to appear in my dreams tonight if he would like to pass on any final messages to me or Emma, or any other guidance in contacting his family members. With that done, I told Michael the things I appreciated about him, reasons I was proud of him, and told him I would do my best to help give him a Buddhist funeral. I thanked him for the joy of knowing him and wished him all the best, then duly closed the Temple.

C. The Results of the Working: Wondrous Beyond Expectation and Culminating in Healing

The ritual itself left me feeling at peace and with a sense of closure that I did all I could do for Michael to accompany him, not only through his palliative care journey as I did when he was in life, but also, in his transition beyond the grave.

However, what I was most curious to see was how the magical work might dovetail with the practical, mundane work I was doing to accomplish Michael’s last wishes.

As it turned out, the results were nothing short of striking, and the paths through which they came to fruition were equally surprising.

First, although the Buddhist Temple to which I initially referred Emma was unable to assist. Through a series of interesting synchronicities, she was “nudged” towards another Buddhist Temple here in the city with whom she was able to make a beautiful arrangement for Michael. For a reasonable fee, a monk at the Temple agreed to offer Buddhist prayers and incense on Michael’s behalf for 49 days!

Second, as it was Michael’s wish to be able to donate his food and other items to help others, we were able to find an organization that accepted his food items on short notice. This was his wish as part of his dana or charity aspect of his Buddhis practice. Michael had always wanted to help refugees, but never was able too; in death, his remaining food items went on to feed them.

Third, and most striking of all was what took place in regards to his children and siblings. Emma and I did our very best to locate contact information for Michael’s family members, but our efforts were coming up empty. Then, it turned out that a woman at the funeral home with which Emma had been liaising had a contact on the police force, a Sergeant Detective, who specialized in locating missing persons. Normally, this Officer did not assist in cases of people who passed away without contact with their families, preferring to focus on criminal cases. However, in a very unlikely turn of events, she agreed to take on the task of finding Michael’s family members.

A Buddhist funeral service for Thai monks. Photo by Jeff J Mitchell/Getty Images.

Within a span of days, Michael’s siblings in another province were located. His brother took on the task of repatriating his ashes back to his province so that he could be buried in his family’s graveyard after receiving his Buddhist rites, as per his wishes.

Then, the Sergeant found his children, who were living far from the city. They were contacted, brought up to speed on the events that occurred leading up to his passing. They agreed to come to Montreal to visit his apartment, because Emma had found photo albums depicting them as children — despite their being estranged and not having spoken for 20 years, Michael never got rid of these precious photographs.

Finally, through the Sergeant Detective, I was able to pass on to Michael’s adult children the final message he wanted them to hear and never got to tell them: that he loved them, was proud of them, and wished to apologize for all of the mistakes he made as a father. The closure that came from this was beyond what any of us ever expected.

Tears were shed, not only of grieving, but of healing… a healing that came through and beyond the tomb. With his passing, healing passed to his children, and his final wishes were accomplished, his final words for them were expressed after his death, and his transition into the afterlife was completed with the help of our Spiritual Helpers, with Divine Grace, and the help of the Herb spirits enlisted in the task.

Rest in Peace, Michael.

And above all…

Thank you.

Solomonic Invocation of Archangel Anael and Emergency Petition for a Friend

By Frater S.C.F.V.

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Date: Friday, March 15, 2019
Sun Phase: Afternoon
Moon Phase: Waxing in First Quarter in 12 degrees Cancer in the Nathra Mansion of the Moon
Mansion of the Moon: Thurayya
Planetary Day: Day of Venurs
Planetary Hour: Hour of Venus
Activities: Ritual Bathing; Oratio dicenda quando induitur vestis; Dressing Candle for Anael; Preliminary Prayers; Offerings to the Most High, to Ancestors, to Patron Saints and Teachers, and to the Angels; Heptameron Prayer; Invoking the Angels of the Four Directions as per Heptameron; Conjuration of Anael;

A dear friend of mine, whom I will refer to as S.H. to preserve her privacy, is presently in an emergency situation where she is at risk of becoming homeless in a two week period. As a result, I felt moved to invoke the great Archangel Anael on the day of Venus in the Hour of Venus for help with the situation and also to go deeper into discussions of Divine Love with the Angel. The Moon today is in Lunar Mansion #8, al-Nathra, which is useful for actions of love and friendship. It is an appropriate time do a loving gesture with the Archangel of Venus on behalf of a friend.

I completed a 3-day regime of ritual purity in preparation, culminating in today. After a ritual bath, I got into my white robe (while reciting the Heptameron prayer for donning the vestments, “Oratio dicenda quando induitur vestis”) and put on my stole, put on my Cyprianic rosary, scapular, Cyprianic bracelet, and Solomonic Pentagonal Figure. Proceeding to the Temple, which had already been arranged prior to the beginning of the Planetary Hour, I sounded the Bell of Art three times before entering the Circle as per the Hygromanteia. Then, I entered the Circle, and began preliminary prayers to the Divine while asperging the Circle, Altar, and all Instruments of the Art with Holy Water.

The Altar featured a green Altar cloth, which looks blue in these images, a large green candle, a small green candle dressed with St. Cyprian Oil and Thyme, which is sacred to Venus according to Agrippa’s First Book of Occult Philosophy, Chapter XXVIII, a Virgin Mary Statue, a censor with stick incense placed inside my Cauldron consecrated to Archangel Gabriel, Epiphany Holy Water, bread and water Offerings to Anael, my Wand, a vial of San Cipriano Oil, my Bells, a scrying Crystal, and the seal of Anael on Virgin Paper set on a golden Laurel Wreath. I took up my Solomonic Sword and traced over the outer line of the Circle with its point. With the Circle thus sealed, I put down the Sword and picked up my Solomonic Wand.

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First, I presented Offerings to the Most High El Elyon and asked for His Help in sending His servant, Anael to be present with me and aid me in this Operation of the Art. Next, I presented Offerings to my Patrons, including St. Cyprian of Antioch, my Ancestors, the Angels and Archangels, and the Olympic Spirits, requesting their help in this Operation. The Offerings included exorcised and consecrated goblets of spring and filtered water, candle offerings, bread, and for Anael, a green candle dressed with St. Cyprian Oil and Thyme, bread sprinkled with Thyme, and incense. I asked St. Cyprian to assist me in conjuring Anael with the aim of learning more about the Divine Wisdom and assisting a friend in need.

After more preliminary Prayers, I formally opened the Temple for the Solomonic Invocation. I felt an intuitive nudge from my Spirits to proceed with the Heptameron conjurations and prayers in Latin today, so I obliged. The Altar was set up to face the current location of Venus in the sky, which was determined using an astronomical program. Standing facing the Altar in the direction of Venus, I took up my Wand and the grimoire in the other hand and began the opening prayers.

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I said the opening line “O Angels [sic] supradicti, estote adjutores meæ petitioni, & in adjutorium mihi, in meis rebus & petitionibus” then called the Angels that rule the Air on this Day, intoning their names 3 times each in their respective directions, then praying “O vos omnes, adjuro atque contestor per sedem Adonay, per Hagios, etc…”

Having called the Angels of the 3rd Heaven ruling the Day in their respective Quarters I proceeded to the Conjuration of Friday to invoke Anael, namely:

Conjuro & confirmo super vos Angeli fortes, sancti atque potentes, in nomine On, Hey, Heya, Ja, Je, Adonay, Saday, & in nomine Saday, qui creavit quadrupedia & animalia reptilia, & homines in sexto die, & Adæ dedit potestatem super omnia animalia: unde benedictum sit nomen creatoris in loco suo: & per nomina Angelorum servientium in tertio exercitu, coram Dagiel Angelo magno, principe forti atque potenti: & per nomen Stellæ quæ est Venus: & per Sigillum ejus, quod quidem est sanctum: & per nomina prædicta conjuro super te Anael, qui es præpositus diei sextæ, ut pro me labores, &c.

I then did a second complete Conjuration in English, adding my intent for the ritual and petition, and requesting help from the Divine, my Patrons, Saints, Ancestors, and Teachers for help in making it succcessful.

Then, I began to chant the name ANAEL for an extended period of time while waving the Wand in rhythmic motion, facing the direction of Venus. I continued and continued, my chanting growing in intensity and melodic harmonies while tracing his Sigil in the air with my Solomonic Wand until I felt a shift in the energy in the room, a sense of loving warmth begin to grow like light over the horizon at dawn. I saw sparks of light and drifting spiritual ‘tracers’ outside the Circle. Then Anael’s offering Candle flared up. I welcomed the Spirit and asked the Spirit in the name of Tetragrammaton to confirm its presence if it was indeed here by moving both incense sticks’ streams of smoke to the left in unison. This happened immediately, confirming the Spirit’s presence.

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I greeted the Spirit with great love and respect and thanked the Archangel for coming and being present for this ceremony. I then knelt before the Altar, placed Anael’s offering candle behind the Crystal Ball and began to scry into the flame through the crystal in the pyrocrystallomancy method taught me to by Raphael in a previous conjuration. I then asked the Angel to assist me in tuning into his presence. I gave him consent to manifest sensations, emotions, and thoughts, to draw on my memory to facilitate the communication, and to guide me in inducing appropriate states of consciousness to facilitate the attunement.

Still kneeling, I then proceeded to scry into the Crystal until a pulsation began to emerge in the center of my forehead, my vision began to darken out while the fire in the crystal began to grow brighter. Then I saw a kind of misty-light like effect swirl around the outside of the Crystal. In the process, my eyes grew heavier and heavier and I heard Anael speaking into my mind, suggesting that I could close my eyes and need not strain them. In any event, they fell closed of their own accord without me having much say in the mater…

I greeted the Angel with great love and respect, which Anael reciprocated with his warm, adrogynous voice, saying “greetings, Child of God” with great affection.

I asked if he could give me a revelation-image of his presence and immediately I saw a beautiful winged figure, this time appearing with long blonde hair and an emerald robe, with a face of pure light. To my surprise, however, the image shifted into a green winged heart, which then morphed into a sprout germinating out of the ground and growing into a grove of verdant trees.

I asked Anael what this vision signified and he spoke in the poetic way he sometimes does, the words appearing smoothly spoken into my mind in the Angel’s voice while my forehead continued to pulsate with the throbbing light feeling:

My form is an image of Love,
The green of Nature, which is love growing into life,
The heart of the World, the sprouting of new love,
The growing wisdom of love extending outward,
The forest an image of love growing out in waves.”

I asked the Angel if this was an image of Divine Love. The Angel replied:

God’s Love is far greater than this,
Greater than your human mind,
Which thinks in time and bounded, limited concepts
Can fathom.”

I asked if the Angel could give me an analogy as to what Divine Love is like.

“The Divine Love that sustains the universe is like an ocean,
Every form and phenomenon that appears is like a droplet in that ocean,
Always embraced by the ocean, always part of it, and yet appearing separate,
Seeming to change like the waves on the service,
Yet ever still and eternally held like the ocean depths,
This is what God’s Love is like.”

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I asked Anael if he could share more about the nature of Divine Love:

“God’s Love holds the entire universe within it, excluding nothing.
Creation itself was the flowering of that eternal Love into the sparking-forth of Time,
A Love so infinite it could bloom into finitude, a Love so vast it could pretend to be Other,
There is not a particle that appears in this world that is not held by that Love,
That Love is the particle, and the particle is that Love,
Do not imagine that it is Other than you.
The Love, the God, and the Creation are only different in appearance, not in Reality,
It is Love itself that brings-into-being phenomena, phainomenon, means appearing-into-view, through the Power of that Love, which Loves to Appear and be Appeared to.”

When asked if God’s Love was like human life in any way we could relate to, Anael replied:

Not quite! Your human love is often conditional,
Bound by expectations, limited by arising and subsiding in Time,
Exclusive of some, inclusive of others.
God’s Love is entirely different from that.
And yet even finite human love is but an appearance
of that Love without which nothing is.
God’s Love never began and will never end.
God hates no one; His Love never turns to hate as human love often does.
It does not exclude or include in a dualistic sense.
It is not earned, nor can it be lost.
It has no expectations and no conditions;
It is you humans who make up the requirements and conditions!
It cannot be approached or moved away from;
It is always available at all times,
More subtle than the subtlest,
More intense than the greatest Starry inferno,
Small enough to hold the tiniest particle,
Vast enough to embrace all that is, was, and ever shall be,
Who can say what it is like?
It is here and now, always available.
But your Father
–and Father and Child are just metaphors to try to help you humans understand–
Loves you so that He sets you free to turn away from Him,
To forget Him, to pursue your own ideas,
Giving you everything that was ever created,
Present with you in every moment,
And yet how ungrateful you humans are!
Despite that ingratitude, His Love never retreats a step from you,
Never distances itself as you humans do when you pull away in hurt.
God’s Love never fails, nor ever leaves you.
Whenever you wish, it is given fully, nothing held back.”

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Hearing this, I wondered why we seem so unaware of it. Anael explained:

“There are no barriers to God’s Love except the ones you imagine there are.
Imagining there to be barriers, you make up stories about how to “earn” God’s love.
In so doing, you miss the mark of the Good and the True,
And imagine that your “sin” disqualifies you from Divine Love,
Nothing could be further from the truth!
God loves you before you stumble, while you err,
And after you have realized your mistake.
Does a good father see a child stumble and hate the child for acting out of ignorance?
Of course not! Do you imagine Divine Perfection to be less than that?
Confession, the changing of minds,
The honest admission of where you’ve missed the mark,
Is a Gift to yourself from yourself;
Your Father does not need it, but He asks for it for *you.*
In so doing, your lighten your heart,
And your imagine barriers to His Love dissolve,
So that you become more aware of what is always here.
Truly, your humanness is but a wave in this ocean.
Your ultimate nature is far beyond an ephemeral animal form bound by Time;
In loving God, you realize yourself and He realizes Himself in you;
“You” and “Him” are but metaphors to help you try to understand,
But in Truth, there are no two things, only in appearance,
Only in Love-appearing for the play of change in Time.
But how could you possibly understand?
You cannot. But as you surrender your ignorance,
The Truth reveals itself, without requiring a word.
For Truth was silent for billions of years before the first human spoke.
The “Word” itself is metaphor,
A Mercy to a human mind.”

I thanked the Archangel for these beautifully rich, although humbling, words and proceeded to my request for the Angel to assist my dear friend S.H., who is at risk of becoming homeless in a few weeks. I asked if Anael could help as best he can. Before Anael, I prayed to God, to whom belongs all of Creation, all homes, and all riches, to extend His Goodness and thanked Him for what he’s doing to help his Child S.H.

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After the prayer, Anael reassured me:

“We were working on your friend’s problem before you and she even asked.
Tell her that help will come, though not necessarily in the way she expects.
Tell her also that although she has felt as though God’s Love and presence had retreated from her, they have always perfectly been there;
It is only her imagination that has shifted,
And made what was not so, appear to be so.
If she corrects her imaginings with right understanding,
She will have a transformation of mind,
And the ever-present Love will reveal itself,
Unlosable, unfailing, and ever-here for her.
Tell her also that the matter she is worrying about
That she did not tell you has already been addressed.
Her part is to do what she can and act on what you and others have shared with her.
God and we will attend to the rest.
From our perspective, it is already done.
From your perspective, it will come.
Trust and have faith. All will be well.
God does not forsake His Beloveds,
No matter how you humans may imagine He does.”

I thanked Anael for this great kindness and help and asked if I could publish the record of this conversation and pass on these words to S.H. Anael replied:

Yes, but do not pass on what I am about to tell you. It is for you alone.

I will not reveal what was said next, but I can say that after I heard it, I felt a wave of warmth flood through my body. Tears formed in my eyes, and I felt as though the Angel’s wings were wrapping around me in the way Soror R.A. often described to me.

Finally, I asked the Angel if he would be willing to be my Patron and to speak with me again so that I could continue to learn from him.

It shall be so, Child of God. Keep up the good work you are doing in service of others. Sanctification can feel like difficulty,
But that is only the process of transforming your ignorance and arrogance,
Changing your mind.
That too, God only wants for you,
Because Eternal Freedom Wills that you be free from all that you imagine binds you.
From our perspective, you already are;
From yours, you will seem to be.
Patience and humility reconcile the two views.

With tears in my eyes, I thanked the Angel deeply. I continued to kneel there in his presence for what felt like a long time, simply abiding in that clean, clear, loving safety and warmth.

At last, I stood, thanked the Angel for coming and invited him to partake of the offerings and go at his own leisure. Then I did the License to Depart to all of the Angel and Spirits called in the four Quarters as per the Heptameron‘s procedure. With final prayers and sprinklings, I closed the Temple with the pulsing in my forehead finally beginning to dwindle, but the warmth in my heart continuing to kindle.

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Update – May 1st, 2019: All of the Angel’s words came to pass as described. Through gigs and her tax return, my friend was able to earn enough money to pay for her rent for May. Another friend from the community also helped her to write a letter to enter a business partnership with local stores to sell her excellent oils and other products. I believe the Angels and the Holy Spirit were at work in this. She has also had several job interviews in the past month. I was confident one would pan out eventually. As the Angel had said, “help will come, though not necessarily in the way she expects.” That is precisely how it did come. As Anael had said, “her part is to do what she can and act on what you and others have shared with her.” This is precisely what she did do and she was blessed for her hard efforts — a few weeks later, she was hired at a job she loves and now enjys a financial stability she never knew before. How often answers to prayers and magic come through seemingly naturalistic means, while we are waiting for some supernatural manifestation to appear in the sky…

The “the matter she is worrying about that she did not tell you has already been addressed” was a problem she was having in communicating with a partner who did not care about her spiritual path, which was so central to her values and what was important to her. They tried to work on it, but the resolution ended up being them parting ways. The Angels and Holy Spirit had left openings for it to be addressed through communication or through parting ways so that each could be free to be with a partner better suited to them. There was no fatalism here; there were options, both of which would resolve the problem. The second was the way things went. It was hard at first, but ended up being for the best. Such is the Way of God and of the Holy Angels.

Hail to you, Holy Angel Anael. Thank you for your help and guidance, thank you for your wisdom. We praise the Lord God in your name and honour and humble ourselves before Him in gratitude. Thank you, thank you, thank you. This we pray in Yeshua’s Holy Name. Amen.

Consecrating Second Pentacles of Jupiter: Practical Folk Christian and Solomonic Magic

By Frater SC.F.V.

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Altar set-up for Pentacle Consecration. This article and all pictures contained therein are offered to mighty El in the name and honour of great Archangel Sachiel, and holy Angels Netoniel, Tzedeqiah, Devachiel, and Parasiel.

Phase I – First Hour of Jupiter

Date: Thursday, December 20, 2018
Sun Phase: Dawn
Moon Phase: Waxing Gibbous (151 degrees) in 0 degrees Gemini/cusp of Taurus
Mansion of the Moon: #5, al-Haqah
Planetary Day: Day of Jupiter
Planetary Hour: First Hour of Jupiter
Activities: Solomonic Ritual Bathing with Hyssop; Offerings to the Most High and to Saint C.; Crafting Jupiterian sympathetic bags; Solomonic Bell Sounding to the Spirits of the Quarters; Prayers of Intent; Inscribing the Vigil of Sachiel with his Sigil from the Heptameron; Tracing out the First Pentacle of Jupiter on the Tablet of Lights; Prayers, Psalms and Temple Closing.

Today is a day of magic that has been nearly a year in the making. Over the past months, I have been preparing for this ritual, updating and crafting new implements, learning from Saint C. and from my own deep research into the grimoires, and waiting for a decent Jupiterian election. I was delayed from moving forward for a 5 months due to Jupiter being in retrograde. Thereafter, I was further delayed by Jupiter being in Scorpio and then being negatively afflicted by Mars and Saturn. Finally, the coast is clear to craft Jupiter Pentacles and having selected this date months ago and worked incredibly hard to get to this point, I am overjoyed to be able to proceed.

Not only is it the Day of Jupiter, which is also conjunct with Mercury, but the Moon is waxing powerfully at 151 degrees Gibbous and has entered a very quasi-Jupiterian Mansion, the Lunar Mansion of al-Haqah, meaning the White Spot or the Crown. Of this Mansion, Picatrix says that it is well-suited to “receiving favour from Kings,” the ultimate emblems of Kingly Jupiter. Agrippa adds that it this Mansion also “gives health and good will.” Christopher Warnock further states that:

“Al-Haqah’s image is a crowned head, befitting the Martial and Mercurial nature of its stars. This is a Mansion of thought and mind. It signifies the energy of the Mind of the Universe, particularly as manifest in the intellect of each person. It indicates the successful solution of an intellectual problem or the necessity of applying intelligence to a current dilemma. The image of the king signifies success in seeking a favor, a raise or job from a superior. It also alludes to the metaphor of the mind as king, ruling over the body, as the king rules over the body politic. It calls upon us to apply our intelligence in a noble and honorable fashion, and not to resort to low cunning or trickery. Keywords: Universal body, favor, intellectual activity, health and goodwill, safety.”

I cleaned and set up the Temple the night before so that everything would be prepared for this morning. Rising before the beginning of the first Hour of Jupiter on this fine Day of Jupiter, I performed a ritual bath with hyssop. I then put on my scapular of Saint C. as well as my white Solomonic robe, Rings, rosary, Tiger’s Eye bracelet, Amethyst, and Bone, red socks embroidered with roses, nemyss, and Stole.

Entering the Temple, with my belly aching lightly from fasting, I lit two candle as offerings to the Most High and made Offerings to Saint C., spring water, a purple candle, and incense and asked him to aid me in the day’s Operations that I might consecrate these 2nd Pentacles of Jupiter to become efficacious in attracting good fortune, wealth, favour, spiritual depth, and peace of mind.

My approach to these Second Pentacles of Jupiter, taken from the Key of Solomon, is progressively folk magical, although also highly grounded in Solomonic methodologies. The idea occurred to me to take round tin boxes painted with Gold–Agrippa’s Three Books of Occult Philosophy list both Gold and Tin as metals of Jupiter–and carve the Pentacle into these. Inside the box, I would place the petition, as well as a small bag, not quite a proper gris-gris or Mojo bag, but influenced by the basic idea of these folk magical Hoodoo methodologies. This bag would contain a mixture of Jupiterian ingredients designed to amplify the power of the Talisman. I consulted with Saint C. about what to include and he nudged me towards a rather fascinating blend. The bag to be placed inside the Pentacle included:

  • 4 Agrippan Jupiterian ingredients of Oak leaf, Basil, Sugar, Maple leaf
  • 4 spoons of soil collected outside 4 different banks, all in the Hour of Jupiter under a waxing Moon
  • A coin depicting a Jupiterian monarch – the head of a monarch also happens to be the Picatrix talismanic emblem for the Lunar Mansion of al-Haqah, so the symbolism works on two levels.

The Saint also gave me an intuitive nudge to write Sachiel’s Sigil from the Heptameron in consecrated Solomonic ink on the outside of the bag in Jupiterian blue as well as the Sigil of Iophiel, the Intelligence of Jupiter.

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I blended all of the ingredients and completed the drawing on the bag all within the Hour of Jupiter on the Day of Jupiter. I placed the bags on the Altar, which was covered in a blue cloth. My consecration method would be a combination of the Key of Solomon as well as Balthazar’s Solomonic candle magic method, all overseen by the Saint and performed on his Altar. The result is a loving combination of potent techniques from both the Solomonic grimoire tradition and the Christian folk magical tradition synergized together for a common aim.

I sounded the Solomonic Bell of Art three times before entering the Circle, as per the Hygromanteia, then sounded the Bell to each of the full Quarters, as per the Key of Solomon, saying “I greet and bless the Spirits of the (direction) with great love and respect in the name of Adonai!” I continued greeting the Spirits of the Above and Below and all other directions.

I then unwrapped my Solomonic Wand from its white covering and began preliminary prayers. to God, declaring my intention for the day’s Rites and asking el-Shaddai for help and blessings in completing them successfully. I also requested the Angels and Archangels and Saint C. to aid me as well and clarified that my intention is to be able to provide for my family as comfortably as possible as well as to then be enabled to be of greater service to humanity through the good fortune bestowed upon us, recalling the Biblical meaning of blessing as goodness conferred on an individual in order to be bestowed upon and extended to others.

I then used my Aspergillum of Art, made as per the specifications of the Key of Solomon, to sprinkle Solomonic Holy Water around the Circle and called upon all of the Angels, Divine Names, and Archangels whose named are inscribed thereon to assist with the Rites. I lit an Offering of incense to the Angels I would be working with today, namely, Archangel Sachiel as well as the Angels Tzedeqiah, Netoniel, Parasiel, and Devachia. Throughout the actions that followed, Psalms were continuously recited to purify and begin to consecrate the Circle, Altar, Temple, and all items on the Altar.

Using a Solomonically consecrated white chalk marker, I drew the Sigil of Jupiter and Sigil of Sachiel from the Heptameron on the central Vigil candle to be offered unto him. I then took up a consecrated blue chalk marker and drew the First Pentacle of Jupiter on the Tablet of Lights, a consecrated plate used for this purpose in Balthazar’s method. The Tablet of Lights was consecrated last April and intended for today’s ritual on December 20th, a fact which may offer some idea of how long I have patiently waited to do the day’s workings. Ah the joys of Renaissance magic!

The rationale behind using the First Pentacle in this way is that, as the Key of Solomon says, this Pentacle “serveth to invoke the spirits of Jupiter, and especially those whose names are written around the pentacle, among whom Parasiel is the lord and master of treasures, and teacheth how to become possessor of places wherein they are.” It should be noted that one reason the Second Pentacle is useful for finding hidden treasures is that Parasiel is also invoked in consecrating it.

The Second Pentacle, by the way, is described by the Key as being “proper for acquiring glory, honors, dignities, riches, and all kinds of good, together with great tranquility of mind; also to discover treasures and chase away the spirits who preside over them.” According to Idries Shah’s Secret Lore of Magic, it was this Pentacle, drawn on a piece of parchment, that was found on the body of Anselm Franz Reichsgraf von Ingelheim, Bishop of Würzburg and alleged alchemist, on the night of his death, 9 February 1749. According to Shah, “It has been said that this was the powerful talisman which caused him to rise to such heights, and to gain wealth and power, as well as evading all of the traps of his many enemies.”

Having completed inscribing the First Pentacle of Jupiter on the Tablet, I dressed the candles with St. C. Oil, pulling the oil towards me in the Hoodoo way. I then dressed the Vigil candle with Holy Anointing Oil and Basil. After some final prayers and Psalms, I closed the Temple, just as the Hour of Jupiter came to an end.

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Phase II – Second Hour of Jupiter

Date: Thursday, December 20, 2018
Sun Phase: Noon
Moon Phase: Waxing Gibbous (151 degrees) in 0 degrees Gemini/cusp of Taurus
Mansion of the Moon: #5, al-Haqah
Planetary Day: Day of Jupiter
Planetary Hour: Second Hour of Jupiter
Activities: Solomonic Ritual Bathing with Hyssop; Psalm recitations; Inscribing and Engraving the Pentacles and a Jupiter Ring; Exorcising the tools.

For this second phase, I was joined by a Soror from our Order, Soror C.R. As it turned out, this was the first Solomonic ritual in which she had ever participated as she had hitherto been a solely G.D. Magician. Of the two Pentacles crafted today, one was for yours truly and one was for her, thus it seemed appropriate for her to be present and assist in the Operation.

We both performed separate hyssop baths and then donned our ritual regalia. The moment the Hour of Jupiter began, Psalm recitations did as well and I set about inscribing and engraving. First, I used my Solomonic Burin of Art to engrave the perimeter passage from Psalm 112:3 onto the two Pentacles, but instead of placing it in the circumference, I inscribed it on the flip side of the Pentacles or inner lid of the box. The passage reads “Wealth and riches be in his house, and his righteousness endureth forever.”

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Next, I drew the 2nd Pentacle of Jupiter on each gold and tin lid in Solomonically consecrated blue Ink.

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Then, I followed the guideline of the blue to engrave the Pentacles with my consecrated Solomonic Burin of the Art. Since I had drawn the symbols freehand without the aid of rulers or squares, the lines were rather rough and imperfect, but I was still quite happy with the end result:

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I then wrote out personalized Petitions for myself and for Soror C.R. for her Pentacle, each containing our individual names. I placed these in the pseudo-gris gris bags, which I then placed inside the Pentacles and the physical crafting was complete.

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With the Pentacles thus completed, I immediately proceeded to engrave the inner band of a gold Ring with an Ancient Greek pattern with the Sigil of Jupiter, the Heptameron‘s Sigil of Sachiel, and in the small amount of space that remained, an N. for Netoniel, a Hebrew letter Tzaddi for Tzedeqiah, a D. for Devachiah, and a P. for Parasiel.

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With limited time to spare, we quickly proceeded to the Temple. Once again, I sounded the Solomonic Bell of Art three times and Soror C.R. sounded an additional set of Tibetan Bells before we entered the Circle, as per the Hygromanteia, then sounded the Bell to each of the full Quarters, as per the Key of Solomon, saying “I bless the Spirits of the (direction) with great love and respect in the Name of Adonai!” We continued greeting the Spirits of the Above and Below and all other directions, then we formally opened the Temple.

After some preliminary prayers, I sprinkled the Circle with Holy Water using my Aspergillum, and we proceeded to do the Exorcisms of all of the tools. For the passages that had set verses from the grimoire, we recited them in unison. The effect was strikingly powerful. We began by exorcising the Fire and Incense, then the First Pentacle of Jupiter on the Tablet, followed by the two 2nd Pentacles of Jupiter, sprinkling with Holy Water and suffumigating with Solomonic Incense. We proceeded in the same way, exorcising and blessing the Offering Candles for the Archangel Sachiel and his five subsidiary Angels, Netoniel, Parasiel, Devachiah, and Tzedeqiah.

By the time we completed the Exorcisms, we began to become aware that the atmosphere in the room had completely changed. The atmosphere of sacred solemnity that I have grown to know and love about the Solomonic current had set in. Soror C.R. later described the feeling as a feeling of “heaviness.” Out of the corners of my eyes, sparks of light could be seen flashing around the Circle. There were Spirits about.

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We stated our petitions and intentions and prayed from the heart to the Most High that they come to pass, thanking God that He is a Good Father who never fails to give good gifts and help those who call upon Him. I referenced Luke 11: 5-13, in which Christ says

7 Ask and it will be given to you; seek and you will find; knock and the door will be opened to you.
8 For everyone who asks receives; he who seeks finds; and to him who knocks, the door will be opened.

9 Which of you, if his son asks for bread, will give him a stone?

10 Or if he asks for a fish, will give him a snake?

11 So if you who are evil know how to give good gifts to your children, how much more will your Father in heaven give good things to those who ask Him?

12 In everything, then, do to others as you would have them do to you. For this is the essence of the Law and the prophets.”

We prayed from the heart to be blessed that we might bless others, to have shared with us that we might share with others, just as it was written of Abram, that having been blessed, he would “become a blessing,” as in Genesis 12:2-3, in which God promised him that:

“I will make you into a great nation,
and I will bless you;
I will make your name great,
and youwill be a blessing.[a]
3 I will bless those who bless you,
and whoever curses you I will curse;
and all peoples on earth
will be blessed through you.”

We prayed that these Pentacles might increase God’s Glory, not our own, and that the Divine Power might flow through them like rivers through a riverbed.

As we finished the prayer, I became aware of a sensation behind us in the West. It felt bright, warm, soothing, vibrating, almost humming with benevolent, but absolutely staggering power. I whispered to Soror C.R., “do you sense anything in the room?” She said, “yes, there is an Angel nearby…” I asked which direction she sensed it coming from. Confirming my own intuition, which I had not told her, she said: “behind us.”

We turned to face the direction of the invisible Presence. I greeted the Spirit with great love and respect and the blessings of the Most High, inviting it, if it so wished, to convey unto us a sign of its presence or a vision or image as it willed. A wave of loving warmth seemed to waft toward us from the West, not visible to the eyes, but very sensible and comforting. Then, our eyes closed. We received visions that we did not share at the time, but shared later as we debriefed our experience together. Both of us had felt what we both described as a purifying presence that felt like it was falling down upon us. For me, this appeared as a large hand, almost like the Aces in the Tarot, hovering over us and showering a golden light through us, the Circle, and the Altar. Soror C.R. experienced it as a powerful waterfall pouring down on us and purifying us.

Behind it, we both sensed the Angel. Soror C.R. later told me that she could sense it, but not see it. As I probed behind the hand and the golden light, I got another image, a flash of a blue robe and large wings and what seemed to be a red over-robe or vest over the blue robe. It was a presence that commanded authority, but with kindness not tyranny, a loving presence, vast and expansive. It was one I recognized as I had worked with him in the Past. It was none other than Archangel Sachiel, Archangel of Thursday and the Sphere of Jupiter.

I was completely surprised for him to turn up spontaneously. I had intended to invoke him in the Third Hour of Jupiter, but not yet. His Sigil was on the Altar, but he had not been conjured. I had only given him an offering of incense earlier on, which I had also offered to Netoniel, Parasiel, Tzedeqiah, and Devachiah The smoke then had done some curious things, first splitting into two distinct streams that moved almost parallel to the Altar’s surface, and then billowing upwards in an ever-expanding cone that resembled a tornado. I felt a wave of love for Sachiel and I received an image of a smile from him. I thanked him for his presence and offered him love, blessings, respect, and gratitude. I asked if he would come again to help us in the Third Hour of Jupiter to consecrate the Pentacles and I received an affirmative answer. Then, his presence gradually faded out. He was gone.

We offered final prayers and then closed the Temple. After the ritual, I asked Soror C.R. what she thought of the Solomonic current as compared to the G.D. current with which she was familiar. She said that the Solomonic current felt “heavy… almost like a thick fog.. and old, far older than the G.D. current… serious, yet beautiful.” I couldn’t have said it better myself.

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Phase III – Third Hour of Jupiter

Date: Thursday, December 20, 2018
Sun Phase: Evening
Moon Phase: Waxing Gibbous (151 degrees) in 0 degrees Gemini/cusp of Taurus
Mansion of the Moon: #5, al-Haqah
Planetary Day: Day of Jupiter
Planetary Hour: Second Hour of Jupiter
Activities: Solomonic Ritual Bathing with Hyssop;

After my third hyssop bath and Soror C.R.’s second, we were at last prepared to call the Archangel and Angels for assistance in consecrating the Pentacles and Ring of Art.

As before, I sounded the Solomonic Bell of Art three times and Soror C.R. sounded an additional set of Tibetan Bells before we entered the Circle, as per the Hygromanteia, then sounded the Bell to each of the full Quarters, as per the Key of Solomon, saying “I bless the Spirits of the (direction) with great love and respect in the Name of Adonai!” We continued greeting the Spirits of the Above and Below and all other directions, and formally opened the Temple. While ringing the Bells to greet the spirits of the directions, Soror C.R. later told me that she had felt “a response from each direction of the spirits, as if they were acknowledging our greetings and work.”

We began by placing the Pentacles and Ring atop the Tablet inscribed with the First Pentacle of Jupiter, beside the candles to be offered to the Angels. After some preliminary prayers to the Most High, I sprinkled the Circle with Holy Water using my Aspergillum of Art, and we began the Conjurations. We first did the Prayer from the Heptameron to assist with calling the Spirits. I then performed the Conjuration of Sachiel from the Heptameron. As the Conjuration came to a close, I felt the dawning of a sense of “vibration” or “spiritual humming” around the Circle along with a sense of loving warmth, which alerted me to the great Archangel’s arrival. Soror C.R. later related to me that at this time, she saw an image of white wings flapping, a kingly sword, and then a hint of a red vest that puzzled her.

When I later told her that the spirit who had spontaneously appeared in our earlier ritual, whom I had recognized as being Sachiel, appeared to me as wearing a red vest-like vestment, her draw dropped in awe. To me, this was a powerful lesson that spirits may not always take the form we expect–she had expected to see blue, not red–but that we should avoid filtering our clair-perceptions lest we distort the truth of what the spirits are showing us. Soror C.R.’s sense of Archangel Sachiel as like a “benevolent ruler” who is “very powerful, but wiling to listen to us” very much echoed my own sense as well.

We then made an opening prayer requesting Divine help and clarifying that we were not performing this ceremony to glorify ourselves or challenge the Most High, but rather to show His Glory, Presence, and power, and humble ourselves before it. We offered incense to God as an offering at this time.

Having conjured the great Archangel by the Divine Name of EL (אל), we lit a Vigil dressed in Solomonic Holy Anointing Oil dressed with Basil, sacred to Jupiterian Spirits as per Agrippa’s Three Books of Occult Philosophy. The candle began to flicker brightly when we completed the offering, suggesting his acceptance thereof.

We then asked for the Archangel’s help in conjuring four subservient Angels by his name. We then proceeded to call Netoniel, and offered him a blue candle–all candles were sprinkled with Holy Water in the last session. All five offering candles, it is worth noting, were placed on the First Pentacle of Jupiter, which in the Key of Solomon, facilitates the calling of spirits of Jupiter.

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Both Soror C.R. later shared with one another that the sense of Netoniel that we had had was that his energy felt “severe,” not mean, but certainly serious, focused, and of a no-nonsense nature. He exuded a sense of efficiency that tempered the sense of severe kindness he exuded.

We then conjured the Angel Tzedeqiah by the names of EL and Sachiel. When he arrived, a sense of compassion and loving warmth entered the Temple from his quarter. We offered him his candle. Soror C.R. said that she felt her personality “resonated more with Tzedeqiah than with Netoniel as we seem to have a seemingly loving and patient nature.”

Next, we conjured Devachiah by the names of EL and Sachiel. When he arrived, we had a sense of a more dominating sense of rationality or intelligence, or perhaps more properly, wisdom.

Finally, we conjured the Angel Parasiel by the names of EL and Sachiel. He gave Soror C.R. a sense of “safety” and presented to me as having a sense of “gentle joy or good-humor.” As the Angel who knows the locations of hidden treasures, this seemed appropriate. When I later shared this with Soror C.R., she smiled and said “yes! That’s exactly it! Like he was smiling about his hidden knowledge, not arrogantly, but kindly.” We agreed that he was classically jovial in the sense of good-heartedly jolly and pleasant.

In short, it seemed to us that Netoniel presented as if he were “doing his duty” to Sachiel by being there, Tzedeqiah presented as “loving this,” Devachiah presented as “enjoying the wisdom and thought of the process,” and Parasiel seemed to be “excitedly appreciative and curious.” Sachiel seemed to have all four of these qualities in perfect balance. Soror C.R. felt that Sachiel was “not towering over them, but that the other angels were clearly deferring to him respectfully.”

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Next, we offered bread and incense to St. C.. We then offered the Archangel and the Four subsidiary Angels incense of Applewood, Apple being sacred to Jupiter as per Agrippa and classical lore, and also gifts of unleavened bread, which has resonances of Jupiter through Divine provision and its association with Christ in the modality of King of Kings. We then made a prayer to the Most High, saying “in worship of Your splendor, we give you these gifts in the name and honour of thy fair Angels.” In this way, we differentiated our practice as veneration and not idolatrous worship.

Then, we presented our petition to St. C., the Archangel, the Angels, and the Most High, repeating the powers of the 2nd Pentacles of Jupiter as per the Clavicula, and asking that they bless, consecrate, empower, and enliven these Pentacles and this Ring with their virtues to bring them to life to effect their purposes as designed. We then suffumigated the Pentacles and Ring one at a time while requesting the help of each spirit in turn, cleansed each with Solomonic Holy Water, and finally anointed them with San Cipriano Oil.

During the suffumigations in the smoke of the incense offered to the Spirits, Soror C.R. later said that she sensed “the connection between the spirits and the Pentacles and Ring growing stronger as they were strengthened by the connection between the offerings and the Spirits.” When we asked the Angels if they would assist us in this way, Soror C.R. told me that she received an images of all of their wings flapping in unison as if to show their agreement.

With the Pentacles and Ring thus consecrated, we invited the spirits to share with us any messages they had for each of us in particular. At this time, Soror C.R. received two messages that she experienced as being “whispered in my ears.” Soror C.R. confessed that at this point of the ritual, she had been feeling rather unworthy and ashamed to be in the presence of the Angels, as if she did not deserve to be there. The messages she received were so beautifully fitting of these compassionate beings, for they were messages of encouragement and consolation. Tzedeqiah reassured her that she was indeed “safe, and did not need to be scared of these types of things, as you are protected, dear one.” Another message from Sachiel himself told her that she was “wonderful and lovable as you are, and that you could indeed persevere with the practice as you have the power and potential to do so. Know that you are supported in your endeavours and development.”

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Before closing, we composed a final and separate spell. We requested that if it be in harmony with their nature and the Divine Will, if the Archangel and Angels could assist us in applying the power of the Pentacles to benefit us or our family through the lottery so that our needs could be taken care of and so that we could be of better service to others. Amazingly, in my entire history as a Magician, I had never before done a lottery spell before this day. But I was curious to see what would happen, so we went for it. Both Soror C.R. and I received a sense that they approved of the request.

We thanked the Angels for their help and presence and invited them to enjoy the offerings as long as they wished and to depart at their leisure with the blessings of the Most High and our own love, respect, appreciation and friendship. We informed them that we would immediately go purchase a lottery ticket while carrying the Ring and consecrated Pentacles and asked them to assist and accompany us. We said that we would then return the ticket, the Pentacles and the Ring to the Altar if they wished to continue working upon or blessing them and leaving it open to them. We received a clear and warm sense that they understood.

We then ran the Bells of Art over the Pentacles and Ring to give them an additional level of blessing and consecration, following Agrippa as discussed in my Bells and Trumpets article. Finally, we greeted, blessed, and thanked the Spirits of the Directions by the Bells a final time and formally closed the Temple.

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Results Log

Day 1 – Wishing to purchase our ticket as close after the Hour of Jupiter as we could, we immediately changed out of our robes and into ordinary clothes and rushed to the nearest store which sold lottery tickets. We had our eyes set on a special 25$ Celebrations Quebec Lottery Ticket, because we figured, if we were to do this, surely we should go all the way with it.

When we reached the store, we proceeded to the lottery ticket counter and I made a small prayer to EL and to Sachiel, Netoniel, Tzedeqiah, and Devachiah, asking for their aid. We asked to purchase a Celebrations ticket and were shocked at what happened next. The cashier’s face lit up and she loudly announced to the cashier in the next lane and to us, “we just sold my last Celebrations ticket! Not only that, but it was the 1000th ticket sold by the store! Congratulations!”

Soror C.R. and I, who had agreed to split whatever winnings we should come by if any 50/50, looked at each other with humbled amazement. We thanked the clerk and took our ticket with us. The grand lottery will be announced on January 13th, but there will be other daily draws leading up to it, so we shall keep our eyes on the website for daily results.

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Even so, we are already grateful beyond belief to the Angels by what we have experienced thus far and will continue to document any other results we obtain with updates to this post.

Before leaving, the clerk encouraged us to place a raffle ticket for a draw from the store in a box near the door. We filled it out and placed it into the slot while holding it between our two Jupiter Pentacles! Perhaps it too will, pun intended, bear fruit from this grocery.

Day 2 – The candles offered to the four subsidiary Angels have all burned smoothly down to the surface of the Tablet. The Vigil of Sachiel continues to burn strongly and powerfully.

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Day 3 – The Vigil of Archangel Sachiel continues to burn strongly with no soot on the walls of the Vigil and no cracking, all good signs from an Esperetismo and Hoodoo candle-reading perspective.

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The Pentacles, Ring, and lottery ticket remain on the Altar. Tomorrow, I will borrow the Pentacle and Ring to perform cryptoconsecratio on them and consecrate them by Mass at Church. I will also bring the ticket to be blessed and pray over it.

This morning, Soror C.R. told me about a fascinating vision she had received from Sachiel last night. She had been thanking him for helping us as she was dozing off to sleep, when he suddenly appeared to her. This was her account of what happened next, which was beautiful and inspired her with an idea for a new magical vestment:

“I was feeling very humbled that he helped us when suddenly I received an images of flapping Angel wings. I felt a sensation, in my mind’s eye, that he took me under his wing. We began to fly together over a forest area. We ended up on a mountain and it felt like he was showing me that I didn’t have to be scared of anything…

He then gave me a red vest to wear, as if to say “here. You have the power now.” I could see myself wearing it. And I knew immediately it was a symbol of power. It looked just like the same vestment you told me you had seen and which I had also seen independently of us telling each other. And now I feel like I have this vest in me, to show me not to be afraid.

The symbolic meaning of the vision seemed to be that everything is vast and that I could explore without fear. I also feel that he showed me Nature because he knew I also had a deep connection with Nature. After this mini-initiation, I feel different, more sensitive, more attuned, and more aware of my power.”

When she told me about Sachiel showing her the forest, I was filled with awe. For he had also shown me a similar scene during my Invocation of him on the 4th day of my 2018 Novena to Saint C., a fact which I had never shared with her and that she had not read before. Hearing this, Soror C.R.’s mouth fell open in wonder at the overlap in our visions of the great Archangel once again.

I asked her if she would consider making a physical version of the red vest she had seen in her vision, perhaps embroidered or painted with his Sigil from the Heptameron, the Seal of Jupiter, the Qamea of Jupiter, and so on. I also offered to help her with it if she had any questions about techniques or how to proceed. She said she had had a similar idea and would be interested in pursuing it. When done, she can ask Sachiel himself to consecrate it.

Day 4 – Sachiel’s continue continues to burn brightly and cleanly.

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Today, Soror C.R. and I attended Church and performed cryptoconsecratio by Mass to add an additional layer of consecration and empowerment on this most auspicious day, Christmas Sunday. As an exercise, we esch consecrated each other’s Pentacles.

At night, Soror C.R. received another nudge from Archangel Sachiel. It pulled her towards the Temple. She entered the Temple, knelt in front of the Crystal ball and began to scry. She saw a mouth falling open as if, after previously being shut, it finally gained the ability to freely speak the truth.

She emerged from the Temple and expressed to me what she had seen. Beyond this, she had received a message from Sachiel that she was to do something she has not done in 20 years — contact her estranged mother. Finally, after the visions she received from the great Archangel, she felt that she finally had the strength to confront her mother about some of the traumatizing experiences she had had with her which caused her to run away from home at the age of 16. Never in the four years I had known her had she ever even considered reconnecting with her mother.

And yet, in a true miracle, she did it. She called her up, and the two had a tearful and profound 4-hour conversation with a woman she had not spoken to in 20 years. Seeing this, I was in utter awe. Something she had considered impossible had happened. By the end of the conversation, they were laughing together… It was nothing short of an utter and complete miracle. And it was all made possible by the great Archangel Sachiel, glory be to God! If that is not practical magic, what is?

Day 5 – As the Vigil continues to burn cleanly, Soror C.R. and I took our Pentacles and my Ring to the auspicious Christmas Eve Mass.

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There, we each performed cryptoconsecratio of the Jupiter Pentacles and Ring at the sacred moment of the transubstantiation of the bread and wine into the Body and Blood of Christ, as recommended in Liber Juratus Honorii, the Sworn Book of Honorius. At this same auspicious moment, I also reconsecrated by Mass my Runes and 8 year-old Talisman of Venus. I invited Archangel Sachiel, and his holy Angels Netoniel, Devachiah, Tzedeqiah, and Parasiel to touch each of the implements in turn and bless them. The effect was palpable, warm, and ecstatic. The Christmas Eve Mass-consecrated tools seemed to positively hum with power.

Towards the end of the service, we lit a Candle, which I offered unto the Most High. I then scryed into the Candle and asked Archangel Sachiel if he had anything to show me. After a few minutes of scrying, images came into view as the sounds and sights of the singing Church fell into the background…

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I saw light streaming into a green forest through the canopy of trees. Down on the ground, I saw a white sheep who seemed to have strayed from the herd. I saw myself clad in simple shepherd’s clothes. I picked up the sheep and carried it back to the other 99 sheep I had left behind to seek out the one who had strayed. The reference was clearly to the famous parable of Jesus, which illustrated Divine Love for humanity as being like the shepherd who left the 99 to save the one lost sheep. To quote the text:

Luke 15:1-7The Parable of the Lost Sheep

1 Now the tax collectors and sinners were all gathering around to hear Jesus.

2 But the Pharisees and the teachers of the law muttered, “This man welcomes sinners and eats with them.”

3 Then Jesus told them this parable: “Suppose one of you has a hundred sheep and loses one of them.

4 Doesn’t he leave the ninety-nine in the open country and go after the lost sheep until he finds it?

5 And when he finds it, he joyfully puts it on his shoulders

6 and goes home. Then he calls his friends and neighbors together and says, ‘Rejoice with me; I have found my lost sheep.’

7 I tell you that in the same way there will be more rejoicing in heaven over one sinner who repents than over ninety-nine righteous persons who do not need to repent.

I asked Sachiel if I should place hairs from my and Soror C.R.’s heads into the Pentaclez to link them to us sympathetically and metonymically. He said “May it be so.”

I then felt Sachiel’s warm voice speaking into mind some longer words of guidance. Clearly, he spoke, saying:

Use the power and blessings you are given to empower and bless others. You are responsible for the gifts you are given. Go after the lost, the alone, the persecuted and the abandoned and bring them back to hope. Strengthen them as you have been strengthened. Help them as you have been helped. Then you will honour God as you have been honoured.”

I told him I would do this as best I could and thanked him and the other Angels sincerely for their help. Then the room faded back into focus and I lost myself in ecstatic devotional praise to the Most High, praising and glorifying Him in heartfelt love and gratitude for all He has done and all He is still to do.

Day 6 – The Vigil continues burning brightly. Hail to you, great Archangel Sachiel!

Today, I bought a 58 inch 4K TV, regularly 800$ plus tax for the amazing price of 400$ plus tax! Glory be to God! I also received more than generous gifts from my family, to whom I offered gifts in kind. No results from the lottery ticket yet.

Day 7 – In the morning, Sachiel’s candle continued to burn strong and clean all the way down to the very bottom of the Vigil. As Sachiel had instructed, we placed some of our hairs inside the Pentacles to link them more intimately to us.

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Soror C.R. and I went shopping today while carrying the Jupiter Pentacles and both got amazing deals. She also got an intuitive nudge from Sachiel that he was fond of a beautiful Angelic-themed plate. She purchased it to show her gratitude to him and to Netoniel, Tzedeqiah, Devachiel and Parasiel for the amazing things they had already done. She intends to use it for food Offerings. I purchased one in a similar style for small candle Offerings to show my own gratitude. When we went to the cash to pay, we found that both had been significantly discounted!

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Later on, when I checked the Temple, I was happy to find that on this 7th Day, the Vigil had completed its burning all the way down to the base of the candle. Only the Basil remained in a neat little pile. Hail to thee, great Angels!

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Day 8Day of Jupiter – I received an email from the Provincial government of Quebec saying that I had received a message from AFE, the Department that governs student loans. I have a student loan at the moment to assist in completing my final year of clinical social work at McGill University. Worried that they were going to claim that I owed them more money after fiscal recalculations, as often happens to students, I hurried to open the message:

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Opening the email, I found that the government had indeed completed fiscal recalculations. However, I did not owe them more money. On the contrary. After their reviewing my file, they decided that I owed them less money!

In fact, they had decided to dramatically convert part of my loan into a bursary which I would not have to repay, a whopping 8,487.00 $!

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Glory be to God! Reading this, such gratitude overwhelmed my heart that I did not know how to express it. I immediately fell into praising and glorifying God for His great beneficence, and thanking and honouring His mighty Angels. I feel humbled and honoured beyond what words can say…

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Were the latter my only results for the day, I would have been more than satisfied. However, as it turned out, the spirits had more in store to me.

I went to two guitar stores to look at various acoustic guitars. Some were decent, but none were clicking as feeling “right” to me.

Carrying my 2nd Pentacle of Jupiter, I decided to try a third and final store, one I had never been to before. My parents, who are both highly adept musicians and were both members of a fantastic rock band called Sky and later the Ravlers in the 1960s and 1970s, accompanied me. When we arrived at the store, we were told that they had only been open in the current location for 3 weeks.

We proceeded to the acoustic room and tested out various guitars not only for texture and profile of the sound, but also crafting quality, wood balance, warping of the neck, cleanness of the neck finish, absence of buzzing on the higher notes. We tested evrrything from high-end Taylors and Martins to more affordable Seagulls and Epiphones.

Then my mother flicked the strings of one particular guitar and her response was simply “wow!” She, I, and my father all tested it and we were all blown away by it. It was a sexy red wine-coloured beauty of fine wood and elegant crafting. Easily a 500-dollar guitar, it fell in the upper end of my price range.

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Did I pay 500 $, however? No. Instead, the store gave me this delectable beauty of a guitar for a mere 200$ with a free tune-up and set-up in 6 months added in! To say that I felt grateful and astonished beyond belief would be an understatement of cosmic proportions.

Other Results from Subsequent Days

To avoid excessively prolonging this article, other results from the Pentacles will be listed from this point onward not through daily updates, but in point-form as they arise.

  • December 30, 2019 – When going to the store to purchase some beverages for New Years Eve while wearing the Pentacle, I came across a box of four bottles of cider, normally quite expensive. When I brought it to the cash, the cashier gave it to me for an astoundingly low price 4$ CAD or 2.94$ USD!
  • January 3, 2019 – After Soror C.R. and I independently saw visions of the Archangel Sachiel wearing a red vest after invoking him via the Heptameron conjuration, Soror C.R. had a vision of him giving her a red vest to wear. The next day, I was directed to a store where I found a red vest exactly like the one she saw in her vision, which I purchased for her. The price tag said only 9$, but I ended up paying only 6$ due to an additional 30% reduction.vest
  • On January 8, 2019 I returned to my work at the community health center for the first day since I consecrated the Pentacle with the 2nd Pentacle of Jupiter on my person. Not only did I feel the “tranquility of mind” the Pentacle is described as producing while in my stressful workplace, but a number of “favours” and “dignities” came my way totally unasked for. One colleague gave me a full Kit Kat chocolate bar. Another gave me some gourmet bread. Then I was hinted by my supervisor that a promotion might be coming my way in the near future!
  • January 8, 2019 – This same day, I was assigned a series of psychosocial evaluations to do. The new OCCI evaluations required a laptop to complete them and no social worker in my office had been given a laptop yet. To my surprise, and totally unexpectedly and without me asking, my supervisor’s supervisor decided to lend me her personal laptop to do my evaluations! Not only that, but she said I could borrow it from her any day I wanted! I was totally blown away. No one else in my office was given this honour and privilege…
  • January 9, 2019 – In another stroke of “favour,” while carrying the Pentacle, I received an invitation from a Very Honoured Frater to appear on his podcast in the near future, which I will happily accept.
  • January 12, 2019 – Here in Quebec, the provincial liquor commission stores offer loyalty points which can be redeemed for money towards purchases. While I was standing in line and carrying the 2nd Pentacle of Jupiter, the man behind me–who had multiple expensive bottles of wine totaling a substantial number of points–unexpectedly asked me if I wanted all of his points! Both the cashier and I were surprised by this, but I accepted his kind offer with gratitude.
  • January 13, 2019 – At last, the day came for the results of the Celebrations 2019 Lottery to be revealed. As Soror C.R. anxiously awaited the results, we remembered our petition to the Angels, “that if it be in harmony with the Angels’ nature and the Divine Will, if the Archangel and Angels could assist us in applying the power of the Pentacles to benefit us or our family through the lottery so that our needs could be taken care of and so that we could be of better service to others.” After the numbers were announced, Soror C.R. and I were surprised to find that we had won… a grand total of 0$!Moral of the story? Magic works, but not always in the ways we anticipate. It would have been pleasant for us to win some money through the lottery, but Soror C.R. and I have received more than enough benefits through these Pentacles already and I am tremendously grateful for it.Why was our spell not successful? It could have been for many reasons, like us not having been ritually pure for enough days beforehand, only managing to buy our ticket after the Hour of Jupiter had ended rather than the optimal time during the Planetary Hour, not investing enough energy into the Rite to bring about the intended result, not helping the Angels sufficiently with creating enchantable situstions through which to increase our odds of winning, and many other number of reasons. Most likely of all, however, is that although our spell shifted our probability of winning more in our favour, it did not do so enough to overcome the abysmally unlikely odds of winning the big jackpots. To quote Jason Miller,

    “When I gave people in my course the assignment of stating a realistic yet difficult goal to achieve with magic, two of the first ten relayed that they wanted to win millions in the Lottery so they would be wealthy for life. It seems like this would be simple to effect with magic because it is random. In terms of probability though its not easy.

    While it varies state to state, on average your chance of winning the big pot in a Lottery is one in 18 million. Your chance of being struck by Lightning is one in 2,650,000. About 45 times more likely than you winning the lottery. If you drive 10 miles to buy a lottery ticket, its about 30 times more likely for you to die in a car accident on the way than it is for you to win the Lottery. Also, given the amount of people that say they want to win the lottery with magic, you have all the competing magic out there aimed at any given pot.”

    Thus, it was a very unlikely project from the outset and the benefits of the Pentacles have, therefore, been manifesting through paths of least resistance. In any case, we remain very grateful and humbled by this whole adventure. Glory be to God and hail to you great and holy Angels Sachiel, Tzedeqiah, Devachiel and Parasiel! Amen!

  • January 18, 2019 – Soror C.R. ordered a pizza while carrying the 2nd Pentacle of Jupiter. When the order arrived, she was surprised to find that they had made a mistake at the restaurant and added an Extra Large Pizza and medium fries, which they then proceeded to give to her for free!
  • January 19, 2019 – I had been wanting to track down a new Altar for use in constructing an Ancestor Altar in my Temple. Carrying the Pentacle, I opened my door intending to go buy one, and literally across the hall from my apartment, I saw that my neighbour across the hallway had put out a table of the exact size I would need with a sign on it indicating that it was being given away for free! All I had to do was to open my door to see it, mere feet away from my door…

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That same day, the daughter of that same neighbour, whom I had never spoken to in my life, randomly offered me a brand new living room chair and living room table made out of maple, 300$ worth of furniture. Shocked, I graciously and gratefully accepted it:

  • January 23, 2019 – While carrying the 2nd Pentacle of Jupiter, Soror C.R. received a cheque from the government for 1,100.00$, enough to pay off several outstanding bills she had been worried about. Meanwhile, on the very same day, while I was carrying the 2nd Pentacle, I received an unexpected transfer of 510.00$ from someone who had borrowed money from me months ago and which I was beginning to wonder when I would ever receive it back. Praise God and hail to thee, mighty Angels!
  • January 30, 2019 – While carrying the favour-bestowing 2nd Pentacle of Jupiter, Soror C.R. was given the unique honour of being the only member of her team to be invited to attend a Press Conference with the Mayor of Montreal. Not only that, but she was invited and honoured to stand right next to the Mayor and assist the Mayor in giving out cupcakes! She was utterly blown away by this result, which she said she “never could have expected…” Shown below, the Mayor giving out a cupcake at the event in question:20190204_180608
  • February 9, 2019 – Today, while carrying the 2nd Pentacle of Jupiter, the cashier at an expensive cafe spontaneously decided to give me a free cappuccino when I went to buy only a croissant. I had a powerful prayer period in the Cathedral and filled up a bottle of Holy Water. I prayed for guidance, wisdom, healing, and to be of greater service to the Good and the Divine Will in all of my relationships. I felt such devotional love in that majestic Cathedral entitled Mary Queen of the World.I ended up meeting my Mentoring student at the Cathedral. He had never been to a Montreal Cathedral before and was moved by the sacred silence and beauty of the place. We went on to have a beautiful Mentoring session and then I watched with joy as this chronic procrastinator, my student, knocked out several hours of focused, productive work.Then, on my way home, I was standing waiting for the subway, I looked to the left and was amazed to see one of my former best friends standing there. He was just as shocked to see me. We talked out our former misunderstanding, healed the rupture in our relationship, and left each other with a hug and a big smile.
  • February 14, 2019 – While carrying the 2nd Pentacle, I was standing with some other people waiting for a bus, which they told me had not come for over an hour. 5 minutes after I joined the line, an off-duty bus drove up to us, volunteered to drive us to the metro, and not only that, but let everyone on for free! I had never seen anything like this happen in my entire life.
  • February 18, 2019 – While carrying the 2nd Pentacle, Soror C.R. was spontaneously offered a promotion and a raise within her department that she did not even ask for. She was absolutely stunned. The spirits seem to have been working behind the scenes to orchestrate the situation.
  • February 19, 2019 – Upon arriving into work, my Supervisor asked me to submit a Cover Letter and CV. Her Supervisor’s Supervisor’s Supervisor had specifically invited me and only me–none of my colleagues–to apply for a new position and be fast-tracked straight to the final interview process before it is even posted for applications. If I succeed in that interview, I will be hired immediately to a position most people in and out of the organization did not know even existed. I am truly in shock… As if that were not sufficient, in the same day, I received another stroke of favour, namely, a message from Diana Gladii at Teurgia.Org, who kindly offered to translate my esoteric articles into Russian so that they could be accessible to Russian-speaking audiences via the website. I felt very honoured by the offer, which I graciously accepted.
  • March 4, 2019 – While holding the 2nd Pentacle of Jupiter, I ordered a pair of wireless headphones from Amazon. Due to a fortuitous glitch in Amazon’s system, I did not receive the headphones in the time stipulated by my 1-day shipping. As a result, Amazon refunding the entirety of the cost of the headphones and let me keep them for free!
  • March 5, 2019 – My job interview for this significant clinical social work position went spectacularly well. I carried the 2nd Pentacle on my person while I did the meeting as well as my Ring of Jupiter on my right hand.
  • March 22, 2018 – While carryjng the 2nd Pentacle, I received a phone call that against all odds, I had obtained the job! That same day, I came home to discover that my dear friend Anneliese had kindly gifted me a signed copy of Frater Ashen Chassan’s Gateways Through Light and Shadow! I felt overjoyed and beyond grateful for all of this.

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  • April 18, 2019 – The Pentacle continues to deliver. I ordered a 60$ brown leather backpack while holding the 2nd Pentacle of Jupiter. However, when I received the backpack, the seller sent me a message to apologize for sending it in a slightly different shade of brown. This happened on my birthday no less — the seller stated that I could keep the backpack, but that they would refund the price of it completely. So I essentially got a free backpack with which I was very pleased.
  • May 2019 – I began my new job and was blessed with tremendous help from people in authority in my workplace.
  • June 2019 – I was offered a permanent position as lead Social Worker in a different establishment, an offer absolutely unheard of for someone who had only been working a temporary contract for 2 weeks. I ended up turning it down after a series of divinations since I love my current job and colleagues so much, but I was grateful for the offer nonetheless.
  • July 2019 – Soror C.R. expressed a wish to work at home in her HR department despite no at-home positions existing at her work. Literally the next day, while carrying the Jupiter Pentacle, she was told that not only had a brand new at-home HR position opened up, but that she should apply for it. By that very night, the position was hers.
  • August 3, 2019 – Today, I used the good fortune afforded by the 2nd Pentacle of Jupiter to protect my sister’s outdoor wedding from rain even though there was a 90% chance of thundershowers.
  • That same night,Soror C.R. forgot her own 2nd Pentacle of Jupiter at home. It was the first time she had forgotten to carry it on her person in a span of weeks during which she had seemed to be living a constant stream of good luck.
  • That very night, she slipped, and slammed her face on a concrete floor. Today she was diagnosed with a concussion.
  • Glory be to God! Hail to His mighty Angels Sachiel, Parasiel, Devachiah, and Tzadqiel, and to St. C.!
  • August 4 to 31, 2019 – The 2nd Pentacle of Jupiter has continued to deliver fantastic results throughout this month. I carry it to work every day and the benefits are tremendous. Here are two notable examples. First, I was the only Social Worker on my team who was assigned another worker to help them enter paperwork into the system. Not only was I given an assistant to help me, but I was assigned not one, not two, but three people’s assistance throughout the month. No other Social Worker new or old has been given this favour from the higher-ups and it is so unprecedented that I can only attribute it to the graciousness of God working through His spirits and the Pentacle.
  • As if that were not enough, a second miraculous favour from authority was bestowed on me. Ordinarily at my workplace, if a worker works too much overtime, not only are they not paid for that time, but they are penalized for it by the management. Management goes through all of their work and statistics about time usage and critiques them for their alleged inefficiency and insufficiency.
  • Not so for me. I worked 100 hours of Overtime in 2 months in order to honour my ethical and professional responsibilities and to do everyting in my power to support my vulnerable elderly clients and younger clients with physical disabilities. When my manager was informed of all of the overtime I have been doing, I was called to a meeting. I attended the meeting while carrying the 2nd Pentacle of Jupiter. I expected to receive a punitive response.
  • Instead, my manager not only helped me to develop a plan to reduce my Overtime hours, but also gave me two weeks of paid vacation! I was not even supposed to receive any vacation until next year. In fact, *no one* receives any vacation time in their first year at my work. I was utterly speechless at my good fortune. Glory be to God and blessings on His Holy Angels!
  • December 6, 2019 – Soror C.R. carried the Pentacle into an important meeting with her boss today. To her amazement, she came out of it with a promotion to a new position and a whopping 10,000 $ annual raise…
  • December 12, 2019 – Thanks to the good fortune that has flowed my way thanks to the Grace of God and His Holy Angels since I began carry this Pentacle, I managed tonight to completely finish paying off my student loans a mere 6 months after graduating. If that is not a magical feat, I know not what is. Praise God!
  • Update: October 29-30, 2002 – Three years later, the 2nd Pentacle of Jupiter continues to serve me well. I recently brought in a new bass guitar to be set up by a luthier while carrying the 2nd Pentacle. The employee accidentally put his employee number in place of my phone number, so I ended being charged less than half of the standard rate, as if I worked in the music store!
  • The next day, I was going to walk by a mall near my house and continue home when I felt a strong “nudge” to go inside. Carrying the 2nd Pentacle of Jupiter in my pocket, I found myself at a Telus phone kiosque. I had my plan with Bell, not Telus. However, at the Telus kiosque, I was offered a wonderful deal not only to pay less for my monthly plan, but also to get the latest phone for a ridiculously low price. When the worker plugged my details into the computer to set up a contract as I was switching from another company, there was an error in the system; the system showed that I should only pay 15$ per month for the latest Samsung phone while corporate told the clerk it should say 40$ per month! Nonetheless, I was given the much cheaper price.
  • Finally, traditional lore says that it is bad luck for a black cat to cross your path. On my way home from the Telus store on October 30, 2022, still carrying the 2nd Pentacle of Jupiter, I was walking down a long street. Suddenly, I saw a black cat about to cross the street in front of me. It started to cross, but, as soon as it was about to pass in front of me, it suddenly stopped in its tracks. It paused for a moment and then reversed its trajectory and returned to the side of the street from which it originally came. I couldn’t help but muse that the 2nd Pentacle’s luck-attracting properties did not allow the omen of misfortune. Whether that is really what happened or not, I cannot say, but it was a strange and fascinating experience.

Cryptoconsecratio: Reflections on the Magical Consecration by Mass in the Solomonic Grimoires

By Adam J. Pearson

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The Marginalized Method: Introduction to the Magical Consecration by Mass

Consecration is one of the fundamental methods, not only of the traditional priestly art of the exoteric priest, but also of the traditional Medieval and Renaissance Magician. As Heinrich Cornelius Agrippa (2000) reveals in his Third Books of Occult Philosophy, priests and Magicians alike have long used a variety of different methods to consecrate magical and sacred objects, methods which range from the use of sacred bells to the casting of exorcised salt and sanctified Holy Water:

“Bells by consecration and benediction receive virtue that they drive away and restrain lightnings, and tempests, that they hurt not in those places where their sounds are heard; in like manner Salt and Water, by their benedictions and exorcisms, receive power to chase and drive away evil spirits” (Agrippa, 2000).

The exorcisms and benedictions by consecrated Water and Salt of Art to which Agrippa alludes here are well-known to Solomonic Magicians; indeed instructions for both are presented in Chapters 5 and 11 of Book II of Peterson’s (2004) Clavicula Salomonis or Key of Solomon. Elsewhere, Agrippa (2000) alludes to the use of Fire and Incense in exorcisms, consecrations, and blessings of magical tools, as in the suffumigations we find within the Key (Peterson, 2004).

However, the commensurate power of bells themselves to exorcise and bless sacred spaces within the Solomonic tradition is often neglected; for this reason, I undertook a detailed and comprehensive study of the use of Bells and Trumpets of Art in the Solomonic grimoires. However, both the great Agrippa himself and contemporary magicians like myself who humbly stand on his shoulders have long omitted one additional method of consecration that is employed in the Medieval and Renaissance grimoires. Indeed, this marginalized method remains as oft-neglected, understudied, or dismissed as the consecrational use of Bells.

This mysterious method is none other than the method of consecration by Mass, which I will define for the purposes of this article as:

The process of spiritually empowering or sanctifying either Magicians or magical objects through their presence in the formal performance of liturgical or votive Christian Masses.

In this article, I will analyze a series of key instances of this oft-neglected formula in three Solomonic grimoires, namely, Juratus Honorii or the The Sworne Booke of Honorius, Sloane 3847 – The Clavicle of Solomon Revealed by Ptolomy the Grecian, and the Heptameron or Magical Elements. After thus establishing a theoretical and historical grounding for the method, I will then proceed to share some practical suggestions for how contemporary Magicians can apply this magical technique in order to optimally benefit from its powers and most closely follow the protocols outlined by the grimoiric systems.

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In History and Manuscripts: Consecration by Mass in the Solomonic Grimoire Tradition

The method of consecration by Mass occurs in multiple grimoires, perhaps because the power of the Mass as a magico-spiritual ceremony was vividly apparent to the clerical authors who penned the Late Medieval and Renaissance texts (Leitch, 2009). In order to illustrate some examples of both how the method was traditionally applied as well as the contexts in which it was used, I will briefly consider three grimoiric examples here, namely, those of Juratus Honorii or the The Sworne Booke of Honorius, Sloane 3847 – The Clavicle of Solomon Revealed by Ptolomy the Grecian, and the Heptameron or Magical Elements.

1. Magical Consecration by Mass in The Sworne Booke of Honorius

First, Liber Juratus Honorii or the The Sworne Booke of Honorius has the distinction of being one of the earliest extant Medieval grimoires available to contemporary practitioners and scholars; indeed the most reliable and complete manuscript of the text, Sloane 3854, art. 9, fol 117-144, seems to date to the 14th century (Peterson, 2009). In this fascinating text, the method of consecration by Mass is interestingly employed, not to purify, bless, and empower magical objects, but to enact the same sacred transformation on the Magician. As Joseph H. Peterson’s (2009) edition of the text lays bare, Liber Juratus requires the Magician to enlist the help of a “wary and faithful” priest who is willing to work with and purify him–in keeping with its historical context and Medieval gender biases, the text assumes a male practitioner–for his [sic] Operations with the spirits. As the text explains,

Let [the Magician] have a wary and a faithful priest which may say unto him … a Mass of the Holy Ghost, and in his introit let him say the 13th prayer, and after the offertory the 9th prayer. Then take frankincense and incense and cense the altar saying the first prayer, and because the holy fathers did trust in the saints that were there named, therefore they did so, and if he that shall work have more devotion to any other saints, then be there named, let him change name for name, for faith doth always work, as I said before.

Then let the 2nd prayer be said immediately and after te igiter in the Mass; let be said the 3rd, 4th, 5th, 7th, and 8th prayers in consecrating of the Body of Christ, let the priest pray for him that shall work that through the grace of God he may obtain the effect of his petition. And so must the priest do in all his prayers that he shall say for him that shall work, but add nothing else to them. Also after the Communion, the priest shall say the 26th prayer, and after mass he that shall work shall receive the sacrament saying the 19th and 20th prayer.

But let him take heed that he receive not the Body of Christ for an evil purpose, for that were death unto him, wherefore some men have entitled this book calling it The Death of the Soul, and that is true to them that work for an evil intent and purpose, and not to have some science or some good thing; for the Lord sayeth “Ask, and it shall be given you, seek and ye shall finde,” and in another place he sayeth “where 2 or 3 are gathered together in my name, I am in the midst of them and everything that they shall ask the father in my name and he will fulfill and do it.”

The Magician of Liber Juratus is held to a very high standard of moral purity, a spiritual and ritual state that is here magnified by the priest’s consecration of “he that shall work”–the text’s term for the Magician or Exorcist–by the power of the Mass and Holy Communion (Peterson, 2009).

Two additional things are worth noting about this interesting passage. First, the particular Mass that the grimoire recommends is a special ‘votive’ or devotional mass called the “Mass of the Holy Ghost,” now called the “Mass of the Holy Spirit,” which was used in the 14th century to invoke the Holy Spirit and ask for guidance and wisdom; the invocation of Divine power and wisdom is, of course, very relevant to the work of a Christian Magician.

Second, the Mass is here given in a modified version in which the specific numbered prayers given in the grimoire are inserted into it and the priest prays for the success of the Magician’s operation at the most auspicious of moments, namely, during the “consecration of the Body of Christ,” in which the wafer was believed by Catholics to be transubstantiated from an ordinary wafer into Christ’s body itself. The net effect of making these changes to the standard script of the Mass is to produce a kind of grimoiric Mass that is an explicitly magical ritual in itself through its connection to the Liber Juratus procedures.

Later in the text, the Magician is instructed to conduct a prolonged series of fasts, prayers, and purifications, and once again, is instructed to attend the Mass. Here, however, “he that shall work” is instructed to say specific prayers, which are given in the text, while receiving the Holy Communion or the Body and Blood of Christ in the Church (Peterson, 2009). As Liber Juratus explains:

If therefore anybody wishes to operate with those spirits, we must first warn him strictly that he must be thoroughly purified, as we have said in the preceding, until he comes to the fourteenth day, on which day he must begin his fast. Then when the Mass of the Holy Spirit is being said or celebrated, when the operator is receiving the Body of Christ (eucharist), he should say prayers 19 and 20 (LXXVII-LXXIX), as we have said, when the priest is holding up the Body of Christ (i.e. wafer), to reveal it to the congregation, he should pray on behalf of the Operation.

This passage is noteworthy because it lays bear the notion that for the author of Liber Juratus, the exoteric Mass and the esoteric work of the conjurer were not seen as two separate things, as some contemporary theorists who postulate a rigid divide between the techniques of “magic” and “religion” may suggest. Instead, the work of the Mass was part of the magic and supplied part of its spiritual empowerment; in the Liber Juratus‘s system, the preparatory purifying Rites and the later callings of the spirits are part of a single magico-religious continuum. Indeed, without the consecration by Mass, the Magician was held to be unfit and insufficiently purified to proceed with the Operations with spirits (Peterson, 2009).

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2. Magical Consecration by Mass in Sloane 3847 – The Clavicle of Solomon Revealed by Ptolomy the Grecian

Second, the same principle that the Christian Mass itself has the power to consecrate both practitioners and tools of the Art is applied in another grimoiric text, namely, Sloane 3847 – The Clavicle of Solomon Revealed by Ptolomy the Grecian. This text is one of the earliest available manuscripts of the Key of Solomon and seems to date to 1572, the only earlier one I’m aware of being BNF or Bibliothèque Nationale de France Ital 1524, which dates to 1446 (Peterson, 1999).  In Sloane 3847, the method of consecration by Mass is applied not only in the consecration of the Tools of the Art, but also in the consecration of the Pentacles. As will be seen, the process given for consecrating the Pentacles is considerably more involved and demanding in this manuscript than in later manuscripts of the Clavicula Salomonis, which may suggest that later writers may have abrogated the text to simplify the method.

In Sloane 3847, the Magician is required to have not one, but multiple Masses said over the Planetary Pentacle to consecrate and empower it, as the text explains:

The Pentacles be made upon

day, and in the hour of Mercury,(…). Have a house or secret chamber clean and goodly wherein shall none inhabit, but the cheefe coniurer and his fellowes, and make a fumigation there and sprinckle it with yewater, as it is said (…) and have your paper or better, virgin paper and begin that hour to write the foresayde pentacle of noble collour as is emabrium or celestem coniured and exorsized as it is sayd.

For the Pen and the Inke, let them be writt and other thinges to be exorsized, and when they be written perfectly, that hour if they be not completed, doe not cease untill they be fullfilled when ye may. Then take some noble cloth of silke wherin ye may hold the foresayd pentacles, and have there an earthen pot great, and full of coales, and let there be of ligno mastico masculo & ligno aloe, coniured, and let ye coniurer be cleare [24v] as it is meete, and have there prepared Arthanum nupatum [the Quill knife] in the juice of pimpernell and the blood of a goose made and completed upon Mercuries day in the augementinge [waxing] of the moone where upon let 3 Masses be songe with gospells and fumigate it with fumigations of ye knife, that ye must cut and make maicum Isopi [hyssop], with your whole minde and humble deuotion, sayinge these Psalmes with yeoration followinge…

Nor is that all. The Magician is then required to complete a series of prayers over the next three days, and “cause” an additional series of Masses to be said over the Pentacle to activate it and en-spirit it with magical force:

Say this 3 dayes continuall upon the foresayed pentacles and cause 3 Masses to be sayed of ye Holy Ghost, and one of Our Lady, and afterward put the foresaid signes, in a silke cloth with goodly sauours, and put them up in a cleane place.

And when it is neede, ye may worke as it is said of the artes magicall, of thy cloth were decked with gold it were of more efficacye, and when they be put in a cleane place, fumigate them and sprincle them with water and Isope [hyssop] and soe let them alone. They have immumerable vertues as it is contained heareafter.

Nor is the formula of consecration by Mass only applied for Pentacles. The Clavicle also requires it for the consecration of “the Conjurer’s” tools, such as the Knife, Wand, and Needle:

With such a knife as the circles should be made with, if it be greevous for you to make such a knife, finde some knife of the foresaid fashion, with a haft all white or all blacke, and write upon manicumor haft the foresaid wordes, after the mañer aforesaid of that knife, and upon the plate begiñinge from the poynt, write with encausto conjured, Alpha et omega, agla, Ja, el, ou, premeumaton, syrnel, afrnel, and cause to be sayd over this knife 3 masses, one of the holy ghost and 2 of our Lady and fumigate him, with the fumigations followinge, and blesse him with water as followeth, conjuring sayinge, in nomine patris filii et S. Sancti Amen, and put him in a silke cloth, of such as followeth, until ye will worke, and of that knife let the circles of artes be made, and with that knife, let things necessary to the artes or experiments be cut, likewise let Artanus be made, but they neede not to be put in any operation. Let other Instruments of Iron, or staves, or rodds excersised in artes or experiments be consecrated, on that mañer, if they be Instrumts Let them be made on

Mercury

dayes and his Hour as it is said of ye knife, and Arthano [the quill knife], and let these that followeth be written upon them…

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This passage is fascinating for a number of reasons. First, it seems to suggest that a single knife can be used, not both a black-handled knife and a white-handled knife as in later manuscripts, but a knife “with a haft [handle] all white or all black” (Peterson, 1999). This small, but significant difference places this manuscript more closely in line with the Hygromanteia, which only features a single knife (Marathakis, 2011). As Dr. Stephen Skinner explains in his detailed analysis within the same edition of the text, in the Hygromanteia,

The blade of the knife must be from an older sword or knife that has brought death, but the handle must be made from the horn of a black he-goat. P has she-goat instead and G does not refer to the handle at all. According to A, B, G and B3 certain nomina barbara have to be written on the knife, and it must be constructed on the day and the hour of Mars.

Except for this section and the subsequent mentions of the black handled knife in the making of the pen, the parchment and the circle, the manuscripts mention the knife in relation to a number of independent divinatory operations that will be treated of below. The oldest reference to the black-handled knife, brought to my attention by David Rankine, comes from Rashi (Rabbi Shlomo Yitzhaki), the famous 11th century commentator of the Talmud. Rashi, commenting on a Talmudic passage, says:

He who is particular about the vessel (by means of which he divines), that he cannot do anything without the vessel that is required for that thing, as, for instance, the “princes of the thumb”, for which they require a knife, the handle of which is black, or the “princes of the cup”, that they require a cup of glass.” (…)

Another early reference to the black handled knife can be found in the Recension C of the Testament of Solomon, which, according to McCown may belong to the 12th or 13th century. In this text, Beelzeboul says:

Take fifty one in number black unborn kids, bring me a new knife with a handle made from black horn and attached by three rivets, and skin the kids [baby goats].”

It is additionally worth noting the explicit Christianity of this passage from the Clavicle, which not only requires “3 Masses, one of the Holy Ghost and 2 of our Lady [the Virgin Mary]” to be said over the Knife of Art, but also conjures the Knife by means of the Trinity, “in nomine patris filii et S. Sancti Amen” (Peterson, 1999). This stands in contrast to later manuscripts of the Key of Solomon, which eliminate all Christian references in an attempt to make the text appear entirely Jewish, and thus, more in line with the religion of its pseudepigraphic author, King Solomon.

In the interests of brevity, I will not quote all of the passages concerning consecrations by Mass in the Clavicle, for there are many, but it may suffice to say in summary that Masses are also required to be recited over the “Virgin Wax or Earth” (“three Masses”), the Needle of Art (“three Masses”), the Virgin Parchment (“three Masses”), and the Silk Cloth for wrapping implements of the Art (a staggering “9 Masses!) (Peterson, 1999).

As these passages reveal, consecration by Mass was considered by the author of the Clavicle, that is, Pseudo-Ptolemy the Grecian in Sloane 3847, to be a fundamental and essential magical technique for consecrating all of the Tools of the Art as well as the Pentacles produced using the Clavicular method (Peterson, 1999).  As such, the absence of consecration by Mass in later manuscripts of the Key, arguably a product of attempts to streamline and facilitate the Solomonic method, is remarkably conspicuous.

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3. Magical Consecration by Mass in The Heptameron or Magical Elements Pseudepigraphically attributed to Peter de Abano

Third, consecration by Mass also figures strongly in the Heptameron or Magical Elements, in two key respects, namely, the consecrations of the Pentacle and Garment and the Sword of Art. As the text, in Peterson’s (2018) edition, explains:

The Operator ought to be clean and purified by the space of nine daies before the beginning of the work, and to be confessed, and receive the holy Communion. Let him have ready the perfume appropriated to the day wherein he would perform the work. He ought also to have holy water from a Priest, and a new earthen vessel with fire, a Vesture and a Pentacle; and let all these things be rightly and duly consecrated and prepared. Let one of the servants carry the earthen vessel full of fire, and the perfumes, and let another bear the book, another the Garment and Pentacle, and let the master carry the Sword; over which there must be said one mass of the Holy Ghost.”

Similarly, a later passage clarifies that the consecration by Mass must not only be performed for the Sword, but also for the Pentacle:

Let it be a Priest’s Garment, if it can be had, let it be of linen, and clean. Then take this Pentacle made in the day and hour of Mercury, the Moon increasing, written in parchment made of a kids skin [goat skin]. But first let there be said over it the Mass of the holy Ghost, and let it be sprinkled with water of baptism

As these passages reveal, the Pseudo-Peter de Abano of the Heptameron also saw the consecration by Mass to be a crucially important method for imbuing the Sword and Pentacle with their magical power.

To bring these three analyses together, the magical theoretic logic at play behind both Juratus’ consecration of the Magician by Mass and the Clavicle and Heptameron’s consecrations of the Tools and Pentacles by Mass seems to be largely the same. In both cases, proximity to or immersion in the Holy Mass brings the Magician and the Tools into sympathetic resonance with the holy forces that they are intended to help conjure and direct to magical ends.

To the Catholic Magicians who penned these three grimoires, it was only natural to draw upon the most powerful ceremony of which they were aware, in which the Body and Blood of their Saviour were symbolically ingested in the Mystery of Eucharist, to empower their instruments, a logic Agrippa explains in his analyses of sympathetic “occult vertue” (Agrippa, 2000). Indeed, the fact that the method of consecration by Mass recurs in so many influential and early texts only makes its glaring omission by most modern Magicians all the more striking. By omitting it, contemporary practitioners risk leaving out a key component of the magical method and theory enshrined in these pivotal texts.

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Resurrecting the Consecration by Mass: Practical Suggestions for the Contemporary Practitioner

In light of the method’s powerful historical legacy in the grimoires and in the interests of faithfulness to the source texts, what are contemporary practitioners to do if they wish to implement the consecration by Mass into their own 21st-century work?

Three main options remain open to contemporary Magicians:

1) They can follow Liber Juratus and try to find a “faithful and wary” ordained priest who is willing to help in performing Masses over them or their magical implements. This is possible in some cases, but priests willing to cooperate in occult enterprises can be few and far between. This unfortunate state of affairs is predominantly due to the continued stigmatization of esotericism as necessarily and intrinsically demonic that reigns within the contemporary Church. With that said, Reverend Aaron Leitch does offer a service of consecration by Mass for those who would like to enlist his services.

2) They can become ordained as priests and perform the Masses over their own implements ourselves. To aid and support those who are interested in doing this, I have included a full Latin text of the “Mass of the Holy Ghost” called for in the aforementioned grimoires in Appendix I of this article. The journey to authentic ordination is a long one requiring great devotion and commitment, but this second option is often still easier than the first, and indeed, I know several individuals who have taken this approach.

3) The third and final method is the approach I affectionately refer to as cryptoconsecratio, that is, the clandestine consecration of objects performed in public. In this case, cryptoconsecratio entails bringing magical items to Church and praying over and consecrating them secretly during the Mass itself.

One challenge posed by this latter approach, however, is that, as we have already seen, the “Mass of the Holy Spirit” prescribed above is not the standard Sunday liturgical Mass, but rather a votive or devotional Mass that is rarely performed by most Churches today at all if not once or a few times per year (Rex, 2014). Thankfully, practical experimentation has revealed that the standard Mass, while not as optimally aligned with the grimoiric specifications as the Mass of the Holy Spirit, works nearly as well for our purposes.

Practical Tips for Cryptoconsecrating Magical Objects by Mass

Those who would like to attempt the cryptoconsecratio method of consecration by Mass, can facilitate their task by placing magical items in an unsuspicious bag such as a backpack, purse or satchel, which they bring with them into the Church. Ideally, the objects to be consecrated would be placed as close to the Altar as possible; indeed, the grimoires’ authors envisioned the items being placed on the Altar itself. However, as per Agrippan occult philosophical logic, the items can remain in the pews if necessary; since the Mass technically unfolds throughout the entire Church, its “occult vertue” and sympathetic empowerment can still be transferred to any location within the Church during the Mass provided appropriate and effective prayers are used to direct the process (Agrippa, 2000).

The closer to the Altar, the better, however. The boldest Magicians can sit in the front row and thereby be as close to the Altar as they can possibly be without being the officiating priests themselves. If practitioners are performing the clandestine cryptoconsecratio from their pews with the items in a bag beside them, then during the Mass, they can simply and discretely place a hand over the items to be consecrated and pray over them to complete the consecration.

Praying over the items multiple times throughout the Mass seems to be most effective approach, as practical experimentation has revealed. However, the most crucial moment to perform such clandestine prayers is when the priest is initiating the transubstantiation or the mystic transformation of the bread and wine into the Blood and Body of Christ (Peterson, 2009). Liber Juratus makes the esoteric potency of this moment abundantly clear in the aforementioned passage regarding the prayers to be recited by “he that shall work” (Peterson, 2009). Following Agrippa once again, the magical rationale is clear; since the priest is performing a sacred transformation, the moment is pregnant with the ‘occult vertue’ of that sacred transformative power–quite like an auspicious and benefic astrological election–thus facilitating the consecration of the targeted magical objects by the Mass (Agrippa, 2000).

At this point, I anticipate that my intelligent and practically-minded readers will likely pose a very understandable question: what about the Sword — surely it’s not so easy to cryptoconsecrate as small objects?

Admittedly, the Sword of Art’s size does seem to pose a problem. Thankfully, however, it is one easily solved. Since the Sword does not fit in most bags, it can instead be placed in the case of a musical instrument — a guitar case, for instance, works remarkably well. Once again, as in the case of the bags, clandestine practitioners need only place a hand over the Sword as it lies hidden in its case and pray over it to consecrate it during the Mass. Exorcisms of the items to be consecrated can be done in the Magician’s private Temple prior to going to Church for the Mass and final suffumigations and Holy Water sprinklings of the items can be done upon returning home.

In short, whether through a priestly ally, through becoming priests, or through discrete cryptoconsecratio performed during Masses officiated by others, the method of consecration by Mass remains accessible to this day.

A Mystic Legacy with Enduring Value: Concluding Words on an Ongoing Practice

In conclusion, the method of consecration by Mass has a respectable grimoiric pedigree and remains accessible today through methods such as the three approaches suggested in this article. Grimoiric traditionalists and Christian Magicians may find particular value in the method. Non-Christian practitioners with an open-mind and a curiosity about magical methods from other cultures, however, may still find that the method offers a fertile magical technology under-girded by hundreds of years of esoteric history as well as a fascinating avenue for exploration.

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Appendix I – The Latin text of the ‘Mass of the Holy Ghost/Spirit,’ shared here from the Public Domain (for the English text, see this List of Resources from BJ Swayne):

Missa de Spiritu Sancto

Introitus. Sap. l, 7.

Spíritus Dómini replévit orbem terrárum: et hoc, quod cóntinet ómnia, sciéntiam habet vocis.

(T.P. Allelúja, allelúja.)

Ps. 67,2.

Exsúrgat Deus, et dissipéntur inimíci ejus: et fúgiant, qui odérunt eum, a fácie ejus.

℣. Glória Patri.

Oratio.

Deus, qui corda fidélium Sancti Spíritus illustratióne docuísti: da nobis in eódem Spíritu recta sápere; et de ejus semper consolatióne gaudére. Per Dóminum . . . in unitáte ejúsdem Spíritus Sancti.

Léctio Actuum Apostólorum.

Act. 8, 14-17.

In diébus illis: Cum audíssent Apóstoli, qui erant Jerosólymis, quod recepísset Samaría verbum Dei, misérunt ad eos Petrum et Joánnem. Qui cum veníssent, oravérunt pro ipsis, ut accíperent Spíritum Sanctum: nondum enim in quemquam illórum vénerat, sed baptizáti tantum erant in nómine Dómini Jesu. Tunc imponébant manus super illos, et accipiébant Spíritum Sanctum

Graduale.

Ps. 32, 12 et 6.

Beáta gens, cujus est Dóminus Deus eórum: pópulus, quem elégit Dóminus in hereditátem sibi.

℣. Verbo Dómini coeli firmáti sunt: et Spíritu oris ejus omnis virtus eórum.

Allelúja, allelúja. (Hic genuflectitur)

℣. Veni, Sancte Spíritus, reple tuórum corda fidélium: et tui amóris in eis ignem accénde. Allelúja.

Post Septuagesimam, omissis Allelúja et
Versu sequenti, dicitur:

Tractus. Ps. 103, 30.

Emítte Spíritum tuum, et creabúntur: et renovábis fáciem terræ.

℣. O quam bonus et suávis est, Dómine, Spíritus tuus in nobis! (Hic genuflectitur)

℣. Veni, Sancte Spíritus, reple tuórum corda fidélium: et tui amóris in eis ignem accénde.

Tempore autem Paschali omittitur Graduale,
et ejus loco dicitur:

Allelúja, allelúja.

℣. Ps. 103, 30.

Emítte Spíritum tuum, et creabúntur: et renovábis fáciem terræ. Allelúja. (Hic genuflectitur)

℣. Veni, Sancte Spíritus, reple tuórum corda fidélium: et tui amóris in eis ignem accénde. Allelúja.

Sequéntia sancti Evangélii secúndum Joánnem.

Joann. 14, 23-31.

In illo témpore: Dixit Jesus discípulis suis: Si quis diligit me, sermónem meum servábit, et Pater meus díliget eum, et ad eum veniémus, et mansiónem apud eum faciémus: qui non díligit me, sermónes meos non servat Et sermónem quem audístis, non est meus: sed ejus, qui misit me, Patris. Hæc locútus sum vobis, apud vos manens. Paráclitus autem Spíritus Sanctus, quem mittet Pater in nómine meo, ille vos docébit ómnia et súggeret vobis ómnia, quæcúmque díxero vobis.

Pacem relínquo vobis, pacem meam do vobis: non quómodo mundus dat, ego do vobis. Non turbátur cor vestrum neque fórmidet. Audístis, quia ego dixi vobis: Vado et vénio ad vos. Si diligerétis me, gauderétis útique, quia vado ad Patrem; quia Pater major me est. Et nunc dixi vobis, priúsquam fiat: ut, cum factum fúerit, credátis. Jam non multa loquar vobíscum. Venit enim princeps mundi hujus, et in me non habet quidquam. Sed ut cognóscat mundus, quia díligo Patrem, et sicut mandátum dedit mihi Pater, sic fácio.

Offertorium. Ps. 67, 29-30.

Confírma hoc, Deus, quod operátus es in nobis: a templo tuo, quod est in Jerúsalem, tibi ófferent reges múnera. (T.P. Allelúja.)

Secreta.

Múnera, quǽsumus, Dómine, obláta sanctífica: et corda nostra Sancti Spíritus illustratióne emúnda. Per Dóminum . . in unitáte ejusdem Spíritus Sancti.

Præfatio de Spiritu Sancto.

Communio. Act. 2, 2 et 4.

Factus est repénte de cælo sonus tamquam adveniéntis spíritus veheméntis, ubi erant sedéntes: et repléti sunt omnes Spíritu Sancto, loquéntes magnália Dei.
(T.P.Allelúja.)

Postcommunio.

Sancti Spíritus, Dómine, corda nostra mundet infúsio: et sui roris íntima aspersióne fecúndet. Per Dóminum . . . in unitáte ejúsdem Spíritus Sancti (Zardetti, 1888).

References

Agrippa, H. C. (2000). Three Books of Occult Philosophy. Ed. Joseph H. Peterson. [online eBook]. Esoteric Archives. Based on a transcription from Moule: London, 1651. Available at http://www.esotericarchives.com/agrippa/agrippa1.htm[Accessed 01 October 2018].

Leitch, A. (2009). Secrets of the Magickal Grimoires: The Classical Texts of Magick Decyphered. Woodbury: Llewellyn Publications.

Marathakis, I. (2011). The Magical Treatise of Solomon or Hygromanteia. Singapore: Goldon Hoard Press.

Peterson, J. H. (2004). Clavicula Salomonis or The Key of Solomon. [online eBook]. Esoteric Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 01 October 2018].

Peterson, J. H. (2018). Heptameron or Magical Elements. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 01 October 2018].

Peterson, J. H. (2009). Liber Juratus Honorii or the The Sworne Booke of Honorius. [online eBook]. Esoteric Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 01 October 2018].

Peterson, J. H. (1999). Sloane 3847 – The Clavicle of Solomon, Revealed by Ptolomy the Grecian. [online eBook]. Esoteric Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 01 October 2018].

Rex, R. (2014). The Religion of Henry VIII. The Historical Journal, 57(1), 1-32.

Zardetti, O. (1888). Special Devotion to the Holy Ghost. New York: General Books.

Novena of Saint Cyprian 2018 Day 6: Invocation of Archangel Cassiel

By Frater S.C.F.V.

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On this Sixth Day of my 2018 Novena to Saint Cyprian of Antioch, September 22, 2018, I arose and performed a ritual bath and ecstatic worship. I went to the store to purchase wine and spring water to serve as Offerings to Saint Cyprian. My stomach ached slightly from my fast for all of the day until the Ritual, which was interrupted only by the drinking of water and the eating of a single apple.

In the Day and Hour of Saturn, after a ritual bath and worship, I entered the Temple. I took up my Solomonic bell, sounded it three times before entering the Circle as per the Hygromanteia and then again thrice to each of the Quarters, greeting the Spirits of the East, South, West, and North with great love, respect, and  blessings of Adonai. I proceeded to give Offerings to God and to Saint Cyprian and began to pray and recite Psalms while holding my Solomonic Wand of Art. On this Saturday, Cyprian’s Day, I gave Cyprian Offerings of fresh Spring Water, Sage Incense, and Wafers consecrated in the Neophyte Ceremony of the Golden Dawn as last performed by our G.D. Order.

I dressed two candles as Offerings, one with Cyprian Oil, sage, cinnamon, and all-spice for Cyprian and one with sage, cumin, and Solomonic Holy Oil for Cassiel. I prayed over them to exorcise and consecrate them with their intended Powers. I then put on my Ring of Saturn, which contains lead and a strong black stone, given to me as a gift by my friend Sarah Wreck, making a prayer as I did so. I used the prayer from the Heptameron to ask for God’s help in calling Spirits and proceeded to a formal Invocation of Archangel Cassiel, Angel of the Day of  Saturn and of Saturn.

After prolonged additional conjurations and vibrating of Cassiel’s name while gazing into the crystal with Cassiel’s candle burning behind it–pyrocrystallomancy, as shown to me by Archangel Raphael–I felt the Angel’s presence as his fixed candle, Offered unto him, flared up behind the Crystal. Feeling his presence, which was stern, heavy, grim, and no-nonsense, I offered him Frankincense, noted by Agrippa as sacred to Saturn as an additional offering.

Cassiel remains the most stern, severe, and no-nonsense Archangel with whom I have ever worked, even more so than Samael in my experience. He is direct, cuts right to the chase, and when he speaks, his replies come fast and immediate. At least in his communications with me, he also tends to speak in a more formal, antiquated style, which I also use to sympathetically connect with him. Upon appearing in the Circle, he immediately spoke unto my mind:

Wherefore hast thou called me?”

I respectfully explained my intent, to offer him gifts of love, devotion, and friendship in this consecrated and blessed Candle and Incense of Art and to learn from him whatever wisdom he would impart to me concerning his role, Office, and the things under his power.

When asked what was his role and Office, Cassiel spoke these words into my mind as I gazed entranced into the Crystal, while Cassiel’s flame flickered behind it and dark, Saturnian ritual music played in the background:

Mine is the Office of binding and the imposition of barriers and limits without which, no structure can emerge and there can be no order. Mine is the overseeing of Time and temporality, of arising, abiding, and subsiding. Mine is the constriction of pure force into bounded form, that all things may be accomplished in apparent finitude and time.”

When asked for the wisdom behind his powers of binding and constricting, Cassiel replied:

Binding and barriers need not be but forms of imprisonment and holding back of freedom, as thou humans assume. Binding and barriers are freedom in action. Without limits on the shape of a thing, there can be no shape. Without shape, there can be no action taken by that shape. All of the multitudes of forms in nature depend on binding and barriers for their operations. Finitude is but apparent; everything apparently finite is simply the Divine Infinite constrained by its own Power to enable the freedom of its manifestation.

Nor do binding, barriers, and constrictions imply separation. All is the Divine appearing in, as, and to itself. No apparent form is separate in reality from any other, only in relative functioning in time and in appearance. Whosoever realizes this knows the Face of God is everywhere, within and without, not merely beyond apparent form, but in, as, and within it.”

When asked what attitude this wisdom should give rise to in us, Cassiel replied:

Right discernment. Discern one type of apparent form from the next; note their discrete qualities, which could not arise if not for the Powers of binding and barriers, of constrictions of form upon which all structure and Order depends. At the same time, discern the Ultimate; nothing apparent, nothing formed, nothing shaped, nothing seemingly cut-off is so in its Absolute nature. All of the relative forms are none other than the Absolute. God hides in plain sight.

Those who know this will understand, and understanding, live in the light of that wisdom. In this way, they will not fall for the delusions of the world, that death is the end or shape limits the infinite. Only the unlimited can appear to be limited, and only so that anything can appear at all. Creation depends on constriction, not Ultimately, but in relative appearance. This is the Mystery of Divine creation itself.

I was amazed by the rapidity, clarity, and immediacy with which Cassiel communicated, perhaps unsurprising for the Archangelic Master of Time, but surprising for me, who had was so accustomed to the slower, gentler ways of speaking of other Spirits.

I asked Cassiel if he could give me a vision to explain further how “creation depends on constriction.” Immediately, as with his prior replies, Cassiel spoke into my mind as I gazed into the Crystal, “close thy eyes and it is done.”

My eyes fell heavily closed, slowly and smoothly as my spine straightened up, erect. Before I knew it, I no longer looked at the black space of closed eyelids. Instead, I saw a great Angel clothed in black, darkly powerful, flying over a landscape that was tremoring and shaking, a land of rock and desert. His face shone so bright over his black robed figure that it could not be seen, blinding golden light…

Behold how formation requires constriction. As the Earth shakes, form tenses, collapses, and falls apart. Heat agitates the structures of form and they shake apart. In this potentiality and chaos, binding and barriers can constrain new forms into being.”

As he said this, an earthquake shook the land, which split open. Bright lava could be seen below. As tectonic plates smashed together, a mountain began to take form.

“Smashing together, seems apparent violence… but is in truth creative force. Constrained and pressured, the mountain takes form as stone is bound not to flow some ways and permitted only to flow others. So it is that binding produces order through constellating chaos. So it is for all creation, for all arising of all phenomena. Imposed limitation enables the freedom of form appearing and functioning. This is the foundation of the World.”

The scene shifted to a plant growing from a sprout into a beautiful mature form.

For leaves to appear, for stems and cells, there must be boundaries and forces constraining the tissues. The limitation enables the freedom. So it is with thou human beings, which are the Divine Infinite constrained through binding and Time into relative discrete appearance.

The vision abruptly cut off and I felt my Astral form slammed back into my body with great severity. My eyes opened and I was back in my Temple.

After asking Cassiel to let his power move through me, correcting any apparent limitations that did not serve or were dysfunctional, he did immediately. Holding the Solomonic Holy Oil-anointed Crook of Saint Cyprian and pressing it to my forehead, I felt a flood of heavy, constraining energy flood through my Sphere of Sensation. My eyes fell closed again and I behind my closed eyelids, I saw images of forms breaking apart and new ones taking their place, of subtle shifts and felt changes unfolding that I did not understand…

When it ended, my eyes opened and returned to the Crystal ball. My head felt like it was spinning from the rapid flow of all of this information that Cassiel had shared and thus, I thought it perhaps best to move the Invocation to its conclusion. Thanking Cassiel with great sincerity for being so forthcoming and helpful, I asked if he had any final wisdom to reveal before bringing our time together to a close.

“See not forms as separate; they are not. The Infinite can but take form through apparent boundaries and constriction. See not discipline as blocking freedom; it does not. Discipline is freedom in action and the enabler of freedom. The lack of discipline is not freedom, it is chaos. Image the Ordering Power of the Creator; live in discipline that thou mayst be freer still.

Whatever thou lookest upon, know it as Thy Divine Self hiding in finitude, the unlimited appearing through limitation, the unbound appearing through seeming binding, the unarisen disciplining itself into arising, the Eternal appearing as Time. In this way, all dualities will be cut off, and both poles negated, nonduality itself will collapse. What remains is the Ultimate as it is, and thou art That. There is nothing else. Indeed, all that apparently is, is but the Unformed playing itself into form.”

With great humility and gratitude, I thanked the great Archangel for these potent revelations and invited him to take his leave if he wished or stay and pray with me. I thanked him and asked him I could share what he had shared with me with others to correct misconceptions and for the greater Good of freedom for all through discipline. I asked that he move the stream of smoke from his incense to the left if he agreed, and so it moved, immediately. I then asked him if he would kindly return again to work with and teach me if it pleased him and God, and received an affirmative answer as well.

I then said a final battery of prayers, and asked for Saint Cyprian’s help in one final task: creating Cyprianic Holy Oil. I did this by taking a base of olive oil and adding to it cinnamon essential oil, the herbs, soil, spices, and other curio from the Lucky Mojo Curio Company’s Saint Cyprian Oil, some of this same oil, and some of another San Cipriano Holy Oil imported via a local botanica to which I had been led by Saint Cyprian at an earlier date. I prayed for the good Saint to charge it and shortly thereafter, the Crucifix hanging from the rosary wrapped around his statue began to slowly wave from side to side.

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Moved by a flood of inspiration, before I ended the ritual and closed the Temple with prayers, I felt moved to perform a powerful and ancient ritual… the Stele of Jeu or Rite of the Headless One from Greek Magical Papyri V. 96-172. What followed was one of the most powerful magical experiences of my life.

But that, shall is a matter for another post.

The Bells and Trumpets of Solomon: Resounding Instruments of the Solomonic Grimoires

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By Adam J. Pearson

Introduction: Ancient Origins of Horns, Trumpets, and Bells

The roots of ceremonial bells, horns, and trumpets stretch far into the distant reaches of prehistory.  According to Hyunjong (2009, p.27), the world’s oldest known musical instrument is a bone flute that was found at a Neanderthal habitation site in Slovenia.  This early flute was fashioned between 82,000 and 43,000 years ago from the bone of a cave bear (Hyunjong, 2009).  Like the bone flute, the first blowing horns and ‘trumpets’ were also crafted from parts of hunted animals, such as animal  horns (Warner et al., 2013).  Paralleling the horn and trumpet traditions, the earliest archaeological evidence of bells uncovered thus far dates to the 3rd millennium B.C.E. in the Yangshao culture of Neolithic China; these most ancient of all human bells were fashioned from clay pottery before bronze bells emerged with the advances of the Bronze Age (Reinhart, 2015).

Although contemporary bells and trumpets may seem vastly different from one another in both sound and structure, their earliest forms were strikingly similar.  Not only were they both musical instruments of staggering antiquity, but they were shared structural similarities; both bells and trumpets featured flared-out bottoms that amplified sounds produced either by striking, in the case of bells, or blowing vibrations, for trumpets,  through their resonant cavities.  Scholars of archaeoacoustics and music archaeology have identified independent traditions surrounding the crafting and uses of bells and trumpets in cultures on nearly every continent (Reinhart, 2015).  From the Bronze Age onward, however, these traditions largely developed in parallel, although sometimes intercepting and inter-influencing streams, whose unfoldings were shaped by the cultural contexts of the early artisans who drove their development (Montagu, 2014).

This article explores a fascinating case of dovetailing bell and trumpet traditions in the ritual history of musical instruments, namely, the interwoven traditions of Bells and Trumpets of Art within Western ceremonial magic.  The article’s first foray into the realm of sonorous Solomonic tools begins by describing the materials, crafting procedures, ritual uses, and potential mythic origins of the Trumpet of Art that is employed in the Key of Solomon grimoire (Latin: Clavicula Salomonis).  It then juxtaposes the Claviculan Trumpet of Art with the Bell of Art from the Key of Solomon‘s central source text, the Byzantine Greek Hygromanteia (Greek: Ὑγρομαντεία).  In the process, I will attempt to demonstrate that although the Trumpet of Art is able to perform the functions previously served by the evocatory Bell of the Greek Hygromanteia, it also reflects the influence of a distinct and separate tradition that traces its roots back to the Ancient Hebrew trumpet or ḥatzotzrah (חצוצרה‎) and blowing horn or shofar (שופר‎) used in the Hebrew Tanach.

Thereafter, the article broadens its focus to examine the resonant connections between the Bell or Trumpet of Art and some of the reflections on ritual bells and trumpets that are contained in the writings of Heinrich Cornelius Agrippa, John Dee, the pseudo-“Dee” of the Tuba Veneris, and Girardius, the mysterious author of the 18th century grimoire, Parvi Lucii Libellus de Mirabilibus Naturae Arcanis, 1730.  Finally, I close with a brief discussion of the use and fashioning of my own personal Solomonic Bell of Art, which integrates the Hygromanteian Bell with the characters and Names of the Trumpet of Art and consecration methods from the Key.

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A Yemenite Jew blows a Hebrew blowing horn or shofar (שופר‎) near the Old City Western Wall in Jerusalem. Photography by David Silverman.

Convoking the Spirits with Sonorous Blasts: The Key of Solomon’s Trumpet of Art

To begin, the connection between trumpets and the original King Solomon mythos that would exert a striking difference on the much later Key of Solomon grimoire has foundations in the Hebrew Tanach that are as strong as those of the Temple of Solomon itself.  Indeed, verses 31 to 35 in 1 Kings 1 describe how David required a trumpet to be sounded to announce the successorship and ritual crowning of his son, the great Solomon himself.  As the text explains,

32 King David said, “Call in Zadok the priest, Nathan the prophet and Benaiah son of Jehoiada.” When they came before the king, 33 he said to them: “Take your lord’s servants with you and have Solomon my son mount my own mule and take him down to Gihon. 34 There have Zadok the priest and Nathan the prophet anoint him king over Israel. Blow the trumpet and shout, ‘Long live King Solomon!’ 35 Then you are to go up with him, and he is to come and sit on my throne and reign in my place. I have appointed him ruler over Israel and Judah” (NIV, 1 Kings 1:31-35)

Thus, the blast of a trumpet was linked, from its earliest days, to the rich mythos that developed around King Solomon from its earliest Tanachic roots and the reverberations of this original trumpet blast would much later be felt throughout text of the Clavicula Salomonis or Key of Solomon the King.  In Chapter VII of the second Book of the Clavicula Salomonis, the Master of the Art is instructed to construct a “Trumpet of Art,” with which to “convoke” spirits to the ceremonial Circle in which the Master stands, and prepare them “to obey” the Operator’s commands (Peterson, 2004).

Fascinatingly, as Joseph H. Peterson (2004) explains, the Key‘s Trumpet was to be fashioned from “new wood.”  The choice of wood as a material for the body of the Trumpet is itself interesting since it deviates from the preferred materials for similar instruments in the period.  Unlike the Key‘s wooden Trumpet, the majority of blowing horns and trumpets from Antiquity through the Medieval and Renaissance periods were fashioned from animal horns (e.g. Ram or Ox), shells (such as conch as in the Maltan bronja), or metals (e.g. the bronze Roman cornu or buccina or the Scandinavian lurer) (Warner et al., 2013).

In addition, the use of “new” seems to suggest that the wood from which the Trumpet is made should be drawn from a “virgin” branch that never bore fruit, berries, or nuts, that is, wood under a single year’s growth, as in the case of the Key‘s instructions for the Wand of Art in Book II, Chapter 8 (Peterson, 2004).  Unlike in the case of the Wand, no instructions are given for astrologically timing the cutting of the wood for the Trumpet. In all likelihood, however, assuming a parallel ritual rationale to that of the Wand, the wood for the Trumpet would likely be “cut from the tree at a single stroke, on the day of Mercury, at sunrise,” with the characters and Names written during the Hour of Mercury, following the method for the construction of the Solomonic Wand (Peterson, 2004).

On one side of the Trumpet, the Key instructs the ceremonial Operator to use the consecrated “Pen and Ink of the Art” to write “these Names of God, ELOHIM GIBOR” (אלהים גבור) and “ELOHIM TZABAOTH” (אלהים צבאות) (Peterson, 2004). On the other side, specific “Characters” are to be inscribed, which Joseph H. Peterson (2004) presents as follows based on folio 120r of the Additional 10862 manuscript:

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Happily for contemporary Solomonic practitioners, the Divine Names that the Key requires to be inscribed on the Trumpet are fairly consistent across manuscripts.  As Peterson (2004) notes, Aubrey 24 calls for the Latin “Deus Exercituum” (God of Armies), which approximates the Hebrew “Elohim Tzabaoth” (אלהים צבאות), while the French manuscript Lansdown 1202 requires “ces noms de Dieu Elohim Gibor, Dieu des Armées,” and the Italian Kings 288 manuscript has the Magician write “Elohyn Gibor.”  Interestingly, while most of the manuscripts only designate between a few lines to the construction, use, and significance of the Trumpet, Aubrey 24 devotes an entire chapter to the subject.

In addition, the practical instructions for the ceremonial use of the the Trumpet of Art are clearly delineated in the text.  In Book II, Chapter VII, the Key of Solomon explains that:

“Having entered into the circle to perform the experiment, he should sound his trumpet towards the four quarters of the Universe, first towards the East, then towards the South, then towards the West, and lastly towards the North. Then let him say:—

“Hear ye, O spirit N, I command you. Hear ye, and be ye ready, in whatever part of the Universe ye may be, to obey the voice of God, the Mighty One, and the names of the Creator. We let you know by this signal and sound that ye will be convoked hither, wherefore hold ye yourselves in readiness to obey our commands.”

This being done let the master complete his work, renew the circle, and make the incensements and fumigations” (Peterson, 2004, Bk. II, Chap. 7).

Thus, the purpose of the Key of Solomon‘s Trumpet of Art is at once to prepare the spirits to be convoked and commanded and to ceremonially position the Master of Art within the Solomonic Circle in the center of the four cardinal directions.  This directional centering of the Magician at the symbolic hub of the universe is not only demarcated by the structure of the Circle itself, which is aligned to the four cardinal directions, but also  ritually reinforced by sequentially sounding the Trumpet of Art towards each of these same directions.  In this process, the Operator begins in the East in the direction of the rise of light from the dawning Sun and proceeds clockwise–or, prior to the invention of clocks, deisial (Gaelic) or dexter (Latin) both meaning “towards the right” or “South” from the East–through the other directions from South to West to North.

As researchers and practitioners of the Key of Solomon such as Aaron Leitch (2009) have long noted, many of the Key of Solomon‘s grimoiric methods are modeled after the instructions given to Moses and Aaron in the Tanachic Books of Leviticus, Exodus, and Numbers as well as the Psalms or Tehillim.  For instance, the use of hyssop in the ritual bath in the Key of Solomon has its roots in the Biblical symbolism of hyssop as a purifying and consecrating herb within Hebrews 9:19, Leviticus 14:4-7, and most significantly, Numbers 19:6, where it is used to prepare the “water of purification” itself.

Similarly, the modus operandi of the Key‘s Solomonic Trumpet of Art can also be traced to a very specific passage in the Hebrew Tanach, namely, Numbers 10:1-7.  In these verses, God tells Moses to “make two trumpets of hammered silver, and use them for calling the community together and for having the camps set out” (NIV, Numbers 10:1).  These trumpets or ḥatzotzrah (חצוצרה‎)–which are not to be confused with shofar (שופר‎), another word used in the Tanach, which means ‘horn’ and refers to a distinct instrument–are to be sounded to call and assemble the Hebrew Tribes camped in each of the four cardinal directions of the Israelites’ camp.  As the text explains,

“5 When a trumpet blast is sounded, the tribes camping on the East are to set out. At the sounding of a second blast, the camps on the South are to set out. The blast will be the signal for setting out. To gather the assembly, blow the trumpets, but not with the signal for setting out” (Numbers 10:5-7)

Thus, when blowing the Trumpet of Art, the Key of Solomon‘s Operator follows in the footsteps of Moses, by calling to the spirits to attend to his commands in each of the directions proceeding clockwise/deisial/dexter from East to South as Moses did with his silver trumpet.  Similarly, just as Moses was told to use his trumpet to “gather the assembly” or convoke the Hebrew Tribes or prepare them to “set out,” so does the Solomonic Magician use the Trumpet of Art to prepare the spirits to “set out” and then convoke or assemble around the Circle. Thus, the Trumpet of Art has ancient Tanachic roots that long precede the much later date of the composition of the Key of Solomon.

Moreover, the Clavis Salomonis’ Trumpet is contextually grounded in a much broader series of Biblical traditions beyond those already mentioned.  Aside from the aforementioned uses of the ḥatzotzrah (חצוצרה‎) and shofar (שופר‎) to proclaim the crowning of King Solomon (1 Kings 1:31-35), and call, assemble, and mobilize individuals (Numbers 10:5-7), the Biblical texts also describe these tools as instruments used to signal the presence of the Divine as God does to Moses with “a thick cloud over [Sinai], and a very loud trumpet blast” (Exodus 19:16), declare the commencement of festivals (Leviticus 23:23), topple the walls of Jericho when played by “seven priests” in “front of the Ark of the Covenant” (Joshua 6:4-5 and see also Agrippa’s (2000) Second Book of Occult Philosophy, Chapter 10), announce different phases of the Apocalypse when Seven Trumpets are sequentially sounded by the “Seven Angels who stand before God” (Revelation 8:2 and also referred to by Agrippa (2000) in Book II, Chapter 10), and praise God within the Temple orchestra itself as described in Psalm 150:3 (“Praise him with the sounding of the trumpet!”).

Very interestingly for the present study, this same Psalm 150, which describes the use of ḥatzotzrah (חצוצרה‎) and shofar (שופר‎) to praise YHVH (יהוה) also describes the use of cymbals to the same end, enjoining Israel to praise Him with the clash of resounding cymbals” (Psalm 150:3-5).  Cymbals, of course, are round metallic instruments that are sounded by striking, and, in these ways, are very closely related to bells (Braun & Braun, 2002).

Furthermore, it is very appropriate for the discussion of bells to come that bell-like cymbals are played alongside trumpets on many different occasions in the Tanach.  We read, for instance, that “David and all the Israelites were celebrating with all their might before God, with songs and with harps, lyres, timbrels, cymbals and trumpets” (1 Chronicles 13:8), that both instruments were used to dedicate the Wall of Jerusalem (Nehemiah 12:27), that “Heman and Jeduthun were responsible for the sounding of the trumpets and cymbals and for the playing of the other instruments for sacred song” (1 Chronicles 16:42), and that “when the builders laid the foundation of the Temple of the Lord, the priests in their vestments and with trumpets, and the Levites (the sons of Asaph) with cymbals, took their places to praise the Lord, as prescribed by David” (Ezra 3:10).

Thus, within the Tanachic lore of the Israelites to which the Key of Solomon would later mythically hearken back and symbolically align itself, bell-like cymbals and trumpets were repeatedly sounded in unison and the traditions that evolved around these ritual tools largely dovetailed together.  How appropriate it is, therefore, that the Greek Byzantine Hygromanteia–which is, as Dr. Stephen Skinner (2013) demonstrated, the primary source text of the Key of Solomon itself–should provide a parallel tradition to that of the Trumpet of Art, in the form of a mysterious evocatory Bell.

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Ringing Open the Gateway: The Hygromanteian Bell of Art

Those who approach the Greek Byzantine Hygromanteia after first studying the Key of Solomon and learning to work its system using the Solomonic Trumpet may be surprised to discover that there is no Trumpet of Art in the Clavicula’s older source text.  Indeed, in the entirety of the Hygromanteia, there are only two occurrences of the word “Trumpet.” Moreover, in both cases, the word is used, not to refer to a tool to be made by the Magician, but rather to reference the Angelic Trumpet “that shall be sounded” on the Day of Judgment (Marathakis, 2011, p. 335).

The first of these twin trumpet references occurs in the Conjuration of “Asmodaes,” in which the Magician addresses the spirit by telling it that

“I conjure you by the Trumpet that shall be sounded, calling for the Second Coming” (Marathakis, 2011, p. 335).

In a similar fashion, the second and final trumpet reference in the Hygromanteia occurs in yet another conjuration, in which the Master is instructed to command the spirit

“by the trumpet that the Angel of Resurrection shall sound” (Marathakis. 2011, p. 173).

Therefore, while references to trumpets in the Hygromanteia are purely symbolic in nature and are used to add power to the conjurations,  the Hygromanteian magical arsenal does not include a physical Trumpet of Art in the style of the Clavicula.  Where the absence of one kind of  one kind of sonorous Solomonic tool in the text is glaringly evident, however, the presence of another is equally so. This second resounding tool of Solomon is the Hygromanteian Bell of Art.

Interestingly enough, this author’s first indication that there might be a Solomonic Bell tradition with a historical precedent in the Hygromanteia came, not from the Hygromanteia itself, but from Joseph H. Peterson’s (2004) insightful notes on manuscript variations in the later Key of Solomon. In Chapter IX, “Of the formation of the Circle,” in his edition of the Clavicula’ Salomonis, the Magician is instructed to

“enter within the circle and carefully close the openings left in the same, and let him again warn his disciples, and take the Trumpet13 of Art prepared as is said in the chapter concerning the same, and let him incense the Circle towards the four quarters of the Universe.

After this let the magus commence his incantations, having placed the Knife14 upright in the ground at his feet. Having sounded the Trumpet15 towards the East as before taught let him invoke the spirits, and if need he conjure them, as is said in the first book, and having attained his desired effect, let him license them to depart.”

In form and content, this section seems reminiscent of the prior passages concerning the Trumpet of Art which have already been discussed.  However, examining Peterson’s (2004) footnotes 13 and 15, reveals a fascinating point.  Although other manuscripts of the Key of Solomon such as Kings 288 and Aubrey 24 read “Trumpet” here, Sloane 3847 does not.  In place of “Trumpet,” and very interestingly for the purposes of this study, the Sloane 3847 version, which is entitled The Worke of Salomon the Wise Called His Clavicle Revealed by King Ptolomeus Ye Grecian reads “Bell” and instructs the Master to “let the Bell be [rung] toward the East” (“Ptolomeus,” 1999).

In addition, the same manuscript later tells the Operator to ring the Bell in the four cardinal directions from within the Circle. As the text reads, the Master shall have a bell, and ring it “4 times toward the 4 partes of the world, with 4 pater nosters” (Peterson, 1999). These instructions clearly place the ringing of the Bell “towards the 4 partes of the world” in harmony with the sounding of the Trumpet of Art to the four cardinal directions in Kings 288 and Aubrey 24, which suggests some parallelism between the Trumpets and Bells of Art within the Solomonic tradition.

This Bell-Trumpet homology is significant because, with its dating to 1572, Sloane 3847 is one of the oldest extant versions of the Key of Solomon, which places it chronologically closer to its Hygromanteian source text than many of the later manuscripts (Peterson, 2004).  In contrast, the British library catalogue describes Mathers’ earliest source, the Additional 10862 manuscript, which includes the Trumpet of Art rather than the Bell, as dating to the 17th century.

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Medieval depiction of bells used in worship, suggesting the connection between bells and the sacred in the Medieval mind, a tradition with Ancient roots.

Thus, Sloane 3847 offers an example of a version of the Clavicula Salomonis in which a ritual Bell is used in place of the Trumpet called for in most other manuscripts and in the same manner as the Trumpet, to alert the spirits and prepare them to obey.  While the Trumpet of Art seems to suggest an attempt to integrate the Tanachic lore around the ḥatzotzrah (חצוצרה‎) and shofar (שופר‎) into the Key of Solomon‘s magical system, the presence of the “Bell” in Sloane 3847 may reflect a continuation of the Hygromanteia‘s use of a Bell of Art in much the same way.  Thus, just as bell-like cymbals and trumpets were often used together for similar purposes in the Tanach, the grimoires reveal similar dovetailing traditions of consecrated ritual bells and trumpets being similarly employed by the Solomonic Master.

Moreover, juxtaposing the Key of Solomon‘s instructions for the creation and use of the Trumpet / Bell of Art with the Hygromanteia‘s instructions for the construction of its own Bell reveals some interesting and highly revealing similarities and differences.  On page 352 of Marathakis’ (2014) Hygromanteia, the Apprentice of the Master of Art is commanded to

“ring a Bell inside the Circle. He must have a Bell with the following names written around it in the blood of a Bat. Behold the names:

Peth, Glia, Peres, Mpethiel, Mepithiele, Thsos, Mparous, Mparon, Mpimaon, Mpapirion, Khae, Rhoam.”

Thus, while the Key of Solomon instructs the Magician to write Hebrew Divine Names on the Trumpet/Bell, the Hygromanteia‘s Bell is emblazoned with nomina barbara or barbarous names.  In addition, while the Key specifies sigils or “characters” to be included, the Hygromanteia limits itself to Names of Power and does not include additional sigils (Marathakis, 2011).

Interestingly, however, while either text could have reasonably asked the Operator to engrave the Names and ‘Characters of Art’ into the tools, both texts prescribe the use of magical inks instead.  In both cases, the inks are specially consecrated, as in Book II, Chapter 18 of the Key of Solomon, which provides a specific consecration method for the Ink of Art.  Similarly, as Dr. Stephen Skinner (2013, p. 348) explains in Magical Techniques and Implements Present in Graeco-Egyptian Magical Papyri, Byzantine Greek Solomonic Manuscripts and European Grimoires, the ‘Bat Blood’ to be used for the Bell would also be carefully prepared for the purpose, by being extracted from an animal that was “sacrificed in order to drain its blood.”  This sacrifice unto the Divine itself would consecrate the blood for magical use.

Notably, bat blood is also called for in the Key of Solomon. However, in the Clavicula, the Operator is required to perform the “Exorcism of the Bat” given in Book II, Chapter 16 over it after extracting it from the vein in the right wing of the animal as well (Peterson, 2004).  Thereafter, the Master blesses and consecrates the blood for use in the Ink of Art by various Divine Names as described in the text  (Peterson, 2004).

As to the appearance of the Hygromanteian Bell, manuscript Harleianus 5596, f. 34v provides two crude drawings of the Bell of Art in the margins of the Circle diagram, which are highlighted here for clarity.  As Marathakis’s (2011) edition indicates, the topmost image bears the label “Bell” in Greek:

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Moreover, the Hygromanteia also specifies the type of bell to be used for the Bell of Art  with terminological precision when it invites the Apprentice to “hold a small Bell that some call kampanon and ring it for a little while before you enter the Circle” (Marathakis 2014, p. 169).  The kampanon or “small bell” referred to in this passage seems to have been a small hand-bell (Marathakis, 2011).  As Alexandra Villing (2002, p. 223) reveals in her fascinating article “For Whom Did the Bell Toll in Ancient Greece? Archaic and Classical Greek Bells at Sparta and Beyond,”

“Ancient Greeks were not familiar with large bells of the kind that ring in our churches today. Smaller, portable bells, usually not much taller than about 10 cm [3.93 inches — My Note] were, however, a very widespread feature of Ancient Greek life.”

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Koudounia (Greek: κουδουνια) are bell-like instruments, which produce a ringing sound when struck and were seen by  many Ancient Greeks as having the apotropaic power to ward off evil Spirits.

In addition, in the same article, Villing (2002, p. 225-226) explains that in Ancient Greece,

“Archaeological, iconographical and literary sources attest to [the use of bells] as votive offerings in ritual and funerary contexts, as signalling instruments for town-guards, as amulets for children and women as well as, in South Italy, in a Dionysiac context.

The bells’ origins lie in the Ancient Near East and Caucasus area, from where they found their way especially to Archaic Samos and Cyprus and later to mainland Greece. Here, the largest known find complex of bronze and terracotta bells, mostly of Classical date, comes from the old British excavations in the sanctuary of Athena on the Spartan acropolis and is published here for the first time.

Spartan bells are distinctive in shape yet related particularly to other Lakonian and Boiotian bells as well as earlier bells from Samos. At Sparta, as elsewhere, the connotation of the bells’ bronze sound as magical, protective, purificatory and apotropaic was central to their use, although specific functions varied according to place, time, and occasion.”

The Bell of Art as described in the Hygromanteia is consistent with the Ancient Greek view of bells as “magical, protective, purificatory, and apotropaic,” a view also shared by the Romans who similarly employed tintinnabulum bells, the ancestors of modern wind chimes, to ward off evil spirits  (Villing 2002, p. 226; Eckardt & Williams, 2018).  In like manner, in the Japanese Shinto tradition, bells have long been used both to attract the attention of kindly and holy Spirits and banish evil Spirits from the shrines at which they were rung; for the same reason, bells are still used to this day on Japanese protective charms or omamori (Mendes, 2015).  In short, like the Ancient Greek kampana, which could be both attractive and apotropaic, the Hygromanteian bell also serves the dual function of banishing hostile spirits and attracting cooperative and benefic spirits to the Operator’s call (Villing, 2002; Marathakis, 2011).

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An omamori or Japanese amulet with an apotropaic golden bell (Mendes, 2015).

In addition, the Greek ritual bells’ use as signalling instruments further connects them both to the Ancient Hebrew understandings of trumpets described in the aforementioned Tanachic verses and to the Israelites’ own uses of ceremonial bells.  In Exodus 28: 31 to 35, for example, Aaron is told to wear a special robe adorned with “gold bells” to protect him “when he enters the Holy Place before the Lord” so “that he will not die.” God tells him to

“31 “make the robe of the ephod entirely of blue cloth, 32 with an opening for the head in its center. There shall be a woven edge like a collar[c]around this opening, so that it will not tear. 33 Make pomegranates of blue, purple and scarlet yarn around the hem of the robe, with gold bells between them. 34 The gold bells and the pomegranates are to alternate around the hem of the robe. 35 Aaron must wear it when he ministers. The sound of the bells will be heard when he enters the Holy Place before the Lord and when he comes out, so that he will not die.” (NIV, Exodus 28:31-35).

Much like the Trumpet of Art and the Tanachic bells of Aaron, then, the Hygromanteia’s Bell of Art can be seen as both sanctifying and apotropaic, embedded as it is in the contexts of older traditions around the ritual use of bells as spiritually powerful tools in the aforementioned Greek and Tanachic traditions, and Byzantine Christian uses of bells to ‘convoke’ parishioners to Church, to name just a few streams of cultural influences that fed into its conceptualization within the Hygromanteia (Sachs, 2012).

It is worth noting, however, that unlike the Clavicula‘s Trumpet, the Hygromanteian Bell is sounded both before and after entering the Circle to designate it to the spirits as a sacred and protected space.  This is a subtle but important point that is often overlooked, but warrants careful consideration as it bears hidden significance.  As Dr. Stephen Skinner pointed out to this author in his comments on an earlier draft of this article, many cultures use ritual bells to announce the entering of spiritual space.  Hindu temples, for instance, often feature ghanta bells that devotees are expected to ring before entering the Gharbagriha (sanctum sanctorum) to announce their arrival to the Gods and Goddesses and prepare themselves to receive darshan (the sight of Holy Images of Divinity) (Brown, 2013).  In the same way, the Hygromanteian Apprentice rings the Bell of Art to announce the Apprentice and Master’s entrances into the Circle, the sacred meeting place between the spirit world and the human world.  After this preliminary sounding, they proceed to sound the Bell again from within the Circle in order to alert the spirits to be ready to appear and obey in the style of the later Claviculan Trumpet.

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Heinrich Cornelius Agrippa as depicted by Albrecht Dürer (1471–1528).

Resonant Grimoiric Connections: Ritual Bells and Trumpets in Agrippa, Dee, pseudo-“Dee,” and Girardius

The precise origins of the Hygromanteian Bell of Art tradition are shrouded in mystery. Although Old Testament style bell-cymbals, Christian Church and altar bells, Ancient Greek kampana and koudounia (Greek: κουδουνια), Ancient Egyptian ritual bells–perhaps through their impact on the development of Ancient Greek music–and Mesopotamian bells all may have influenced the Hygromanteian Bell, another candidate for a historical precedent might be the Chaldaean and Neoplatonic Iynx (Braun & Braun, 2002; Sachs, 2012; Montagu, 2014; Muñoz, 2017).

In Greek literature, the Iynx (Greek: Ιυγξ) was originally a reference to the wryneck bird, which was originally bound to a Sorceror’s wheel and then spun around to attract an unfaithful lover (Majercik, 2013).  The word Iynx then came to be used to mean a kind of love charm, a semantic valence that Plato expanded to express a kind of Erosian ‘binding force’ between humankind and Divinity.  By the time of the Chaldeaen Oracles, which cannot be any younger than the 2nd century C.E. since Iamblichus refers to them, Iynges had come to be understood as magical Names (voces mysticae) that were sent forth as ‘couriers’ from the Divine to communicate with the Theurgist (Majercik, 2013; de Garay, 2017).

The original wryneck bird-bound wheel Iynx gradually evolved into a bell-like metal disc that was inscribed with Divine Names and symbols, much like the Hygromanteian Bell (Johnston, 1990).  This bell-like instrument would, however, be attached to a twisted leather thong, which would be rapidly spun to produce a whirring sound.  Theurgists believed that the sound of the Iynx would attract daimons and inspire them to reveal their Magic Names, through which Magicians aimed to acquire magical powers (Johnston, 1990; Majercik, 2013).  In the iynx tradition, therefore, we find a magical bell-like tool inscribed with Divine Names and characters that may very well have been one of the influences, alongside those of the other aforementioned traditions, that helped  give rise to the Hygromanteian Bell of Art.

What is certain, however, is that the Hygromanteia is not the only text from the later grimoiric period that employs consecrated ritual bells in its repertoire of recommended magical tools.  Indeed, in his Third Book of Occult Philosophy, Heinrich Cornelius Agrippa (2000) writes that:

“there are also sacred rites and holy observations, which are made for the reverencing of the Gods, and religion, viz. devout gestures, genuflections, uncoverings of the head, washings, sprinklings of Holy water, perfumes, exterior expiations, humble processions, and exterior Ornaments for divine praises, as musical Harmony, burning of wax candles and lights, ringing of bells, the adorning of Temples, Altars and Images, in all which there is required a supreme and special reverence and comeliness; wherefore there are used for these things, the most excellent, most beautiful and precious things, as gold, silver, precious stores, and such like.”

In this list, many classically Solomonic practices that are familiar to any practitioner of the Clavicula Salomonis system can be discerned.  These practices range from sprinkling “sprinklings of Holy Water” to the suffumigations of “perfumes”and “washings” or ritual baths (Agrippa, 2000).  Trumpets are notably absent from this list, although “the ringings of bells” are mentioned.

While the Hygromanteia does not specify the material from which its Bell was to be created, Agrippa offers practitioners some guidance in regards to selecting materials from which to construct magical Bells.  To this end, Agrippa (2000) suggests that such bells are best made from “beautiful and precious things, as gold, silver, precious stones and such like.”  He grounds his suggestion in his conception of beautiful objects as more sympathetically resonant with the Divine’s intimate participation in the Form of hte Beautiful; on this point, Agrippa follows a Neoplatonic line of philosophico-magical theory that is traceable back to Iamblichus, Porphyry, Plotinus and earlier still, to Plato (de Garay 2017).  Of course, in order to emit a resonant ringing sound, a Bell of Art must be made from an appropriate material with the acoustic ability to produce such a sound when struck.  Gold, brass, bronze, or silver are all appropriate choices that are consistent with Agrippa’s notes in this passage; fittingly Ancient Greek bells were often fashioned from bronze (Villing 2002).

It is not sufficient for ceremonial magical practice to simply make a bell in an appropriate metal, however.  The Bell of Art must also be consecrated in order to en-spirit it and empower it, as Aaron Leitch (2009) suggests in his Secrets of the Magickal Grimoires.  To this point, in his Third Book of Occult Philosophy, Agrippa (2000) adds that such consecrations can have potent protective and apotropaic results when he explains that

Bells by consecration and benediction receive virtue that they drive away and restrain lightnings, and tempests, that they hurt not in those places where their sounds are heard; in like manner Salt and Water, by their benedictions and exorcisms, receive power to chase and drive away evil spirits” (Agrippa, 2000).

golden-bells-at-a-church-2.jpg

The exorcisms and benedictions by consecrated Water and Salt of Art to which Agrippa alludes here are well-known to Solomonic Magicians; indeed instructions for both are presented in Chapters 5 and 11 of Book II of Peterson’s (2004) Clavicula Salomonis.  However, the commensurate power of bells themselves to exorcise and bless sacred spaces within the Solomonic tradition is often neglected.  It is no accident that Agrippa lists bells, water, and salt together; for him, as for many other writers in his own time and long before, these ritual items were often considered together and used in complementary ways (Agrippa, 2000).

Similarly, this key passage of the Third Book reinforces the protective power of consecrated bells to ensure that “they hurt not in those places where their sounds are heard,” a potential carryover from the Ancient traditions that may lie in the background of the Hygromanteian Bell (Agrippa, 2000).  For Agrippa, in short, as perhaps for the Hygromanteian Master of Art, the ringing of a consecrated Bell can be as protective to the Magician as it is evocative to the spirit.

Moreover, the connections between bells, the Divine, and directionality that have been described in relation to the Trumpet of Art and the Tanachic use of trumpets in Numbers 10:1-7 are also echoed in John Dee’s (2003) True and Faithful Relation of What Passed For Many Years Between Dr. John Dee and Some Spirits, in which the Elizabethan Magician reports that the Angel Madini prayed before Kelly and Dee that:

“Miraculous is thy care, O God, upon those that are Thy chosen, and wonderful are the ways that Thou hast prepared for them. Thou shalt take them from the fields, and harbour them at Home. Thou art merciful unto thy faithful and hard to the heavy-hearted. Thou shalt cover their legs with Boots, and brambles shall not prick them: their hands shall be covered with the skins of Beasts that they may break their way through the hedges. Thy Bell shall go before them as a watch and sure Direction: The Moon shall be clear that they may go on boldly. Peace be amongst you!”

Thus, in much the same way as in Madini’s prayer, the ringing of the Bell of Art “goes before” the entrance of the Magician into the Circle in the Hygromanteia, as a “watch and sure direction” (Dee, 2003).

Interestingly, while this passage suggests some of the spiritual ideas surrounding Bells that have already been explored, Dee is also connected to the trumpet strand of the sonorous Solomonic tool traditions.  Indeed, John Dee is purported to be the author of a fascinating work entitled the Libellus Veneri Nigro Sacer or The Consecrated Little Book of Black Venus (1580), which centers on a magical Trumpet entitled the Tuba Veneris or Trumpet of Venus, which is shown here as rendered in Teresa Burns and Nancy Turner’s 2007 translation of the Libellus:

Tuba-Veneris.gif

It is worth noting, however, that Michael Putnam (2010), a translator of an excellent edition of this underappreciated grimoire, has cast doubt on Dee’s authorship of the text for a number of reasons.  These include, for instance, that the script reveals authorship on the Continent, not in London as the text claims; that Dee’s autograph in the earliest surviving Warburg manuscript (MS. FBH 510) is not recognizably his; that there are no references to the “Tuba Veneris” in any of Dee’s journals or other books; that the text gives “June 4, 1580” as its date of composition when Dee’s journal entries reveal he was in Mortlake between June 3 and 7 and not in London; and that the text uses a forcible and binding-based necromantic approach that is very different from the supplicatory prayer-based Angelic work that Dee was doing in the 1580s (Putnam, 2010).

Whatever its origins, the Tuba Veneris is remarkable as one of the few Trumpets of Art in the Solomonic tradition, and it has four interesting differences that distinguish it from its Key of Solomon counterpart.  First, while the Clavicula‘s Trumpet of Art is fashioned from “new wood,” the Trumpet of Venus is made from an animal horn, much like the shofar (שופר‎) (Peterson, 2004).  In addition, as the text explains, the horn for the Tuba Veneris is to be removed from a living bull.  More precisely, in order to craft this Venusian Trumpet,

“one takes the Horn of a living Bull, then one takes Vitriol dissolved in vinegar, with which one should wash and purify the Horn, after which one carves the Characters as they are represented in the following sketch, into either side of the horn with the aforementioned Steel Instruments. One must make sure that the entire preparation of the Horn, including the time it is torn off from the bull, must also be in the times, days and hours of , just as was done in preparing the Seal. Afterwards, one envelops it in smoke, wraps it in linen, and buries it together with the Seal of , then unburies it again and preserves it for later use” (“Dee,” 2010).

Second, while the Tuba Veneris’ characters are carved into its surface during the Day and Hour of Venus, the Clavicula‘s characters are painted onto it in the consecrated Ink of Art, presumably in the Day and Hour of Mercury as in the case of the Key of Solomon‘s Wand (Peterson, 2004).

Third, the Tuba Veneris and Trumpet of Art are consecrated in very different ways.  The Trumpet of Venus’ mode of consecration via burial is very consistent with the consecration methods for Ancient necromantic and Goetic tools, which were to be buried in the ground so that the spirits could operate upon and bond with them in a chthonic environment, a precedent found in the Papyri Graecae Magicae (Stratton-Kent, 2010).  Importantly, the Tuba Veneris is used in conjunction with a Liber Spirituum, which is also buried underground as part of its consecration process, like the Liber Spiritua used in necromantic operations in other texts such as the Fourth Book of Occult Philosophy (Stratton-Kent, 2010).  In contrast, the Key‘s Trumpet of Art is not buried, but rather consecrated entirely above-ground.

Finally, while the Clavicula‘s Trumpet of Art is sounded to the four directions, the Trumpet of Venus is used in a very different manner to amplify the Operator’s voice; instead of sounding the Trumpet, the Magician speaks the Calls to the spirits through it.  As “Dee” explains, the Master should “speak the entire Call through the Horn of Venus, and he should summon the Spirit by naming it once at the beginning and again at the end, but always with distinct pauses” (“Dee,” 2010).

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A final resounding instrument is worth considering in this overview of the grimoiric literature, and that is the Necromantic Bell of Girardius, which appears in the 18th century grimoire, Parvi Lucii Libellus de Mirabilibus Naturae Arcanis, 1730.  This intriguing text can be found in l’Arsenal manuscripts 2350 and 3009 in the Bibliothèque de l’Arsenal in Paris (Girardius, 1730).  The consecration method of the Bell of Girardius and its necromantic associations beautifully parallel the Trumpet of Venus in a way that suggests another meeting point between the Solomonic bell and trumpet traditions that this article has been considering.

The Bell of Girardius features the name Tetragrammaton on its bottom followed by the astrological symbols of Saturn, Jupiter, Mars, Sun, Venus, Mercury and the Moon, the Name Adonai, and finally, the name Jesus on the ringed handle.  Girardius’ Bell is cast from what Jake Stratton-Kent (2010) calls a kind of “magical electrum,” which consists of alloyed gold, copper, fixed mercury, iron, tin and silver, and lead, although some manuscripts omit the lead (Girardius, 1730; Masello, 1996).  In terms of astrological timing, the Bell is to be made either “at the day and hour of birth of the person who wishes to be in confluence and harmony with the mysterious Bell” or, in other manuscripts, at a time when the Planetary aspects favour the Operator by progression or transit to the natal chart (Masello, 1996; Stratton-Kent, 2010).

According to the text, the Necromancer must then engrave the date of his or her birthday or otherwise the date of the casting of the Bell directly into the Bell itself–a practice nearly unique among all of the grimoires–as well as the names of the Seven Olympic spirits, that is, Aratron for Saturn, Bethor for Jupiter, Phaleg for Mars, Och for the Sun, Hagith for Venus, and Phul for the Moon (Girardius, 1730).

Thereafter, the Bell must be wrapped in green consecrated cloth, which different authors interpret as linen or taffeta, and buried under cover of darkness in a grave for 7 days, which correspond to the 7 Ancient Planets (Girardius, 1730; Masello, 1996; Stratton-Kent, 2010).  This goetic consecration process is notably similar to that used for the Trumpet of Venus and places the Necromantic Bell, like the Tuba Veneris, in the aforementioned tradition of grave-based chthonic consecrations with roots in the Papyri Graecae Magicae (Stratton-Kent, 2010).  Naturally, this is a method grounded, pun intended, in classical sympathetic theoria; indeed, the grimoire makes this point clear when it states that during its time in the grave, the Bell absorbs from the neighbouring corpse or the Underworld-like environment “emanations and confluent vibrations” which “give it the perpetual quality and efficacy requisite when you shall ring it for your ends” (Girardius, 1730).

When the Bell is used to summon the spirits of the dead, the Master is required to don sandals and a toga-like vestment clasped at the shoulder as well as a tunic, and hold the Bell in his or her left hand and a parchment scroll bearing the sigils of the Planets in the right (Stratton-Kent, 2010).  Thus, the Bell of Girardius is engraved rather than drawn on with its Names of Power like the Trumpet of Venus and is consecrated in a similar manner, but is used for entirely different purposes, namely to evoke the spirits of the dead.  Surprisingly, however, neither text mentions sounding their instruments to the four cardinal directions, a notable point of departure from the Clavicula’s Trumpet of Art and the Hygromanteia‘s Bell.

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The Necromantic Bell of Girardius from the 18th century grimoire, Parvi Lucii Libellus de Mirabilibus Naturae Arcanis, 1730.

Integrating Theory and Practice: My Solomonic Bell of Art

How does a contemporary practitioner make sense of the sometimes diverging, sometimes converging Bell and Trumpet traditions found in the grimoires? How does one put such a labyrinth of instructions into concrete practice?

There are at least three ways to tackle this challenge.  First, one can make the tools specific to the grimoires with which one is working and as exactly as described in the texts.  This approach is likely the best for grimoire purists and for those who wish to experiment using the precise constraints and instructions of a particular system.  This method is reasonable and ideal in most cases, particular in the case of highly idiosyncratic texts like the Tuba Veneris or the Necromantic Horn of Girardius.

Second, one can combine methods from different texts to create a tool that is adapted to one’s particular way of working by synthesizing what seem the wisest and most applicable instructions from different grimoires.  This method is sure to alarm traditionalists, but may be applicable when working in a tradition with internal continuity between the two texts to be synthesized, such as within an integrative Hygromanteia-Key of Solomon practice, for example.

Third, one can use a combination of the previous two methods, using synthesized tools in some cases and classical tools made to the letter of the grimoiric instructions when appropriate.

My overall approach is the third one given here, which seems to be the one that most contemporary practitioners take.  For most tools, I closely follow the grimoire instructions in the style of Frater Ashen Chassan, Dr. Stephen Skinner and Mr. Aaron Leitch in much of his work.

In other cases, when it is more appropriate to the work at hand, however, I apply a synergistic or integrative methodology to integrate instructions from texts in continuous traditions.  Aaron Leitch took a similar approach and brilliantly resolved the dilemma of whether to side with the Bell or Trumpet traditions in his own Solomonic work by using a Trumpet of Art made to the exact specifications of the Key of Solomon to which he attached 7 bells by 7 ribbons in the seven Planetary colours.  In this way, he was able to fashion a Trumpet that benefits from the magical and physical properties laid out by both the Bell and Trumpet traditions.

In my own case, for Hygromanteia-Key of Solomon work, I opted to follow the Hygromanteia and Sloane 3847 of the Key of Solomon and simply use of Bell of Art. However, I chose to integrate the Divine Names and Sigils given for the Trumpet/Bell in the Clavicula Salomonis manuscripts with the Hygromanteia‘s Bell format and consecration and creation methods leaning more towards the Key tradition.  Therefore, drawing on Agrippa’s (2000) recommendation to fashion ritual bells out of “beautiful and precious things, as gold, silver, precious stores, and such like,” I opted to use a beautiful antique golden bell for the purpose.  This is a small bell as described in the Hygromanteia (Marathakis, 2011).

Following the usual Key of Solomon methods, I exorcised the metal and performed benedictions and Psalm readings over the Bell during the Hour and Day of Mercury under a waxing Moon.  This process included sprinkling Holy Water over the Bell with a consecrated Aspergillum of Art, anointing it with Solomonic Holy Oil, and suffumigating it with Solomonic “odoriferous spices” (Peterson, 2004).  All of these procedures were completed within a consecrated Solomonic Circle of Art.

Also during the Day and Hour of Mercury beneath a waxing Moon, I wrote the Divine Names and drew the characters given below on the Bell as recommended by Joseph H. Peterson’s (2004) edition of the Clavicula for the Trumpet/Bell of Art.  This work was completed with a consecrated Pen and Ink of the Art, which were also prepared to the letter of the Key of Solomon instructions.

char

Finally, to protect the consecrated Ink from fading during use, I varnished the Bell with a consecrated lacquer that was blended with consecrated Solomonic Holy Oil and prayed additional Psalms over it to complete the consecration.  The completed Bell of Art, which I store in a properly prepared Solomonic linen as shown below the Bell in the image below, appears as follows:

bell

In my own humble experience, the resulting tool is both beautiful and powerful. Following the Hygromanteia, I ring the Bell before stepping into the Circle, to announce my entrance into consecrated sacred space.  Then, following the Key, at the commencement of each Operation of Art, I ring the Bell in the four cardinal directions, starting in the East and moving clockwise around the Circle back to the East.

In my experience, all of the classical functions of the Bell or Trumpet of Art are well-accomplished by this Bell, from protection to apotropaia, formation of a sacred space, excitation of what Dr. Stephen Skinner calls “magical tension,” and “exciting the senses” as suggested by the Papyri Graecae Magicae into what Agrippa would later call a productive “phrenzy” (Betz, 1996).

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Lion” by Formisano Francisco.

Resonating Through History: Concluding Reflections on the Bells and Trumpets of Solomon

In conclusion, this article has attempted to trace the winding twin threads of the Solomonic Bells and Trumpets of Art and demonstrate that, although the Clavicula Salomonis’ Trumpet of Art is able to perform the functions previously served by the evocatory Bell of the Greek Hygromanteia, it also reflects the influence of a distinct and separate tradition that traces its roots back to the Tanchic trumpet or ḥatzotzrah (חצוצרה‎) and winding horn or shofar (שופר‎). This article has also striven to illuminate the natures, ritual functions, and physical materials of the Claviculan Trumpet and Hygromanteian Bell by placing them in the larger grimoiric contexts of the writings of Heinrich Cornelius Agrippa, John Dee, the pseudo-“Dee” of the Tuba Veneris, and Girardius, the author of the 18th century grimoire, Parvi Lucii Libellus de Mirabilibus Naturae Arcanis, 1730. 

Before the Trumpet blasts and Bell ringings of this article fade into silence, however, an etymological point about the English word “bell” is worth mentioning for the light it sheds on the Bell/Trumpet connection.  According to the Online Etymology Dictionary (2018), the modern English word “bell” derives from roots that signify

“a hollow metallic instrument which rings when struck,” from the Old English belle, which has cognates in Middle Dutch belle and Middle Low German belle, but is not found elsewhere in Germanic except as a borrowing; apparently from PIE root *bhel- (4) “to sound, roar” (compare Old English bellan “to roar,” and the later English word “bellow”).”

Thus, both bells and trumpets are linked to a sense of “roaring” that symbolically and sympathetically connects them to metaphors of kingship, dominion, and authority in the roaring of lions.  Just as the roaring of a lion can strike fear into a human heart, the roaring of the Trumpet or a Bell of Art is intended to strike fear into the hearts of evil spirits and thus ward them off apotropaically; indeed, this is likely the reason why the Sloane 3847 manuscript of the Key of Solomon states that

“by the vertue of these names [written on the Bell], the voice of the Bell shall enter into their hearts, to cause them to feare and obay” (“Ptolomeus,” 1999).

The “voice” of a Bell is its ‘roar’ and the magical association between the two is profoundly ancient, as is the apotropaic power of loud droning sounds like the booming of a horn, the roaring of a lion, and, just as significantly, the bellowing of the human voice.  In Papyri Graecae Magicae IV: 475- 829, for instance, the Magician is instructed to “look intently, and make a long bellowing sound, like a horn, releasing all your breath and straining your sides; and kiss the phylacteries and say, first toward the right: “Protect me, prosymeri!” (Betz, 1996).  Thereafter, the Master is told to “make a long bellowing sound, straining your belly, that you may excite the five senses; bellow long until out of breath, and again kiss the phylacteries” (Betz, 1996, 705).

This latter verse offers some additional insight into the magical value of bellowing noises like those produced by the human body or trumpet; such resounding sounds hold the power to “excite the senses” and make the Magician alertly attentive in a way that can facilitate spirit communication.  This enlivening quality of bellowing, droning, and ringing sounds is entirely consistent with the use of the Hygromanteian Bell of Art or Claviculan Trumpet to “alert” the spirits to be prepared to come to the call of the Master (Peterson, 2004; Marathakis, 2011).

Finally and in closing, it is this author’s contention that the droning sound of vibrating Divine Names that was employed by 19th and early 20th century Victorian lodge magicians may very well be a later Hermetic application of the old Papyri Graecae Magicae bellowing formula.  Just like the primal method of the PGM, the Hermetic vibratory formula at once calls the desired powers, banishes the undesired ones, and “excites the senses” of the Magician to an enlivened state of sensitivity (Betz, 1996).

In this way, the ancient power of droning vibratory sounds that echoed from the Neolithic horns, clay bells, and bone flutes through the bellies of bellowing Greek papyri magicians and the grimoiric Bells and Trumpets of Art continued to resonate within the 19th century Hermetic Order of the Golden Dawn Temples in much the same way.  Whatever the exact historical lineages may be that trace these ancient practices and tools from the shrouded mists of prehistory to the living experiences of 21st century Mages, however, their reverberating power and enduring value remain with us to this day.  And if we continue to vibrate Divine Names, sound Trumpets, boom Horns, and ring Bells of Art, to paraphrase the great physicist and alchemist Sir Isaac Newton, we do so while standing on the shoulders of the giants who came before us (Lines, 2017).

Acknowledgements

I am very grateful to Mr. Joseph H. Peterson for his insightful notes on the manuscripts and his tireless work for the grimoire community, to Dr. Stephen Skinner and Mr. Aaron Leitch, whose helpful comments on the first draft of this text inspired the section on the shofar and led to a more nuanced central thesis, to Mr. Jake Stratton-Kent for his valuable insights into the Bell of Girardius and necromantic consecration methods within the Papyri Graecae Magicae, to Mr. João Pedro Feliciano for his interesting information on the Chaldeaen and Neoplatonic Iynx traditions, which inspired the section on the topic, to Mr. Andy Foster for his helpful reflections on the original manuscripts, to Magister Omega for his insights into the practical points of the Tuba Veneris system, to Frater Abd Al-Wali for sharing photographs of his own Bell of Art, and to Mr. Nick Farrell, for his kind patience during my writing and revisions and for helping inspire this much-expanded version of the original draft.  This article would not have been possible in its current form without all of your helpful and supportive feedback and useful ideas for which I remain sincerely thankful.

References

Agrippa, H. C. (2000). Three Books of Occult Philosophy. Ed. Joseph H. Peterson. [online eBook] Esoterica Archives. Based on a transcription from Moule: London, 1651. Available at http://www.esotericarchives.com/agrippa/agrippa1.htm [Accessed 03 June2018].

Betz, H. D. (1996). The Greek Magical Papyri In Translation Including the Demotic Spells. Chicago: University of Chicago Press.

Braun, J. & Braun, Y., (2002). Music in Ancient Israel/Palestine: Archaeological, Written, and Comparative sources. Grand Rapids, MI: William B. Eerdmans Publishing.

Brown, P. (2013). Indian Architecture of the Buddhist and Hindu Period. London, UK: Read Books Ltd.

Dee, J. (2003). A True and Faithful Relation of What Passed For Many Years Between Dr. John Dee and Some Spirits. Ed. Joseph H. Peterson. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/dee/tfr/tfr1.htm [Accessed 4 June 2018].

“Dee, J.” (2010). Tuba Veneris or The Consecrated Little Book of Black Venus. Translated from Latin by Teresa Burns and Nancy Turner. In Journal of the Western Mystery Tradition 12(2). Available at: http://www.jwmt.org/v2n12/venus.html [Accessed 4 June 2018].

de Garay, J. (2017). The reception of Proclus: From Byzantium to the West. Byzantine Perspectives on Neoplatonism. Ed. Sergei Mariev. Berlin, DE: De Gruyter Press.

Eckardt, H. & Williams, S. (2018). The sound of magic? Bells in Roman Britain. Cambridge, UK: Cambridge University Press.

Gigot, F. (2017). Hyssop. [online] The Catholic Encyclopedia, originally published in 1910. Available at: http://www.newadvent.org/cathen/07612a.htm [Accessed 25 May 2018].

Girardius. (1730). Parvi Lucii Libellus de Mirabilibus Naturae Arcanis, 1730. In the Bibliothèque de l’Arsenal manuscripts 2350 and 3009. Paris, France.

Hyunjong, C.. (2009). The musical instruments of prehistoric Korea. The International Journal of Korean Art and Archaeology, 3(1), pp. 26-48.

Johnston, S. (1990). Hekate soteira: A study of Hekate’s roles in the Chaldean oracles and related literature. Atlanta, GA: Scholars Press.

Leitch, A. (2009). Secrets of the Magickal Grimoires: The Classical Texts of Magick Decyphered. Woodbury: Llewellyn Publications.

Lines, M.E., 2017. On the Shoulders of Giants. New York: Routledge.

Majercik, R. (2013). The Chaldaean Oracles: Text, Translation, and Commentary. Oxford, UK: Prometheus Trust.

Marathakis, I. (2011). The Magical Treatise of Solomon or Hygromanteia. Singapore: Goldon Hoard Press.

Masello, R. (1996). Raising Hell: A Concise History of the Black Arts and Those Who Dared to Practice Them. London, UK: Penguin Putnam.

Mendes, E. (2015). Ancient magic and modern accessories: A re-examination of the omamori phenomenon. The Hilltop Review7(2), pp. 152-167.

Montagu, J. (2014). Horns and Trumpets of the World: An Illustrated Guide. Lanham: Rowman & Littlefield.

Muñoz, D. S. (2017). The south face of the Helicon: Ancient Egyptian musical elements in Ancient Greek music. Current Research in Egyptology 17(1). Oxford, UK: Oxbow Books.

NIV – New International Version Bible. (2018). Grand Rapids, MI: Zondervan.

Online Etymology Dictionary. (2018). [online encyclopedia entry]. Bell. Available at: https://www.etymonline.com/word/bell [Accessed 25 May 2018].

Peterson, J. H. (2004). Key of Solomon, Book 2. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 25 May 2018].

“Ptolomeus.” (1999). Sloane 3847 – The Worke of Salomon the Wise Called His Clavicle Revealed by King Ptolomeus Ye Grecian, 1572. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/sl3847.htm [Accessed 25 May 2018].

Putnam, M. (2010). Preface from the translator. John Dee’s Tuba Veneris. Translated from the Latin by Michael Putnam. Seattle, WA: Trident Books.

Reinhart, K. (2015). Religion, violence, and emotion: Modes of religiosity in the Neolithic and Bronze Age of northern China. Journal of World Prehistory, 28(2), pp. 113-177.

Sachs, C. (2012). The history of Musical Instruments. New York: Dover Publications Incorporated.

Skinner, S. (2013). Magical Techniques and Implements Present in Graeco-Egyptian Magical Papyri, Byzantine Greek Solomonic Manuscripts and European Grimoires:
Transmission, Continuity and Commonality (The Technology of Solomonic Magic). Newcastle, Australia: University of Newcastle.

Stratton-Kent, J. (2010). Geosophia – The Argo of Magic. Brighton, UK: Scarlet Imprint.

Villing, A. (2002). For whom did the bell toll in ancient Greece? Archaic and classical Greek bells at Sparta and beyond. Annual of the British School at Athens97(1), pp. 223-295.

Warner, R.A., Enrico, E.J., Borders, J.M., Etheredge, L., Gorlinski, V., Kuiper, K., Lotha, G., & Parrott-Sheffer, C. (2013). The history of Western wind instruments. [online] Encyclopædia Britannica. Available at: https://www.britannica.com/art/horn-musical-instrument-group [Accessed 25 May 2018]

Consecrations of Solomonic Linens, Tablet of Lights, Aspergillum, Incense, Scrying Crystal, and a Crucifix of Art

By Frater S.C.F.V.

seal2Since today is the last waxing-Mooned Day of Mercury of the Lunar month before the Moon returns to its waning phase, it is a big day for me as a Solomonic magician. I did no less than 4 hours of ritual today, divided between three Hours of Mercury with some additional time thereafter in each case for supplementary prayers. In addition to that, I fasted throughout the day and did additional prayers and singing in between Hours of Mercury while crafting Solomonic tools and painting my Solomonic Circle.

I woke up before Dawn, performed a Ritual Bathing, in the Sufi Ghusl method I have long used, ate a small meal of toast with peanut butter and an apple, and prepared my tools for the first Hour of Mercury.

During the First Hour of Mercury, I consecrated a series of incenses as Holy Incense following the Key of Solomon method, with suffumigations, purifications with Solomonic Holy Water, and anointing with Solomonic Holy Oil.

Incense.jpg

I also consecrated the Tablet of Lights used in Balthazar’s Solomonic candle magic methodology, which I plan to experiment with in its fusion of Solomonic methods with Hoodoo/Conjure techniques, as well as a secondary plate for drawing circles on the Tablet of Lights that I call the Plate of Circles.

In addition, I consecrated the Solomonic Linens to wrap these two tools. Over the Incense, Tablet of Lights, Plate of Circles, and Linens, I prayed Psalms 72, 118, 124, and the Benedicite Omnia Opera.

In the Second Hour of Mercury, I inscribed the Sigils and Names of God as given in the Key of Solomon‘s Book II, Chapter 20 method for the linens in a number of separate wrappings to be used for all of my Solomonic tools. I also cut the Aspergillum used for sprinkling water according to Key of Solomon’s Book II, Chapter 11 method and blessed and consecrated it as well.

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Between the Second and Third Hours of Mercury, I continued to paint the gold around my Solomonic Circle:

circlegold.jpg

Finally, in the Third Hour of Mercury, I Solomonically consecrated a Gold-plated zinc-alloy Crucifix of Art to be worn around my neck for protection during the exorcism of Soror C.R. that I will soon be performing… I hand cleansed it with soapy water before I consecrated it, then suffumigated it, cleansed it with Holy Water, anointed it with Holy Oil, and recited the exorcisms, blessings, and Psalms over it.

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Finally, also during this Hour, I Solomonically consecrated my Scrying Crystal for use in the invocation and evocation of Angelic beings and the seeing of Holy visions, suffumigating, sprinkling, and anointing it as with the Crucifix of Art.

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All in all, it has been a very exhausting, but beautiful day. I saw sparks around the Circle at times, and felt like my heart opened up more in faith and loving devotion. Preparing and consecrating each of these tools according to the grimoire is an act of devotion, of faith, of love, and of magic in its own right.

These rites should not be rushed through, but done with presence, care, and due consideration, for as the pseudo-Agrippa, the author of the Fourth Book of Occult Philosophy, points out, grimoiric magic strongly relies on the consecrations used to invest the tools with Spirits of their own according to their shamanistic roots:

“And now we come to treat of the Consecrations which, men ought to make upon all instruments and things necessary to be used in this Art: and the virtue of this Consecration most chiefly consists in two things; to wit, in the power of the person consecrating, and by the virtue of the prayer by which the Consecration is made.

For in the person consecrating, there is required holiness of Life, and power of sanctifying: both which are acquired by Dignification and Initiation. And that the person himself should with a firm and undoubted faith believe the virtue, power, and efficacie hereof.

And then in the Prayer itself by which this Consecration is made, there is required the like holiness; which either solely consisteth in the prayer itself, as, if it be by divine inspiration ordained to this purpose, such as we have in many places of the holy Bible; or that it be hereunto instituted through the power of the Holy Spirit, in the ordination of the Church.

Otherwise there is in the Prayer a Sanctimony, which is not only by itself, but by the commemoration of holy things; as, the commemoration of holy Scriptures, Histories, Works, Miracles, Effects, Graces, Promises, Sacraments and Sacramental things, and the like. Which things, by a certain similitude, do seem properly or improperly to appertain to the thing consecrated.”

~ The Fourth Book of Occult Philosophy