Consecrations of Solomonic Linens, Tablet of Lights, Aspergillum, Incense, Scrying Crystal, and a Crucifix of Art

By Frater S.C.F.V.

seal2Since today is the last waxing-Mooned Day of Mercury of the Lunar month before the Moon returns to its waning phase, it is a big day for me as a Solomonic magician. I did no less than 4 hours of ritual today, divided between three Hours of Mercury with some additional time thereafter in each case for supplementary prayers. In addition to that, I fasted throughout the day and did additional prayers and singing in between Hours of Mercury while crafting Solomonic tools and painting my Solomonic Circle.

I woke up before Dawn, performed a Ritual Bathing, in the Sufi Ghusl method I have long used, ate a small meal of toast with peanut butter and an apple, and prepared my tools for the first Hour of Mercury.

During the First Hour of Mercury, I consecrated a series of incenses as Holy Incense following the Key of Solomon method, with suffumigations, purifications with Solomonic Holy Water, and anointing with Solomonic Holy Oil.

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I also consecrated the Tablet of Lights used in Balthazar’s Solomonic candle magic methodology, which I plan to experiment with in its fusion of Solomonic methods with Hoodoo/Conjure techniques, as well as a secondary plate for drawing circles on the Tablet of Lights that I call the Plate of Circles.

In addition, I consecrated the Solomonic Linens to wrap these two tools. Over the Incense, Tablet of Lights, Plate of Circles, and Linens, I prayed Psalms 72, 118, 124, and the Benedicite Omnia Opera.

In the Second Hour of Mercury, I inscribed the Sigils and Names of God as given in the Key of Solomon‘s Book II, Chapter 20 method for the linens in a number of separate wrappings to be used for all of my Solomonic tools. I also cut the Aspergillum used for sprinkling water according to Key of Solomon’s Book II, Chapter 11 method and blessed and consecrated it as well.

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Between the Second and Third Hours of Mercury, I continued to paint the gold around my Solomonic Circle:

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Finally, in the Third Hour of Mercury, I Solomonically consecrated a Gold-plated zinc-alloy Crucifix of Art to be worn around my neck for protection during the exorcism of Soror C.R. that I will soon be performing… I hand cleansed it with soapy water before I consecrated it, then suffumigated it, cleansed it with Holy Water, anointed it with Holy Oil, and recited the exorcisms, blessings, and Psalms over it.

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Finally, also during this Hour, I Solomonically consecrated my Scrying Crystal for use in the invocation and evocation of Angelic beings and the seeing of Holy visions, suffumigating, sprinkling, and anointing it as with the Crucifix of Art.

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All in all, it has been a very exhausting, but beautiful day. I saw sparks around the Circle at times, and felt like my heart opened up more in faith and loving devotion. Preparing and consecrating each of these tools according to the grimoire is an act of devotion, of faith, of love, and of magic in its own right.

These rites should not be rushed through, but done with presence, care, and due consideration, for as the pseudo-Agrippa, the author of the Fourth Book of Occult Philosophy, points out, grimoiric magic strongly relies on the consecrations used to invest the tools with Spirits of their own according to their shamanistic roots:

“And now we come to treat of the Consecrations which, men ought to make upon all instruments and things necessary to be used in this Art: and the virtue of this Consecration most chiefly consists in two things; to wit, in the power of the person consecrating, and by the virtue of the prayer by which the Consecration is made.

For in the person consecrating, there is required holiness of Life, and power of sanctifying: both which are acquired by Dignification and Initiation. And that the person himself should with a firm and undoubted faith believe the virtue, power, and efficacie hereof.

And then in the Prayer itself by which this Consecration is made, there is required the like holiness; which either solely consisteth in the prayer itself, as, if it be by divine inspiration ordained to this purpose, such as we have in many places of the holy Bible; or that it be hereunto instituted through the power of the Holy Spirit, in the ordination of the Church.

Otherwise there is in the Prayer a Sanctimony, which is not only by itself, but by the commemoration of holy things; as, the commemoration of holy Scriptures, Histories, Works, Miracles, Effects, Graces, Promises, Sacraments and Sacramental things, and the like. Which things, by a certain similitude, do seem properly or improperly to appertain to the thing consecrated.”

~ The Fourth Book of Occult Philosophy

 

Consecration Ritual for a Solomonic Lighter of the Art

By Frater S.C.F.V.

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One idea I had on this past waxing-Mooned Day of Mercury was to make a Solomonic Lighter of the Art.

To go about it, I painted a barbecue lighter white during the Hour of Mercury on the Day of Mercury when the Moon was waxing.


HELPFUL TIP: Should  you choose to craft your own Lighter of the Art, I recommend leaving a little space unpainted around the switches that activate the fire in the lighter. If you paint too closely to the switches, paint can slip into the grooves and render the switches unmovable and the lighter, unusable. I learned this lesson the hard way; paint got into the grooves, the switches ceased to function, and I had to start over with a second lighter. How often our magical wisdom grows from foolish mistakes…


For this method, having painted the handle of a barbecue lighter white or eggshell white acrylic paint, you will need:

Having prepared all of these things on a prior date, place all of your tools in the Circle and begin the operation in the Hour of Mercury on the Day of Mercury (Wednesday) when the Moon is waxing.

HELPFUL TIP: To determine the current Moon phase, see this site. To determine the Planetary Hours for a given day, calculate them yourself or use this site.

EXORCISM AND CONSECRATION OF THE SOLOMONIC LIGHTER OF THE ART

Sprinkle the Lighter with Holy Water, suffumigate with consecrated Incense, and anoint it with consecrated Holy Oil and say:

I exorcise thee, O Creature of Fire, by Him through Whom all things have been made, so that every kind of Phantasm may retire from thee, and be unable to harm or deceive in any way, through the Invocation of the Most High Creator of all. Amen.

After this thou shalt add:–

I exorcise thee, O Creature of the Lighter, by Him Who alone hath created all things by His Word, and by the virtue of Him Who is pure truth, that thou cast out from thee every Phantasm, Perversion, and Deceit of the Enemy, and may the Virtue and Power of God enter into thee, so that thou mayest give us light, and chase far from us all fear or terror. Amen.

Draw these characters with the Pen of the Art:

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Bless the Lighter of the Art:

Bless, O Lord All Powerful, and All Merciful, this Creature of Fire, so that being blessed by Thee, it may be for the honour and glory of Thy Most Holy Name, so that it may work no hindrance or evil unto those who use it. Through Thee, O Eternal and Almighty Lord, and through Thy Most Holy Name. Amen.

This being done, suffumigate the Lighter of the Art with the Spices of the Art once more, sprinkle it with the Holy Water, and anoint with the Holy Oil.

After this thou shalt repeat over the Lighter of Art, the following Psalms:

Psalm 150

Hallelujah!

Praise El in his holy place.
Praise him in his mighty heavens.
Praise him for his mighty acts. Praise him for his immense greatness.
Praise him with sounds from horns. Praise him with harps and lyres.
Praise him with tambourines and dancing.Praise him with stringed instruments and flutes.
Praise him with loud cymbals. Praise him with crashing cymbals.

Let everything that breathes praise Yah!

Hallelujah!

Psalm 117

Praise YHVH, all you nations! Praise him, all you people of the world!
His mercy toward us is powerful.
YHVH’s faithfulness endures forever.

Then pray over the Lighter of the Art:

O Lord God, Who governest all things by Thine Almighty Power, give unto me, a poor sinner, understanding and knowledge to do only that which is agreeable unto Thee; grant unto me to fear, adore, love, praise, and give thanks unto Thee with true and sincere faith and perfect charity. Grant, O Lord, before I die, and descend into the realms beneath, and before the fiery flame shall devour me, that Thy Grace may not leave me, O Lord of my Soul. Amen.

After this thou shalt sprinkle it with the Water of the Art, and incense them with the usual perfumes, and anoint with the Oil a final time. Then wrap the Lighter of the Art in a consecrated Silk or Linen of the Art.

***

And each time thou shalt wish to kindle this Lighter of the Art thou shalt say:–

I exorcise thee, O Creature of Fire, in the Name of the Sovereign and Eternal Lord, by His Ineffable Name, which is YOD, HE, VAU, HE; by the Name IAH; and by the Name of Power EL; that thou mayest enlighten the heart of all the Spirits which we shall call unto this Circle, so that they may appear before us without fraud and deceit through Him Who hath created all things.

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A Final Note on the Sigils Used in the Method

As a final note, when I shared this method with my esteemed Solomonic colleagues, it was very well-received by all but the most hyper-traditionalists who preferred to fumble over flint rather than to benefit from a more efficient way to spark the same “Creature of Fire” used to light the Candles and Incense of the Art.

Personally, having tested both the traditional flint and the consecrated Lighter of the Art, I haven’t found any magical difference in efficacy or potency from using the former rather than the latter. On the contrary, since the Lighter of the Art has an added layer of consecrations and Sigil-based empowerment to it, it seems to have proven even more effective than the flint in my experience.

For a sampling of some of the interesting feedback I received, the learned Mr. Christopher Hartleigh Low said the rationale of method made sense to him as he had already turned a Zippo into a Solar talisman. The equally learned Mr. Aaron Leitch asked if the Sigils used were the Sigils on the Candle in the Key of Solomon were of Wax Angels or Fire Angels. My response was that although I had consulted multiple manuscripts and secondary sources, I was unable to find a definitive answer as to the derivational origins of these sigils in my research. In terms of reputable secondary sources, Joseph H. Peterson’s edition sadly didn’t have any footnotes clarifying the sigils given here.

It’s worth noting that the Sigils used in this method are identical to those used on the Solomonic Candle of the Art in the Key of Solomon Book II, Chapter 12, which is what prompted Mr. Leitch’s very fair question. Although I’m open to evidence to the contrary, it seems to me that these sigils are a mixture of sigils for Angels governing both Wax and Fire since they appear in the Grimoire in a context that provides exorcisms and blessings of both “Creatures of Wax” and “Creatures of Fire.”

If so, then the Fire Angels can watch over the lighting of the Candles and Incense and the Wax Angels can add their power and influence to the lighting of the Candles by virtue of the Wax that melts during the lighting. If, as it turns out, the sigils entirely pertain to Wax Spirits, then they can still exercise the latter virtue. In any case, following the grimoire, I re-exorcise the Fire each time I light a candle or incense anyway.