Occult Sherbrooke: Adventures with Angelic Cathedrals, Elementals, and Drowned Dead

By Frater S.C.F.V.

A. Introduction: “The Queen of the Eastern Townships”

Following up on the esoteric adventures in Bourcherville that were recounted in the preceding article, my travels next took me to the historic city of Sherbrooke. Located in the Estrie Region of Québec, Canada, Sherbrooke has long been dubbed “The Queen of the Eastern Townships.” Of course, the city of Sherbrooke, like all of the cities in the province, was founded on Indigenous land. First Nation Peoples first settled the region between 3,000 to 8,000 years ago and subsequently referred to it by different names; the Abenaki People called it Ktinékétolékouac (The Large Forks) or Shacewanteku (where one smokes) (Commission de Toponymie, 2022). The first colonial settler in the area was a French farmer named Jean-Baptiste Nolain, who came to the area in 1779.

Situated at the confluence of the Saint-François and Magog rivers, a fur-trading center developed in the area which developed into a full-blown settler colony by 1802 when American pioneers from Vermont built several mills. To quote the Canadian Encyclopedia, “the village took the name of Governor General John Coape Sherbrooke in 1818. The city owes its initial urban growth to industrialization, which occurred in waves from the 1840s. It became a textile centre with the establishment of Canada’s first cotton manufacturing plant in 1844 and a large wool plant in 1867. The town’s success in the 19th century is due as much to its dynamic anglophone businessmen, who established a regional bank and promoted railways and new industries, as to its francophone population, which supplied much of the industrial manpower. The development of agriculture and mining in the region also enhanced Sherbrooke’s role as a wholesale trade and services centre. Since the 1950s, the city has had difficulty attracting new industry and has experienced a decline in its textile and clothing industries. The founding of Université de Sherbrooke in 1954 and the decentralization of the province’s administration have helped restore much of the city’s dynamism.”

Map of Sherbrooke from 1881.

I came to the city to explore its rich history, culture, attractions, and sandy beach, but was equally interested in its spiritual riches. I expected Sherbrooke to be a city so steeped in Christian tradition that the chances of finding an occult shop there would be slim; indeed the 2011 Census found that 79% of Sherbrooke residents identify as Catholic. However, I was pleasantly surprised to discover that the city plays host to a surprisingly well-stocked esoteric shop called Wiccan-Trinity (18 Rue King O, Sherbrooke, QC J1H 1N8, https://www.wiccan-trinity.com/herbes-et-sauges-herbs-and-sage?page=2). There, I picked up a variety of curios and herbs for use in my ongoing studies of Hoodoo, Conjure, and Rootwork with my fantastic teacher Fr. Aaron Davis. The prices were surprisingly fair; indeed some were half the price of what one would pay for the same item in Montréal! I enjoyed the small-sized minerals they had available, of which I purchased Tiger’s Eye, Jade, Aventurine, and Howlite, and which I intend to integrate into Rootwork Condition oils and Mojo bags.

I also picked up a Medal of Saint Christopher, Patron Saint of Travelers, which I exorcised, consecrated, prayed over, and anointed with Protection Oil before affixing to my backpack for protection while traveling.

Many things could be written about the wonderful memories I formed here. However, for the purpose of this article, I will focus only on the occult adventures that transpired at (a) the Magog River Gorge, (b) the Basilica of Saint Michael the Archangel, and (c) the Cathedral of John the Baptist.

An 1840 sketch of the Magog Gorge waterfalls in Sherbrooke, courtesy of the Eastern Townships Archives Portal.

B. Communing with the Flow of Forces: Attuning to Elementals and Drowned Dead Above a Waterfall

With its rich colonial history spanning hundreds of years and thousands of years of Abenaki oral before that, Sherbrooke is replete with the spiritual traces of countless beings, both human and not. Those who have esoteric eyes to see and ears to hear–to paraphrase Isaiah and Christ in Isaiah 6:10 Matthew 13:9-16–will find many subtle energies at play here from the ruins of old houses to the spans of nature and the ”forlorn and isolated spots free from all interruption” where daimons roam (Le Grand Grimoire, Peterson, 1999).

One such place to which I felt drawn was the series of rapids and waterfalls, both natural and man-made, that make up the Magog River Gorge. Here, a promenade takes one directly over the main waterfall where the river above plunges into the gorge below. The elemental energy here was palpable, with beautiful green trees flanking a deep pool, which cascaded down with the power of falling water.

Magog River Gorge Waterfalls, photography by the author.

I decided to pour a libation of alcohol directly into the waterfall, offering it to the Most High on behalf of the spirits of the area, and inviting any local spirits to partake of it. The practice of alcohol libations has a rich history; Homer’s Iliad and Odyssey both feature libations of wine being poured out to various spirits, from the dead to the Olympic gods and similar practices were also well-attested in Babylonian engravings (Klingbeil, 2018).

The practice also occurs in the Hebrew Bible, for instance, in Genesis 35:14, in which the Prophet Jacob pours a drink offering on a pillar that he erected at the place where God appeared to him as he was fleeing to Haran. I was taught it in the Hoodoo context, as it was used by African Americans in the South of the United States of America. Like many Hoodoo practices, however, this practice was carried into North America by West African slaves. As Smith (2004) notes, alcohol libations marked major events in Akan, lgbo, Kongo and Arada societies, including birth, and naming and marriage ceremonies and were often used in religious offerings. In later Hoodoo applications, it was common to provide an alcohol offering to spirits in a graveyard before collecting grave dirt for use in Rootwork.

Magog River Gorge Waterfalls, photography by the author.

In this instance, I poured the offering, closed my eyes, and tuned into the ”signatures” of the spirits who came to partake of it. I was interested to see that a variety of spirits took interest and partook. On the lighter side, I detected at least two kinds of Water Elementals. One kind moved quickly and rapidly; these were smaller and appeared to me in flashes of a woman and of a quickly-waving fish tail. These seemed curious about my presence and playful in nature. They reminded me of Ancient Greek Nereids or Paracelsus’ Undines.

Another kind were completely opposite; they were large and slow and appeared to me like dark blotches underwater that reminded me vaguely of whales. These seemed entirely uninterested in me and eminently focused and mature.

Spirit Of Deep Water canvas print by Andrey Narchuk.

In addition, I observed the presence of a sprightly kind of Air Elemental that appeared to me like a fairy-sylph. These flitted about quickly also, but appeared to be enjoying dancing over the water, especially near the waterfall, where mists were being kicked up. These reminded me of the Ancient Greek descriptions of Nephelai nymphs who appear in plumes of vapour and rain. These appeared entirely absorbed in their playful activity, delighting in dancing on currents of air and water.

Roman mosaic depiction of Eros and Nephelai Nymph from Antioch, House of the Triumph of Dionysos, Date 2nd – 3rd Century C.E.

Off by the shore, I sensed some Earth Elementals, silently watching the Water and Air spirits at play. These appeared to have different personalities. Some appeared more jovial and to be enjoying the mirth of the spirits. Others appeared sterner and stared with flat expressions.

A final type of spirit I sensed here was darker in nature. This was a Drowned Dead spirit, the spirit of a man who had drowned in the Gorge. I could not tell when, but his clothes appeared to be in brown and tan tones and rough in nature. To me, he did not appear to be wealthy, but more of a common worker who might have worked in a nearby farm or been a worker in one of the Sherbrooke mines. His energy was heavy and dark. He appeared lost and sad. My heart sunk for him. I prayed for him, that he might feel free to leave this place and transition on. As a wise Espiritista once taught me, with spirits like this, it is best to pray for their luz y progresso y paz (light, progress, and peace). So, I took time to do this for a while. Eventually, the dark presence seemed to lift and a lighter feeling pervaded. I am not sure if this was because the spirit simply left the area or if he was finally able to move on towards the Other Side. I’d like to believe it was the latter.

Magog River Gorge Waterfalls, photography by the author.

C. Into the Archangelic Sanctuary: Tuning into Relics of Blessed Marie-Léonie Paradis at the Cathedral of Saint Michael

Sometimes, our Spirits guide us in ways we cannot always foresee. This happened to me on another day in Sherbrooke. I looked on my map for the nearest store where I might be able to purchase a towel for my planned trip to the Michel-Blanchard beach. Unfortunately, it would be quite the walk to get there, and all uphill; Sherbrooke is a city of many hills, quite like San Francisco, California. However, I felt a prompting from one of my Spirits to go this route anyway, so I did.

As I rounded a curve up a hill, I was stunned by the sight of a great Cathedral, which turned out to be the massive Basilica of Saint Michael the Archangel, who happens to be one of my Patrons and a Spirit with whom I have worked in the past. It was as if he wanted me to enter this beautiful edifice over which he presided. I thanked him for his guidance and was happy to oblige.

This Church was striking in its features. To quote Destination Sherbrooke (2022), ”The Basilica-Cathedral Saint-Michel is the seat of the Archdiocese of Sherbrooke, which covers the dioceses of Sherbrooke, Nicolet and Saint-Hyacinthe. It was built on the heights of the cliff Saint-Michel, close to the city center. Perched on a kind of acropolis, it dominates the city and the surrounding area of ​​its massive, robust silhouette, which is complemented by the more aerial lines of the archiepiscopal palace, looking like a castle. Archbishop’s palace and cathedral form today an imposing masonry complex, which reveals the evolution of the thought of the principal architect of this work, the architect Louis-Napoleon Audet.”

Saint Michael Basilica-Cathedral of Sherbrooke, photograph by the author.

Particularly striking to me was the monumental stone image of the Crucified Christ that towers over the Cathedral doors:

Saint Michael Basilica-Cathedral of Sherbrooke, photograph by the author.

The lower-half of the Cathedral was constructed from 1914 to 1917, but a lack of funds resulted in a tragic thirty-nine year pause in construction. The the upper-half of the Cathedral was finally finished in 1957. The interior of the Basilica features some ornate artwork, such as Archbishop Chapel artwork by the great Canadian painter Ozias Leduc. However, it was the images of Archangel Michael that attracted me the most. One such image was a painting, displayed upon a wall, depicting Michael standing on the head of Satan:

Saint Michael Basilica-Cathedral of Sherbrooke, photograph by the author.

Another image was an illuminated statue of the Archangel spearing the Dragon of Revelation 12:7–10, with a French prayer on the wall beside him:

Saint Michael Basilica-Cathedral of Sherbrooke, photograph by the author.
Saint Michael Basilica-Cathedral of Sherbrooke, photography by the author.

The atmosphere in the Cathedral was light, pleasant, and yet solemn at the same time, in a quasi-Kabbalistic blend of Divine Mercy and Severity.

As it turned out, the Cathedral also contained relics of the Blessed Marie-Léonie Paradis (12 May 1840 – 3 May 1912). In 1854, at the age of fourteen, and while her father was seeking gold in California, she joined the Marianites of Saint-Laurent in Montreal, a female branch of the Holy Cross Congregation, despite her frail health (Meenan, 2022). She received the name of “Marie-Léonie”, formally known as “Marie de Sainte-Léonie.”

She taught in Montreal for several years until, in 1862, she was sent to the Church of St. Vincent de Paul a parish for French speaking Catholics in Manhattan, where the congregation ran an orphanage (Meenan, 2022). She remained there until 1870, when she joined the Sisters of the Holy Cross, the American branch of her order, located at Notre Dame, Indiana. There she taught French and needlework to the sisters training to become teachers. In 1874, Paradis was appointed Mistress of Novices at the Collège Saint-Joseph in Memramcook, New Brunswick, and supported the Holy Cross Fathers there in their educational ministry (Meenan, 2022).

Blessed Marie-Léonie Paradis and Nuns of her Order.

Meenan (2022) notes that ”Sister Marie-Léonie felt called to found a new religious order with the specific task of supporting the priests and seminarians, dedicated to service, which would be home-grown Canadian. Thus was founded on August 26, 1877 the ‘Little Sisters of the Holy Family’, without whose help many colleges and seminaries would not have been able to survive, as was also the case for many hospitals.” The kind Sister died in 1912 at the age of 71, after a brief battle with cancer, and was beatified by Pope Saint John Paul II on his pilgrimage to Canada, on September, 11, 1984.

To quote the Canadian Conference of Catholic Bishops (2022), ”By ensuring the training of the young women who wanted to collaborate in her work, the founder was also ensuring their well-being. Most of these women came from poor families, and religious life was their hope of contributing something meaningful and getting a better education than their families could provide. As she wrote in 1899 to a priest at Suncook, New Hampshire, “The community of the Little Sisters of the Holy Family was founded to give poor, uneducated young girls the advantages of religious life.”’

Icon of Blessed Marie-Léonie Paradis.

The Conference (2022) writers go on to add that ”Bishop Paul LaRocque would say that she spent her life giving herself away: “She always had her arms open and her heart was transparent. She was always ready with a hearty, open laugh, welcoming each person as if they were God himself. She was a woman of the heart.” Her generosity was not limited to her religious family. No matter how poor her community might have been, she responded without hesitation to all needs. She helped the sick who came to the door or a family that she met in her travels. She hospitably received several religious who had been forced to leave France. She even adopted a young Berber woman, whose son became a priest.”

“Our mission in the Church is to help the priest on the temporal and spiritual planes,” she wrote. “But what it really demands as a supreme witness is for us to love one another and to love all people, not with just any love, but with all the love that God wants to give them. We must therefore repeat without tiring that our principal work is to give love.”

This 1976 pamphlet from the Centre Marie-Léonie Paradis contained a prayer ”to obtain a favour” through her intercession, a prime example of Catholic folk magic through intercessory prayer.

The Saint Michael Cathedral-Basilica features, in addition, to items that belonged to the Blessed Marie-Léonie, also a shrine in her honour, complete with relics belonging to her over which one can pray while kneeling:

Saint Michael Basilica-Cathedral of Sherbrooke, photography by the author.

I felt drawn to kneel at one of these reliquary stations and to tune in psychometrically with my hand on the relic to see if I could get a sense of the Blessed Marie-Léonie.

Her spiritual presence was eminently loving and radiant. With my hand over her relic, I saw a vision of her smiling face, with love in her eyes, and nurturing and benevolent intentions in her heart. I could sense that she would have made an effective teacher because her sincere commitment to her students and love for their well-being. I prayed and gave thanks to God in her honour and asked for her to guide me in her ways of love, service, pedagogy, and kindness. At the end of my prayer, I saw her luminous face, smiling once more…

Saint Michael Basilica-Cathedral of Sherbrooke, photography by the author.

D. Astral Signatures Embedded in Stone: Psychometry at the Church of St. John the Baptist

As fortune should have it, the Cathedral-Basilica of Saint Michael should not prove the final church I would visit during my time in Sherbrooke. From across the river, I glimpsed the shining silver towers of yet another towering Cathedral and climbed a hill to get to it. This was the Église de Saint-Jean Baptiste (Church of Saint John the Baptist). As it turned out, I arrived at his eponymous church in the weekend of his Feast Day, which is celebrated all across Québec for he is also regarded as a Patron Saint of the Province of Québec itself.

The Saint-Jean-Baptiste parish built this monumental Catholic church between 1905 and 1908, and was very typical of the religious architecture of Quebec at that time. A first chapel, transformed into a parish hall (300, rue du Conseil), was first built in 1884 to serve the faithful of the parish of Saint-Michel living east of the Saint-François River. Autonomous since 1890, the growing parish at last embarked on this grandiose project, known as “the cathedral of the East”. The project was entrusted to the young Sherbrooke architect Wilfrid J. Grégoire and to Raoul-Adolphe Brassard of Montreal. Louis-Napoléon Audet would first be Grégoire’s intern on this project before becoming his associate in 1907. The inauguration of this “temple to the glory of the Most High” in 1908 gave rise to numerous celebrations in the city. More than a century later, the Saint-Jean-Baptiste church still stands in the heart of Eastern Sherbrooke.

The Church of Saint John the Baptist, photography by the author.

Here, I undertook to do a session of psychometry, by resting my hand on the stone of the church and then on its massive doors to sense what I could of what had transpired here in the past and whether there were any current Spirits still lingering here.

Psychometry at l’Église Saint-Jean Baptiste.

As a refresher on this practice, I will quote my previous article on weather magic and psychometry in Boucherville:

For those who may not be familiar with the term, the word Psychometry (from the Greek: ψυχή, psukhē, “spirit, soul” and μέτρον, metron, “measure”) was coined by American physician and Professor of physiology Joseph Rodes Buchanan (December 11, 1814 – December 26, 1899) in 1842. The term came to refer to the metaphysical practice of obtaining information about the history of an object or place by “tuning into” it while touching it or placing it to one’s forehead (New World Encyclopedia, 2007).

As I understand the practice, what we essentially do with Psychometry is open up our astral senses and then attempt to tune into the the region of the Astral Plane that corresponds to the physical object or location. Then we attempt to surrender to the reception of images, sounds, smells, touches, and other impressions that sometimes show “snapshots” or, as it were, “movies” of things that happened there in the past (I call these “psychic history traces’“), and at other times allow us to tune into the spirits of the dead who still have a connection to the place or object in question (I call these “connected spirits“). I had no success with it at all for years until I started to develop my astral senses and also improve at spirit conjuring, divination, and scrying, after which I found it to be a very similar practice. Psychometry is almost like doing a divination and reading, assisted by touch, of an object or place instead of a set of Tarot cards, Runes, Geomancy markings, etc. combined with the kind of reception of spirit impressions that we experience in an evocation.

Psychometry at l’Église Saint-Jean Baptiste.

On this particular occasion, and in contrast to the Magog River Gorge area, where there were connected spirits like the Drowned Dead who had drowned in the river, I did not detect any connected spirits here.

However, I did detect an abundance of ‘psychic history traces’ here, that is, impressions of events that unfolded here in the past. Over the many decades of the church’s history, many people passed through here. I saw images of happy families celebrating marriages with black-clad grooms and white-dressed brides. Images of christenings came through as well, with crying babies being baptized and proud parents looking on. There were also images of a variety of people, some poor, some more wealthy as evidenced by their clothes and fine hats, who had come to the church over the years for ordinary Sunday Mass. The energy here was overwhelmingly positive, although I’m sure many funereal tears and penitent sinners with heavy hearts had also passed through here over the years. One women, clad in a green dress and green hat, stood out from the others. I thought at first she might be a connected spirit, but she was not. This woman was still alive and had passed through here recently.

The Saint John the Baptist Church has a rich history, but its history is still being written. I was grateful for my chance to peer into the Astral traces of some small portion of that history, which is a legacy of people celebrating the milestones of their lives, the connectedness of their community, and the glorification of their God within these massive stone walls.

The Church of Saint John the Baptist, photography by the author.

E. Conclusion: The End of One Chapter, Beginning of Another

My time in Sherbrooke was eminently positive, despite its steep hills reminding my legs just how out of shape they are. I was grateful for its kind people, great restaurants–such as a Steakhouse and an Indian Thali restaurant run by a man and woman who are a couple and poured their love of food into twin establishments that run in parallel–and historic sites. May the Spirits of those who reside here be blessed with all manifestations of the Good, warmed by love, soothed by the kindness of Marie-Léonie Paradis, and cradled in the Divine Presence that carries them to Glory. B’shem Yeshua. Amen.

References

Klingbeil, G. A. (2018). Libation Rituals in the Ancient Near East. Khirbet Qeiyafa Vol. 4, 219. Retrieved July 1, 2022 from shorturl.at/pwJRT

Meenan, J.P. (2022). ”Blessed Marie-Leonie Paradis.” Catholic Insight. Retrieved July 1, 2022 from https://catholicinsight.com/blessed-marie-leonie-paradis/

Peterson, J. H. (1999). ”Le Grand Grimoire.” Esoteric Archives. Retrieved July 1, 2022 from http://www.esotericarchives.com/solomon/grand.htm

The Canadian Conference of Bishops (2022). ”Blessed Marie-Léoni Paradis.” Retrieved July 1, 2022 from https://www.cccb.ca/the-catholic-church-in-canada/saints-blesseds-canada/canadian-blesseds/blessed-marie-leonie-paradis-1840-1912/

The Editors of Encyclopedia Britannica (2022). “Sherbrooke, Quebec.” Encyclopedia Britannica. Retrieved July 1, 2022 from https://www.britannica.com/place/Sherbrooke

“Sherbrooke”. Commission de Toponymie. Retrieved July 1, 2022 from https://toponymie.gouv.qc.ca/ct/ToposWeb/fiche.aspx?no_seq=59493

“Sherbrooke.” The Canadian Encyclopedia. Retrieved July 1, 2022 from https://www.thecanadianencyclopedia.ca/en/article/sherbrooke

Smith, F. H. (2004). Spirits and Spirituality: Enslaved Persons and Alcohol in West Africa and the British and French Caribbean1. The Journal of Caribbean History38(2), 279.

The Hidden Key of Reverential Awe: Unlocking the Secrets of the “Fear of God” in the Grimoires

By Frater S.C.F.V.

The Key of Solomon opens with these striking words in Book I, Chapter I:

“SOLOMON, the Son of David, King of Israel, hath said that the beginning of our Key is to fear God, to adore Him, to honour Him with contrition of heart, to invoke Him 1 in all matters which we wish to undertake, and to operate with very great devotion, for thus God will lead us in the right way.

When, therefore, thou shalt wish to acquire the knowledge of Magical Arts and Sciences, it is necessary to have prepared the order of hours and of days, and of the position of the Moon, without the operation of which thou canst effect nothing; but if thou observest them with diligence thou mayest easily and thoroughly arrive at the effect and end which thou desirest to attain” (Peterson, 2004).

When contemporary Magicians hear the phrase “fear of God,” they tend to immediately assume that the Key is praising something like a state of terror, or what the Danish philosopher Kierkegaard called the state of “fear and trembling.”

Naturally, since fear is often considered to be an unpleasant, painful, or negative state, students of the Hidden Knowledge may be dissuaded by this phrase in the grimoires and may want to skip over it, disregard it as ‘outmoded’ or ‘negative,’ and intentionally decide not to put this instruction into practice.

Lest we mistake a nugget of gold for a piece of coal, however, it is worth carefully considering whether the grimoires actually are encouraging us to cultivate a disempowering state of terror here, which certainly would be negative if it were the case. What, if, on the contrary, the grimoiric writers have something very different in mind?

Thankfully, the state of debilitating fear does not seem to be what the grimoire writers mean by the phrase “fear of God.” Instead, they are using the word “fear” in an archaic sense that is different from how we use the word today. Properly-translated, the “fear of God” of the grimoire writers is a state far more profound than mere terror, a state that the ever-erudite Aaron Leitch aptly describes as a state of “reverential awe.” And, as we will attempt to show in this article, it is a state which holds the key to unlocking ever deeper regions of our magic, our life, and our psychological and spiritual experience.

awe.jpg

When we are in a state of terror, we may indeed feel reverential awe for the power of whatever we are afraid of to overwhelm or harm us. True terror implicitly carries respect within it, for who among us fears what we do not respect enough to take seriously?

However, there are other states of reverential awe that do not involve terror as such. A prime and powerful example of such an alternative state is love. When a lover he holds and is enraptured by the vision of their beloved, they experience a state of ‘reverential awe,’ or loving wonder, which is undeniably pleasant, even blissful.

Thus, both fear and love can be states of reverential awe, and each implies a state of humility towards the beloved or the sublimely respected. This humility in the face of something vast and powerful is central to the grimoiric understanding of reverential awe.

The stark reality is that if we overlook, dismiss, or disregard the process of cultivating a state of reverential awe in our magical practice, then we deprive ourselves of one of the most powerful keys to unlocking the mysteries of Renaissance and classical magic. Conversely, by cultivating this state, we plug our magical workings deep into a root reservoir of magical power that stems all the way back to the shamanic roots of grimoiric magic, as Aaron Leitch (2009) lucidly describes in his Secrets of the Magickal Grimoires, and which Agrippa (2000) similarly describes in his section on “phrensies” or ecstatic states.

Indeed, reverential awe–the ‘fear of God’ of the grimoires–is a kind of ecstatic state, that elevates the Magician into a charged condition of fully-present, fully-alert consciousness and open receptivity to the wondrous influence of higher powers.

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Johann Wolfgang von Goethe (1749-1832).

Reverential awe is no small thing, no mere state among other human states and equal to all others. As the great German writer Goethe points out, of all of the emotional and phenomenological states of which we are capable,

“the highest a man can attain is wonder, and when the primordial phenomenon makes him wonder he should be content; it can give him nothing higher, and he should not look for anything beyond it — here is the boundary” (Eckermann, 2011).

Indeed, beyond the Christian mystical experience, reverential awe is central to the experience of both profound Zen meditation and also in bhakti yogic samadhi states. In both experiences, one finds oneself ‘falling open’ into silent absorption that transcends the subjective experience of finite selfhood.

What’s more, as alluded to above, Agrippa’s (2000) “phrenzy of Venus” is also a state of “reverential awe,” while being a state of intimate immersion of an ecstasy of love that is far removed from ‘terror’ and more akin to a deeply-charged, blissful trust or surrender. Furthermore, even Kirkegaard’s aforementioned “fear and trembling” state of reverential awe can itself be seen as simply another modality of the Sufi and Mystical Christian’s loving absorption form of reverential awe.

Strikingly, the magical significance of reverential awe does not stop here. According to the Renaissance angelological lore that underlies the historical background of the grimoires, the Angelic beings with whom Magicians aims to perform Operations exist in a state of perpetual reverential awe of the Divine. As a result, when we enter this mode of consciousness, we find ourselves in an emotional and spiritual condition that is magically sympathetic with the ordinary state of the Angels (Agrippa, 2000).

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Guitar strings vibrating in harmony, a metaphor for the sympathetic resonance that exists between the Magician and higher entities such as Angels when we cultivate the state of reverential awe, which the grimoires call the ‘fear of God.’

Thus, while immersed in reverential awe, we are, in effect, phenomenologically and spiritually harmonized or “vibrating in harmony” with the Angels themselves, like mutually-tuned strings on a guitar (Agrippa, 2000). As a result, when we are in such a state, it can be easier to communicate with Angels according to the Agrippan sympathetic theory. This holds true in my own practical experience as well.

Not is this an abstract or far-fetched idea. On the contrary, the logic at play in this grimoiric understanding of the ‘fear of god’ as a magical technology that enables two beings in the same state to better connect with one another also makes intuitive sense based on our everyday mundane experience.

For example, and to continue the musical metaphor, two metalheads often find it easier to connect than a country fan and a metalhead who loathes country from the black recesses of his iron heart.

Similarly, two people who are both experiencing sadness tend to find it easier to ‘sympathize’ with one another. In contrast, someone who is ecstatically joyful may find it difficult to connect with someone who is experiencing a deeply depressed mood and “meet them where they are at.”

Entering a state of reverential awe is much like this; in this state, we endeavour to meet the Divine and Angelic and celestial beings as much as possible “where they are at.” In so doing, it is easier for them as well to manifest and appear to us in a way we can detect.

What’s more, this point can be understood as a special case of a more general philosophical or natural law within the grimoiric worldview. Just as Magicians aim to bring their state of being into a harmonic resonance with that of the Angels through the cultivation of reverential awe, so do they do the same with other grimoiric techniques.

More concretely, if Angels exist in a state of purity, always giving offerings of loving reverential awe and service to God, then if we Magicians purify ourselves, give offerings, and cultivate a state of reverential awe, then we can more easily ‘sympathize with’ them. As a result, in such a state, we can more readily connect and communicate with these Spirits.

This is precisely why, in his Operations, John Dee spent hours working himself into a blissfully loving date through ecstatic prayer before approaching the Table and Crystal with Edward Kelley.

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The back of the Shemhamphoras Diagram from the Sixth and Seventh Books of Moses.

In other grimoiric texts, we find that this point not only recurs, but is applied in different magical contexts with illuminating implications. For example, there is a passage in Joseph H. Peterson’s (2006) edition of the Sixth and Seventh Books of Moses, which describes the exact same elevation through reverential awe into a state of sympathetic resonance with higher spiritual powers to which we alluded above (Peterson, 2006). The passage in question is located in the text of the “Semiphoras” section of the Books and reads as follows:

“He who desires the influence of the Sun, must not only direct his eyes toward it, but he must elevate his soul-power [italics mine] to the soul-power of the Sun, which is God himself, having previously made himself equal to (that is, in harmony with the nature of God) by fasting, purification and good works, but he must also pray in the name of the intermediary, with fervent love to God, and his fellow-man that he may come to the sun-spirit, so that he may be filled with its light and luster, which he may draw to himself from heaven, and that he may become gifted with heavenly gifts and obtain all the desires of his heart.

As soon as he grasps the higher light and arrives at a state of perfection, being gifted with supernatural intelligence, he will also obtain supernatural might and power. For this reason, without godliness, man will deny his faith in Christ, and will become unacceptable to God, therewith often falling prey to the evil spirits against whom there is no better protection than the fear of the Lord and fervent love to God and man” (Peterson, 2006).

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Reverential awe – the ecstasy of the Mystic and the Magician.

A few points are worth noting in this profound passage. First of all, we find that the grimoire recommends Magicians to undertake certain practices that result in elevating their “soul power” to the “soul-power of the Sun, which is God himself.” “Elevating one’s soul power” is another way of saying placing ourselves into a state of sympathetic resonance with the object of one’s devotions or work, in this case the Sun.

Indeed, the Hebrew word “Qadosh” means both “elevated” and “holy.” A holy state in the grimoires, then, is a state of sympathetic resonance achieved through shared qualities. Just as a sad person can sympathize with a sad person or an angry person can sympathize with a wrathful and malevolent spirit, a person in an elevated or holy state can better sympathize with a Spirit in an elevated or holy state, such as an Angel.

Interestingly, this notion is also well-known to Esperitistas, which is why they invest so much time in prayer, purification, and putting themselves in harmony with the “Developed Sporits” from which they aim to learn.

Second, and in this way, the Sixth and Seventh Books of Moses suggest that by fasting, praying, doing good works, purifying ourselves with ritual bathing, and cultivating “fear of the Lord and love of God and man” that is, reverential awe, can make us “equal to God.” By “equal to God,” the text doesn’t mean that we miraculously develop omnipotence and omniscience; instead, it means that we enter into “a state that is sympathetically in harmony with the Nature of God” (Peterson, 2006).

This is the optimal state for doing magic with the help of Angels and via the invocation of Divine Names, which is the case for Enochian magic, Key of Solomon work, Sixth and Seventh Book of Moses work, the Abramelin Operation and many other grimoiric texts and approaches.

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Similarly, there’s an interesting passage in the 18th century astrologer Ebenezer Sibly’s A New and Complete Illustration of the Occult Sciences, Book 4 which, in a like manner, suggests that the state of reverential awe or “fear of God” is central to the work of the Magician who aims to work with Angels. Sibly (2000) writes:

“All who in this world lived uprightly; and preserved a good conscience, walking in the fear of God, and in the love of divine truths, applying the same to practical use, seem to themselves as men awakened out of sleep, and as having passed from darkness to light, when they first enter upon their second or interior state; for when they think from the light of pure wisdom, and they do all things from the love of goodness; heaven influences their thoughts and affections, and they are in communication with angels” (Sibly, 2000).

This is the same essential idea we find expressed in the Renaissance sources and late Medieval grimoires and the underlying rationale for many of the grimoiric practices. As such, it is worth contemplating deeply, and not being too hastily discarded.

Indeed, reverential awe is not simply invaluable to the work of Magicians who aim to commune with Angels. In many texts, it is also the very same state in which the Exorcist or Conjurer conjures Spirits. In the Heptameron‘s Conjuration of Wednesday, for instance, we read:

“I conjure and call upon you, ye strong and holy angels, good and powerful, in a strong name of fear and praise, Ja, Adonay, Elohim, Saday, Saday, Saday; Eie, Eie, Eie; Asamie, Asamie; and in the name of Adonay, the God of Israel, who hath made the two great lights, and distinguished day from night for the benefit of his creatures; and by the names of all the discerning angels, governing openly in the second house [*Second Heaven] before the great angel, <Tetra> [*Tegra], strong and powerful; and by the name of his star which is Mercury; and by the name of his seal, which is that of a powerful and honoured God; and I call upon thee, Raphael, and by the names above mentioned, thou great angel who presidest over the fourth day: and by the holy name which is written in the front of Aaron, created the most high priest, and by the names of all the angels who are constant in the grace of Christ, and by the name and place of Ammaluim, that you assist me in my labours, &c” (Peterson, 2018).

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Correspondingly, this same use of reverential awe in a combined blend of “fear and love” is included in the “Orations to be Said While You Conjure” in the Key of Knowledge transcribed from British Library, Additional Manuscript 36674 by Joseph H. Peterson (1999):

Lord Jesus Christ, the loving Son of God, which dost illuminate the hearts of all men in the world, lighten the darkness of my heart, and kindle the fire of thy most holy love in me. Give me true faith, perfect charity, and virtue, whereby I may learn to fear and love thee and keep thy commandments in all things; that when the Last Day shall come, the Angel of God may peaceably take me, and deliver me from the power of the Devil, that I may enjoy everlasting rest amidst the company of the holy Saints, and sit on thy right hand. Grant this, thou Son of the living God for thy holy name’s sake. Amen” (Peterson, 1999).

Nor is the cultivation of reverential awe only called upon for use in evocation or as a general way of life of sanctity and spiritual uprightness.

Indeed, in his Third Book of Occult Philosophy, Agrippa (2000) recommends cultivating reverential awe as a prerequisite for all forms of divination. He writes:

“Every one therefore that works by lots, must go about it with a mind well disposed, not troubled, nor distracted, and with a strong desire, firm deliberation, and constant intention of knowing that which shall be desired.
Moreover he must, being qualified with purity, chastity, and holiness towards God, and the celestials, with an undoubted hope, firm faith, and sacred orations, invocate them, that he may be made worthy of receiving the divine spirits, and knowing the divine pleasure; for if thou shalt be qualified, they will discover to thee most great secrets by vertue of lots, and thou shalt become a true Prophet, and able to speak truth concerning things past, present, and to come, of which thou shalt be demanded.

Now what we have spoken here concerning lots, is also to be observed in the auguries of all discemings, viz. when with fear, yet with a firm expectation we prefix to our souls for the sake of prophecying some certain works, or require a sign, as Eleasar, Abrahams countryman, & Gideon Judge in Israel are read to have done.”

In short, Agrippa (2000) points us to the importance of cultivating a state of purity, holiness and reverential awe married to “firm faith” so that our nature can be made sympathetically resonant with the “celestials” and “divine spirits” who can help us to conduct the divination of things unknown and hidden (i.e. occult). This, in effect, is an act of placing ourselves into the sympathetic magic equation in the same way that we place corresponding stones, metals, or incenses into a ceremonial ritual with the aim of amplifying the sympathetic power of the Rite.

Therefore, although many of us modern Magicians seem to have forgotten it, Magician are not only a conductor of sympathetic ingredients; we ourselves are such ingredients. And therefore, we must ensure that we work ourselves into the appropriate state of sympathetic harmony–such as reverential awe–that will enable us to maximize the effectiveness of our rituals.

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Nor do we only find the grimoires and Early Modern sources enjoining us to cultivate reverential awe through the mouths of human writers; instead, the Spirits also offer similar instructions. For example, in John Dee’s True and Faithful Relation of What Passed for Many Years Between Dr. John Dee and Some Spirits (2003), we find the Archangel Gabriel telling Dee and Kelley that:

“Blessed are those who dwell in charity. Persevere to the end: not negligently, but with good will, which good will, is called fear, which fear is the beginning of wisdom, the first step into rest.”

This is a very interesting passage for several reasons. First, Gabriel links the “fear” or reverential awe of which he speaks to “good will,” or sincerity or being goodhearted and well-intentioned.

Second, the Archangel also links this state to the “beginning of wisdom,” which sincerely Dee sought as the legendary King Solomon had done before him. Reverential awe is the beginning of wisdom, because in this state, we cease to rely on our flawed human opinions and open ourselves to spiritual inspiration. In Dee’s case, this was from the Angels themselves. Agrippa (2000) had a similar idea in mind in the passage quoted above.

Third, it’s also worth noting that Gabriel here links this reverential awe state not only to wisdom, but also to rest; indeed, in its pleasurable form of a loving ecstatic absorption, one can happily rest in abiding well-being.

This was precisely the state that the Advaita Vedanta sage Nisargadatta Maharaj (1973) had in mind when he recommended his devotees to “rest in the pure sense of Being, not being this or that, but simply being.” Resting in the pure sense of being is the same as communing with the Divine, which proclaims Eheieh (I Am). This sublimely subtle form of reverential awe is a peaceful state, as well as a pleasurable one, in which the heart is exalted (made ‘holy’) in Divine Presence and worshipful abiding.

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Similarly, the Angels tell Dee and Kelley (2003) that:

“God is He whose wisdom unto the world is foolishness, but unto them that fear Him, an everlasting joy, mixed with gladness, and a comfort of life hereafter, partaking infallible joys, with him that is all comeliness and beauty.”

In this way, this reverential awe before the Divine, this opening of oneself to a surrendered, intensely alive, awe-filled state of openness and humility not only empowers our magic and enriches our life here on Earth, but also affords Paradisiacal benefits in the life hereafter.

Whether one believes in such an afterlife or not, it is certainly the case that this state is indeed conducive to the development of wisdom, rest, and empowered magical work in this life, a claim which is demonstrable through practical testing.

Indeed, if one can attain this state of reverential awe and bring it into daily life, mundane life itself takes on an enchanted feeling of spiritual depth, holy/exalted (qadosh) presence, and gratitude which constitute a kind of “Heaven in the Now” in this life” in their own right.

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Giordano Bruno (1548-1600).

Indeed, one of the easiest ways to excite this reverential wonder and awe is the contemplation of Beauty, a fact which was well-known to Plato and the Neoplatonists who followed him, such as Plotinus, Porphyry, and Iamblichus.

It was also a familiar insight to the Renaissance Dominican friar, philosopher, mathematician, poet, occultist, and cosmological theorist Giordano Bruno, who, in his De Gli Eroici Furori or On The Heroic Frenzies (1582), writes:

“He who arrives at some most excellent and most beautifully adorned edifice and considers it in each detail, is pleased, contented, and filled with a noble wonder; but then should it happen that he also see the Lord of these images in his incomparably greater beauty, he would abandon every concern and thought of such images, turn and become completely intent upon the contemplation of that Lord.

Such is the difference between the state in which he see the Divine Beauty in its intelligible aspects which are drawn from the Divine Beauty’s effects, operations, designs, shadows, and similitudes, and that other state in which we might be permitted to see it in its own unique being” (Bruno, 2013).

The Reverence that Reveals: Conclusion

As Bruno (2013) knew well, and in conclusion, the entry into Divine reverence via the contemplation of the Beautiful offers another layer of meaning that lies within the “fear of God” that unlocks the potent inner currents of grimoiric magic. This reverential awe is, at its heart, a noble wonder, a state of Divine communion with Beauty itself. And while, as every adolescent male knows all too well, the sight of profound beauty can excite fear, it can also excite wonder and loving absorption.

In this blissful ecstasy, the longings of the human heart and the noblest human capacities for contemplative wonder and spiritual exaltation are mobilized for the completion of the Magician’s aims. By harnessing the most potent of human powers, in the state of reverential awe, therefore, our grimoiric Magic can itself become the most potent it can be.

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References

Agrippa, H. C. (2000). Three Books of Occult Philosophy. Ed. Joseph H. Peterson. [online eBook] Esoterica Archives. Based on a transcription from Moule: London, 1651. Available at http://www.esotericarchives.com/agrippa/agrippa1.htm [Accessed 03 June2018].

Bruno, G. (2013). De Gli Eroici Furori or On the Heroic Frenzies (1582). Toronto: University of Toronto Press.

Dee, J. (2003). A True and Faithful Relation of What Passed For Many Years Between Dr. John Dee and Some Spirits. Ed. Joseph H. Peterson. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/dee/tfr/tfr1.htm [Accessed 4 June 2018].

Eckermann, J. P. (2011). Conversations of Goethe with Eckermann and Soret (Vol. 1). Cambridge University Press.

Leitch, A. (2009). Secrets of the Magickal Grimoires: The Classical Texts of Magick Decyphered. Woodbury: Llewellyn Publications.

Nisargadatta, S. (1973). I Am That: Conversations with Sri Nisargadatta Maharaj, 2 Vols.(M. Friedman, Trans.). Bombay: Chetana.

Peterson, J. H. (1999). The Key of Knowledge from Additional Manuscript 36674. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/ad36674.htm [Accessed 25 May 2018].

Peterson, J. H. (2004). Key of Solomon. [online eBook] Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/ksol.htm [Accessed 25 May 2018].

Peterson, J. (2018). The Magical Elements or the Heptameron. [online eBook]. Esoterica Archives. Available at: http://www.esotericarchives.com/solomon/heptamer.htm

Peterson, J. (2006). The Sixth and Seventh Books of Moses. [online eBook]. Esoterica Archives. Available at: http://www.esotericarchives.com/moses/67moses.htm

Sibly, E. (2000). Ed. by Joseph H. Peterson. A New and Complete Illustration of the Occult Sciences. [online eBook]. Esoterica Archives. Available at: http://www.esotericarchives.com/moses/67moses.htm

Non-Qabalistic Pathworking Systems

By Frater S.C.F.V.

Qabalistic and non-Qabalistic Pathworking

When most contemporary occultists here the term “Pathworking,” their first thought is of an approach of astrally travelling through visionary journeys on the 32 Paths of the Qabalistic Tree of Life, that is, along the 22 Paths of the Hebrew Letters and the 10 Sephirot themselves, which represent Paths in their own right. The Qabalistic Pathworking system, particularly as practiced by the Adepti of the Golden Dawn, is a very powerful system and I have had some amazing and transformatively initiatory experiences by working it.

However, the Qabalistic system is by no means the only Pathworking or system of visionary journeying out there. In this article, I will briefly introduce some non-Qabalistic Pathworking systems. For the purposes of this discussion, I will define a Pathworking system as a collection of methods for skrying-based or astral travel-based visionary journeys through a set of associated specific realms, regions, symbols, or inner planes.

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Tarot, Tattwa, and Enochian Tablet Pyramid Pathworking

Naturally, as the Golden Dawn pointed out, each of the 78 cards of the Tarot can be astrally projected into and each yields its own unique experiences to the magician.

This Tarot Pathworking system is often integrated with the Qabalistic Tree of Life Pathworking system, but it need not be. Indeed, the cards reveal distinct and unique meanings when worked alone without the astral influence of the Qabalistic symbols and energies shaping the vision. For example, the Trumps can be Pathworked in sequence from 0 to 21, a method called the astral Fool’s Journey.

Other Golden Dawn Pathworking systems include projecting through the Tattwas or each of the Pyramids of the Enochian Tablets. In this case, one enters an altered state and projects one’s consciousness ‘through’ a square/pyramid on one of the Enochian Tablets then examines the visions that follow.

For a great source on G.D.-style Pathworking approaches, see my friend Nick Farrell’s excellent Magical Pathworking: Techniques of Active Imagination. His Osiris Scroll lays out his own neo-Egyptiana version of an initiatory Pathworking system designed to lead through the reader through a series of visionary ordeals culminating in the realization of the Higher Self.

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Ancient Roots of Scrying-Based Work

Certainly, the use of pools of water, crystals, and so on as scrying aids to visionary work is ancient indeed, so I do not credit the 19th century occult revival or Golden Dawn with inventing the notion of ‘pathworking’ or visionary journeying; the practice often mediated by scrying tools, seems to have ancient roots. We’ve already mentioned some of them above. To add onto the above discussion, in a well-known passage in the Old Testament, which would have been as familiar to the Grimoiric priestly-clerical magicians as the stories of Enoch, and Jacob’s ladder, the silver chalice that is placed in Benjamin’s sack when he leaves Egypt is described as being used by Joseph for divination.

In ancient Egypt, scrying and spirit communication seem to have been practiced with the aid of ink or water and there are myths about Hathor that present her as bearing a reflective shield in which visions could be seen, a kind of proto-scrying mirror. Aztec tlatoani read the reflections in obsidian. For the Egyptians, Babylonians and Greeks water and bodies of water were from the earliest times associated with conduits to the realm of the gods and of the dead; indeed, the Papyri Graecae Magicae (PGM) have detailed instructions on communicating with spirits via bowls filled with water and an offering of oil (see PGM IV, 154-285). And, indeed, as we know, and as Dr. Stephen Skinner showed in his own work, many of the PGM practices and much of its theory were integrated into the Solomonic Grimoires.

Indeed, compare “…name of Typhon, at whom the ground, the depths of the sea, Hades, heaven, the sun, the moon, the visible chorus of stars, the whole universe all tremble…” (PGM IV. 223- 243) to “…this ineffable name Tetragrammaton Jehovah , which being heard, the elements are overthrown; the air is shaken, the sea runneth back, the fire is quenched, the earth trembles and all hosts of Celestials, Terrestrials & Infernals do tremble…” (Heptameron and Key of Solomon). And this is a passage directly taken from the same Papyrus that explains how to work with spirits through a bowl filled with water, or lecanomancy.

The earliest written evidence of lecanomancy or bowl-based scrying and divination are from the Babylonian Ritual Tablets dating to the 7th Century BCE, so these roots run way back into our magical history. To me, it is not inconceivable that these ancient scryers may have used their scrying media not just for divination, but also to generate immersive visions of the type generated in what we today call ‘pathworking’ in its various systems and manifestations.

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Merkavah Pathworking

In Secrets of the Magickal Grimoires, Aaaron Leitch notes that “a form of Jewish shamanic magick known as Mahaseh Merkavah, or the “Work of the Chariot,” which he describes as a “practice of astral travel through the seven palaces of heaven (i.e., the planetary spheres), where the ultimate goal was the vision of the throne of God.”

It’s worth noting, however, that some authors contend that while the Seven Heavens may be equivalent with the Seven Planetary Spheres, other authors suggest that the Seven Palaces of the Merkavah system are distinct from the Heavens exist either in or beyond the Seventh Heaven. Regardless, however, as a visionary travel system, the Merkavah system is a Pathworking system, which greatly influenced and indeed, served as a precursor to, the historically later Qabalistic Tree of Life-based Pathworking system which followed it.

For anyone interested in the Merkavah system, my friend David Benton wrote a fantastic book on it entitled The Work of the Chariot. His book contains detailed instructions for performing merkavah mysticism, adapted from Medieval Hekhalot sources, along with the names and functions of the entities you will encounter, all in an easy to use and clearly-written format.

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The Shahnameh System and Islamic Pathworking

The Shahnameh, a 10th-century epic work narrating historical and mythological past of Persia, gives a description of what was called the Cup of Jamshid (Jaam-e Jam), which was used by the ancient mythological Persian kings for observing all of the seven layers of the universe. As mentioned by Ali-Akbar Dehkhoda, it was believed that all seven heavens of the universe could be observed by looking into it (از هفت فلک در او مشاهده و معاینه کردی), a view that suggests the Merkavah tradition described above.

It was believed to have been discovered in Persepolis in ancient times. Most notably to our beloved Solomonic tradition, in the Islamic world, the name and legend of Jamshid was often linked to legends and lore about Sulayman (Solomon) himself. Indeed, it’s well worth diving into the Sufi traditions around Sulayman, which draw on the same source as the Western Grimoires, namely, the Testament of Solomon as filtered through the interpretations in the Qur’an and Hadith!

Indeed, astral or visionary journeying is built into the Orthodox framework of Islam, so it certainly long-predates the Victorians. Sufi magical traditions have ways of working with it. Indeed, according to standard Islamic theology, the Prophet Muhammad took a “Night Journey” in which he traveled from Mecca, now in Saudia Arabia, to a location in Jerusalem now identified as the site of the al-Aqsa Mosque. He was said to have ridden a white, winged Pegasus-like being called ‘Buraq’ on this very distant journey.

According to the legend, Muhammad alighted, tethered Buraq to the Temple Mount and performed prayer, where on God’s command he was tested by Gabriel. According to a hadith or oral tradition narrated by Anas ibn Malik, Muhammad said: “Jibra’il (Gabriel) brought me a vessel of wine, a vessel of water and a vessel of milk as a test, and I chose the milk. Jibra’il said: ‘You have chosen the Fitrah (natural instinct).'”

In the second part of the journey, the Mi’raj (an Arabic word that literally means “ladder”)–an intentional allusion to the Jacob’s Ladder tradition–Jibra’il took him to the heavens, where he toured the Seven Heavens, and spoke with the earlier prophets such as Abraham (ʾIbrāhīm), Moses (Musa), John the Baptist (Yaḥyā ibn Zakarīyā), and Jesus (Isa). Muhammad was then taken to Sidrat al-Muntaha – a holy tree in the seventh heaven that Gabriel was not allowed to pass.

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Ibn ‘Abbas’ Primitive Version narrates all that Muhammad encounters throughout his journey through heaven. This includes seeing other angels, and seas of light, darkness, and fire. With Gabriel as his companion, Muhammad meets four key angels as he travels through the heavens. These angels are the Rooster angel (whose call influences all earthly roosters), Half-Fire Half-Snow angel (who provides an example of God’s power to bring fire and ice in harmony), the Angel of Death (who describes the process of death and the sorting of souls), and the Guardian of Hellfire (who shows Muhammad what hell looks like).

These four angels are met in the beginning of Ibn ‘Abbas’ narrative. They are mentioned in other accounts of Muhammad’s ascension, but they are not talked about with as much detail as Ibn ‘Abbas provides. As the narrative continues, Ibn Abbas focuses mostly on the angels that Muhammad meets rather than the prophets. There are rows of angels that Muhammad encounters throughout heaven, and he even meets certain deeply devoted angels called cherubim. The idea of traveling through subtle planes while ascending spiritually and communing with entities there is the essence of what we now call ‘pathworking,’ and here we find the Prophet Muhammad doing it 621 CE

This tradition speaks to the point of visionary journeying far predating the Victorian and methodologies of the Golden Dawn’s tradition of occultism–certainly the shamanic traditions in many Indigenous traditions of visionary journeying date all the way back into prehistory. It also shows how the Merkavah material seems to have influenced the development of early Islamic mysticism and mythology along parallel lines to the influences of the same material on the Grimoires around one thousand years later.

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Tibetan and Ancient Egyptian Pathworking Systems

The Tibetan Bardo Thodol or Book of the Dead and Egyptian Book of Coming Forth by Day both lay out something akin to pathworking systems, but these texts and their attendant systems were mainly intended for guiding the soul after its passing from this mortal coil. Thus, they may be seen in a sense, post-embodiment or post-death Pathworking systems. Both systems are generally understood as presenting maps of the geography of the underworld, deities encountered there, trials undertaken, although there are advanced esoteric ways of doing this work while still alive. Indeed, Delog: Journey to Realms Beyond Death records the “vivid personal account of a journey through the “bardos” and “pure realms” was recorded by 16-year-old Dawa Drolma of Eastern Tibet, a renowned female lama” who became a “delog”-one who crosses the threshold of death and returns to tell about it.”

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Moreover, some authors, such as Jeremy Naydler in Shamanic Wisdom in the Pyramid Texts: the Mystical Tradition of Ancient Egypt, argue that The Book of Going Forth By Day was used by Egyptian priest-magicians to train them in what some call “practical eschatology,” that is, the afterlife experience while still alive. Indeed, Chapters 125, 17 and 151 can be worked in an initiatory framework. David Nez has suggested to me that the Orphic golden tablets may have been used in similar fashion by Hellenistic Initiates. I have little experience with these systems, however, and so I must defer to my more-knowledgeable peers.

In this connection, in his in his fantastic Secrets of the Magickal Grimoires, my esteemed friend Aaron Leitch writes that “the Chaldean or Babylonian priests of later times made this after-death journey while still alive-creating a kind of controlled near-death experience.” This Chaldean system represented their own version of this kind of post-death-stage Pathworking system.

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Runic Pathworking

Although this is not a traditional method of Norse spirituality, I have also found that the Runic systems can be Pathworked, whether one is using the 24 Runes of the Elder Futhark, the 29 or 33 Runes of the Anglo-Saxon Futhorc, or the 16 Runes of the Younger Futhark. In this system, one simply applies the G.D. “Travel in the Spirit Vision” method and projects through the Rune symbol in an altered / trance state (e.g. theta-gamma synchronized state) and then notes the visions that ensue. For more on the Golden Dawn’s method, see Flying Roll XXXVI – Of Skrying & Traveling in the Spirit Vision and Flying Roll XXV – On Clairvoyance & Travelling in the Spirit.

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John Dee’s Enochian Aethyric Pathworking System

John Dee’s Enochian system lays out a Pathworking system through the 30 Aethyrs, which are conceived as forming a map of the entire subtle universe in the form of concentric rings that expand outward from the innermost to the outermost Aethyr. These Aethyrs are entered using Enochian Calls, which function as Keys for entering the Aethyrs in visionary journeys. Dee’s Enochian map of the universe consisted of the Great Table of Four Watchtowers and the Tablet of Union surrounded by 30 concentric circles, the Aethyrs. These 30 Aethyrs are numbered from 30, namely TEX, the lowest and consequently the closest to the Watchtowers to 1 LIL, the highest, representing the Supreme Attainment.

In Aethyric Pathworking, Magicians working the Enochian system record their impressions and visions within each of the successive Enochian Aethyrs from TEX to LIL. Each of the 30 Aethyrs is populated by “Governors” — 3 for each Aethyr, except TEX which has four, for a total of 91 Governors. Each of the governors has a Sigil which can be traced onto the Great Tablet of Earth. In practical work with the Aethyrs, the Nineteenth Key of the 30 Aethyrs is the only call necessary for working with the Aethyrs.
It is only necessary to vary appropriately the name of the Aethyr itself near the beginning of the call. Once the Call is recited, the names of the Governors are vibrated one at a time and a record of the visions is kept. In this system, one can gaze into the Crystal Ball / Skrying Crystal after doing the Call and see what images form there or do a full-blown astral projection into the Aethyr after entering it with the appropriate Key. Aaron Leitch’s The Essential Enochian Grimoire: An Introduction to Angel Magick from Dr. John Dee to the Golden Dawn is a great help for working with this system.

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Astrally Working the Stations of the Cross as a Pathworking System

Among Christian mystics, particularly Catholic mystics, there was a kind of experiential, initiatory tradition of working through the Stations of the Cross in a systematic, progressive initiatory framework that is reminiscent, in some of its more visionary workings, of a Pathworking tradition.

That particular visionary legacy lies in the background of many of the Renaissance Grimoires; indeed, some of the Catholic clerical grimoiric writers may have learned the working of the 12 stations during their standard clerical training. It began to be widespread in Europe in the 15th-16th centuries and was well-established as a common practice by the 17th century. Indeed, the Stations of the Cross system of ‘contemplative pilgrimage working’ was well-established by the time Johann Weyer’s Pseudomonarchia Daemonum in his De praestigiis daemonum (1577) was written. The system was even more in vogue by the time of the Lesser Key of Solomon’s composition in the mid-17th century.

To quote one author on the subject, the “Stations of the Cross or the Way of the Cross, also known as Way of Sorrows or Via Crucis, refers to a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imitations of Via Dolorosa in Jerusalem which is believed to be the actual path Jesus walked to Mount Calvary. The object of the stations is to help the Christians faithful to make a spiritual pilgrimage through contemplation of the Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christian churches, including Anglican, Lutheran, Methodist, and Roman Catholic ones.

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Commonly, a series of 14 or 15 images will be arranged in numbered order along a path and the faithful travel from image to image, in order, stopping at each station to say the selected prayers and reflections. This will be done individually or in a procession most commonly during Lent, especially on Good Friday, in a spirit of reparation for the sufferings and insults that Jesus endured during his passion.”

I have read Medieval and Renaissance accounts of Christian mystics from the 15th and 16th centuries, contemporaneous with some of our late-Medieval, early-Modern grimoires, in which they describe meditating on each image at each Station while reciting the associated prayers until they enter a kind of trance-state where they describe feeling like they are seeing the picture come to life or feel like they are transported within it and are experiencing the scene as if they were there with Christ in that moment. Worked astrally and systematically, this exoteric system could be adapted into an esoteric Pathworking system in the magical sense.

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The Armadel of Magic

The the Armadel of Magic (not to be confused with the Arbatel or Almadel) could also be regarded as presenting a kind of evocational pathworking system. It has unfortunately taken a lot of criticism from some Grimoiric scholars, but in essence it is highly shamanic system, which works with the perennially shamanic Terrestrial/Infernal/Celestial world division. As Aaron points out in Secrets of the Magickal Grimoires, “the focus of the work seems to be upon visionary quests or spiritual encounters facilitated by the magickal characters, as well as gaining some magickal powers such as healing, alchemy, agriculture, etc.” The emphasis on shamanic visionary quests seems very reminiscent of other Pathworking systems although the framework is here one of a simple evocational system centered around Spirit sigils.

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 The Zoroastrian Arda Viraf Pathworking System

Within the Zoroastrian tradition, there is a shamanic tradition around visionary ascensions recorded in the Book of Arda Viraf. In this system, the Magician performs some preparation rituals such as a ritual bath, suffumigations, prayers, and so on, and then drinks wine and comes a psychoactive brew. Thereafter, he or she travels through a system of hells and heavens. Of the method of the Magician’s travels, the text says:

21. And then Viraf joined his hands on his breast before the Mazdayasnians, and said to them (22) thus: ‘It is the custom that I should pray to the departed souls, and eat food, and make a will; afterward, you will give me the wine and narcotic.’ (23) The Dasturs directed thus: ‘Act accordingly.’

24. And afterward, those Dasturs of the religion selected, in the dwelling of the spirit, a place which was thirty footsteps from the good. (25) And Viraf washed his head and body, and put on new clothes; (26) he fumigated himself with sweet scent and spread a carpet, new and clean, on a prepared couch. (27) He sat down on the clean carpet of the couch, (28) and consecrated the Dron, and remembered the departed souls, and ate food. (29) And then those Dasturs of the religion filled three golden cups with wine and narcotic of Vishtasp; (30) and they gave one cup over to Viraf with the word ‘well-thought,’ and the second cup with the word ‘well-said,’ and the third cup with the word ‘well-done’; (31) and he swallowed the wine and narcotic, and said grace whilst conscious, and slept upon the carpet.

The “narcotic” is labeled here as Vishtasp; this was a hemp or marijuana extract or, according to some sources, a variant of hashish. In this text, some of the Pathworking locations are described as “the Star Track,” “the Moon track,” “the Sun track,” in addition to various other locations in the “Heavens” and “Hells,” in which the Magician undergoes visionary experiences and discourses with spirits and deities. Chris Bennett describes this system and other similar shamanic systems extensively in his Cannabis and the Soma Solution.

The Arda Viraf has been argued as an influence on the Prophet Muhammad’s Night Journey and on the much later Purgatorio, Inferno, and Paradiso of Dante Alighieri, in which Dante the Pilgrim undertakes his own journeys through purgary, hell realms, and heavenly realms respectively.

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It’s worth noting that in this text, as in many others, a “magic carpet” is used to facilitate astral travel in the spirit vision. My friend A. Wretch wrote a very fascinating compilation of texts that use carpets as aids to Pathworking and visionary travel entitled Magic Carpets, Sensory Deprivation, and Entheogenic Ceremonial Magick, which I would highly recommend.

In our discussion of the Arda Viraf, he pointed out that “the Book of Arda Viraf is extremely important! While there seems to be some question as to its original dating, it could well be the origin of magick carpets. It also seems like Merkabah precursor. Keep in mind that in the book of Kings it describes Solomon’s chariot, which is also called a bed, but this is in reality a palanquin.

This likely comes from the Zoroastrian influences in Judaism as with Arda Viraf, which puts the magick carpet over the “couch” which is a term that is also sometimes used for a palanquin. You mentioned the cup of Jamshid, but the Shahnameh also explains palanquin Merkabah like experiences among the kings like Kay Kavus and Nimrod… you will find a reference to a great article in the start of my Magick carpets anthology.”

Conclusion

While the Qabalistic Pathworking system is remarkably rich and can be very powerful and transformative, it is not the only Pathworking system. My hope is that in this article, you have found some interesting pathways–no pun intended–for further research and experimentation. See you down the astral Rabbit hole…

Discussion Questions

  1. Have you had any notable experiences with any of these systems that you’d like to share in the comments?
  2. Are there any other key non-Qabalistic pathworking systems that this article has left out? What can you tell us about them?